Daily Dose Of Jazz…

Hasaan Ibn Ali, born William Henry Langford, Jr. on May 6, 1931 in Philadelphia, Pennsylvania. In 1946 at age 15, he toured with trumpeter Joe Morris’s rhythm and blues band and two years later he was playing locally with Clifford Brown, Miles Davis, J. J. Johnson, Max Roach, and others. Based in Philadelphia, he freelanced and acquired a reputation locally as an original composer and theorist. The pianist performed with Horace Arnold in New York City in 1959, and again in 1961–62, in a trio with Henry Grimes.

According to Roach, while visiting New York, Ibn Ali went from club to club to play, and sometimes at the drummer’s home in the middle of the night continued to play unaccompanied on the piano there. The drummer routinely recorded Ibn Ali’s playing in this way when the pianist visited.

An album, The Max Roach Trio Featuring the Legendary Hasaan, was recorded on December 4 and 7, 1964, with bassist Art Davis, and was released six months later. Seven of the tracks were written by Ibn Ali. After the release of thealbum,

Ibn Ali mentored saxophonist Odean Pope, Ibn Ali had further studio sessions, with Pope, Art Davis and drummer Khalil Madi, on August 23 and September 7, 1965. Unfortunately for music posterity, the master tapes were destroyed in the fire at Atlantic’s warehouse at Long Branch, New Jersey in 1978. Pope believed that the recordings were not released by Atlantic because the label found out that the pianist had been imprisoned shortly after the sessions for drug offences. A copy of the recording was uncovered decades later; CD and LP versions were released as Metaphysics: The Lost Atlantic Album by Omnivore Recordings in 2021.

His parents died in a fire that destroyed their home North Gratz Street on October 24, 1980. Reckless with his health, pianist Hasaan Ibn Ali who was strongly influenced by Elmo Hope, passed away in 1980 at 48 or 49. He built a reputation in Philadelphia, where he influenced musicians including John Coltrane, but he remained little known elsewhere.

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Daily Dose Of Jazz…

Charles Owens, was born Charles M. Brown on May 4, 1939 in Phoenix, Arizona and began playing music while attending the University of San Diego. Following a stint in the United States Armed Forces, he studied at Berklee College of Music.

Working in the bands of Buddy Rich and Mongo Santamaria as an alto saxophonist in the late 1960s. In the 1970s played mostly tenor and soprano saxophone. He played in that decade with Bobby Bryant, Paul Humphrey, Diana Ross, John Mayall, Frank Zappa, Lorez Alexandria, Henry Franklin, Patrice Rushen, Gerald Wilson, and James Newton among others.

He worked with Newton again in the mid-1980s, and also played during the same decade with John Carter, Horace Tapscott, and Mercer Ellington. Later he worked with Carmen Bradford, Jeannie Cheatham and Jimmy Cheatham, and Buddy Childers.

Saxophonist and flautist Charles Owens continues to pursue excellence with his music.

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Daily Dose Of Jazz…

Richard Henryk Twardzik was born on April 30, 1931 in Danvers, Massachusetts and trained in classical piano as a child. He was taught by Margaret Chaloff, the mother of baritone saxophone player Serge Chaloff.

He made his professional debut at the age of fourteen. During his teen years Dick became addicted to heroin, which would eventually be his downfall later in life. Twardzik recorded with Serge Chaloff and Charlie Mariano. He worked with Charlie Parker on several occasions toward the end of Parker’s life. He also played professionally with Lionel Hampton and Chet Baker, recording with the latter and Chaloff in 1954 and 1955.

Pianist Dick Twardzik, who worked in Boston for most of his career, passed away of a heroin overdose while on a European tour with Chet Baker on October 21, 1955 in Paris, France.

ROBYN B. NASH

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Three Wishes

The Baroness asked Billy James if he was given three wishes what would they be:

  1. “That I could be with my family.”
  2. “That Art Blakey should live forever.”
  3. “For the world to be full of people like you.”

*Excerpt from Three Wishes: An Intimate Look at Jazz Greats ~ Compiled and Photographed by Pannonica de Koenigswarter

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Daily Dose Of Jazz…

William Franklin Hardman, Jr. was born on April 6, 1933 in Cleveland, Ohio and growing up there worked with local players including Bobby Few and Bob Cunningham. While in high school he played with Tadd Dameron, and after graduation he joined Tiny Bradshaw’s band.

Hardman’s first recording was with Jackie McLean in 1956 and following this he played with Charles Mingus, Art Blakey and the Jazz Messengers, Horace Silver, and Lou Donaldson. He led a group with Junior Cook and as a leader recorded Saying Something on the Savoy label, receiving critical acclaim in jazz circles, but was little known to the general public.

He had three periods in as many decades with Art Blakey’s Jazz Messengers, however, his misfortune was not to be with him during their popular Blue Note recording years. Bill would go on to record three albums for Muse and one for Steeplechase record labels. He recorded forty-three albums as a sideman between 1956 and 1987 working with among others Hank Mobley, Charles Earland, Walter Bishop Jr., Curtis Fuller, Eddie Jefferson and Benny Golson.

On December 5, 1990 hard bop trumpeter and flugelhornist Bill Hardman, whose most prolific recording period as a sideman was with Blakey, passed away of a brain hemorrhage in Paris, France at the age of 57.

ROBYN B. NASH

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