Jazz Poems

GYRE’S GALAX

Sound variegated through beneath lit

Sound variegated through beneath lit

through sound beneath variegated lit

sound variegated through beneath lit

Variegated sound through beneath lit dark

Variegated sound through beneath lit dark

sound variegated through beneath lit

variegated sound through beneath lit dark

Through variegated beneath sound lit

Through variegated beneath sound lit

through variegated beneath sound lit

through variegated beneath sound lit

Through variegated beneath sound lit

Through variegated beneath sound lit

through beneath lit

through beneath lit

through beneath lit

through beneath lit

Thru beneath

Thru beneath

Thru beneath

through beneath lit

Thru beneath

through beneath lit

Thru beneath

through beneath lit

Thru beneath

Thru beneath

through beneath lit

Thru beneath

Thru beneath

through beneath lit

Thru beneath

Thru beneath

Thru beneath

Thru beneath

Thru beneath

Thru beneath

Thru beneath

Through beneath lit

Twainly simple of amongst

twainly simple of amongst

Twainly simple of amongst

twainly simple of amongst

Twainly simple of amongst

twainly simple of amongst

In lit black viewly

viewly

viewly

in viewly

viewly

viewly

in viewly

viewly

in viewly

viewly

in viewly

viewly

viewly

viewly

in viewly

viewly

In lit black viewly

   

in dark to stark

In dark to stark

In dark to stark

    

in dark to stark

In dark to stark

    

in dark to stark

In dark to stark

In above beneath

In above beneath

In above beneath

    

above beneath lit

above beneath

above beneath

above beneath

above beneath lit

above beneath

above beneath lit

above beneath

above beneath lit

above beneath

above beneath lit

above beneath

above beneath

above beneath

above beneath

above beneath lit

above beneath

above beneath

above beneath lit

above beneath

above beneath

above beneath

above beneath

above beneath

above beneath

above beneath

above beneath

above beneath lit

N. H. PRITCHARD 

from Jazz Poems ~ Selected and Edited by Kevin Young

SUITE TABU 200

 

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Patrick Earl Rebillot was born on April 21, 1935 in Louisville, Ohio and studied music at Mt. Union College and the Cincinnati Conservatory of Music with Jeno Takacs. He graduated with a Bachelor of Music Education in 1957.

A long-time member of Herbie Mann’s various line-ups and credited as arranger, Pat appears on recordings by David Newman, Jon Faddis, Flora Purim, Michael Franks, Freddy Cole, Patti Austin and Chris Connor as well as Steely Dan, the Average White Band, Gloria Gaynor, Irene Worth, Bette Midler, Hall & Oates, Morrissey–Mullen, Barbra Streisand, Judy Collins, Carly Simon, The Spinners, and Laura Lieberman.

Rebillot has played live with Sarah Vaughan, Joe Williams, Anita O’Day, Benny Powell, Jimmy Rushing, Zoot Sims, Al Cohn, James Moody, Thad Jones, Mel Lewis, Benny Goodman, Gary Burton, Paul Winter, Joan Baez, Liza Minnelli, Cissy Houston, O.C. Smith, and others.

Rebillot is associated with fellow session and studio musicians Hugh McCracken, Tony Levin, Steve Gadd, Ray Barretto and Ralph MacDonald.

Pianist and composer Pat Rebillot performs occasionally at the age of 90.

ROBYN B. NASH

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Gene J. Bertoncini, born April 6, 1937 in New York City and grew up in a musical family. His father played guitar and harmonica, his brother played accordion and keyboards. He began playing guitar at age seven and by age sixteen was appearing on television.

After high school he attended the University of Notre Dame, where, in 1959, he earned a Bachelor of Science degree in Architectural Engineering. During his matriculation he played clarinet in the Notre Dame marching band. His first guitar teacher was Johnny Smith.

Gene entered the Marines, then moved to Chicago, Illinois where he became immersed in the jazz scene, working with Carmen McRae. Returning to New York City, Gene played with vibraphonist Mike Mainieri and then in one of Buddy Rich’s ensembles. He was a member of the Tonight Show band.

He has worked with Burt Bacharach, Tony Bennett, Paul Desmond, Benny Goodman, Lena Horne, Hubert Laws, Michel Legrand, Charles McPherson, Wayne Shorter, Clark Terry, Nancy Wilson and bassist Michael Moore.

At the advice of his teacher Chuck Wayne, he began studying classical guitar and using the instrument for jazz, Latin and Brazilian music styles. Back in New York City, from 1990 to 2008, Bertoncini played solo guitar on Sunday and Monday evenings at the Bistro La Madeleine on West 43rd Street. He recorded two albums of solo guitar arrangements, Body and Soul and Quiet Now, and published ten of these arrangements in Gene Bertoncini Plays Jazz Standards.

Bertoncini has been on the faculties of William Paterson University, New York University, Eastman School of Music, New England Conservatory, the Banff School of Fine Arts in Alberta, Canada and  on the staff of the Tritone Jazz Fantasy Camps.

Guitarist, arranger, and educator Gene Bertoncini continues to perform, arrange, record and educate.

ROBYN B. NASH

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Nick Paul was born on April 5, 1939 and raised in London, England. Growing up while playing a host of woodwind instruments his influences were George Lewis and John Handy.

Very active during the 60s, 70s and 80s in the south of England, in Europe he also played New Orleans Jazz. Paul played with many bands including The Barry Martin Ragtime Band, Malc Murphy’s Storyville Stompers, Bill Brunskil, The New Iberia Stompers, The New Revival Jazz Band. He spent time in New Orleans listening to the masters and improving his knowledge of the music.

Leaving England in 1987 for sunnier climes, Nick lived aboard his sailing boat Storyville in Cyprus for ten years playing in hotels and clubs. His musical tastes broadened and for the last twelve years he has been playing mainly small group swing and mainstream jazz of the 50s era.

Woodwind master Nick Paul, who now lives in Thailand, is still playing and has established a small recording studio.

ROBYN B. NASH

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Tony Vella was born on April 4, 1937 in Terrasini, a Sicily commune in the metropolitan city of Palermo, Itlay. In 1957 he gained immense experience working with big and small configurations. In Italyhe was the main arranger, for numerous important record houses.

From 1972 he dedicated his efforts to cultural activities and the formation of young talents holding theory courses, and practical instrumental and ensemble music applied to jazz music. By 1975 Tony participated in the Pescara the Jazz Festival with the New Jazz Society of Palermo, the only Italian group invited to perform along with the Zoot Sims Quartet, Antony Braxton, Elvin Jones Quintet, Red Norvo Trio, Chet Baker Quartet, Charles Mingus Group, Roland Kirk Quintet and Don Cherry Organic Music Theatre.

Three years later he formed and directed L’Orchestra in collaboration with the Reinhardt Center for their concert season. Organized by the Associazione Siciliana Amici della Musica and introduced to Auditorium SS. Salvatore of Palermo.

In the Eighties Vella was a partr of the Messina Jazz Meeting with the Brass Group Big Band, as orchestra director and arranger. With the band he has collaborated with international musicians Archie Shepp, Hernie Wilkins, Mel Lewis, Sam Rivers, Toshiko Akiyoshi, Paolo Lepore, Franco Cerri, and Danilo Terenzi.

The next decade he established The Tony Vella Fusion Jazz Band entirely composed from young Sicialian musicians. A big band, modeled on some of the great American orchestras like Quincy Jones. The Fusion Jazz Band presented remarkable arrangements of a repertoire that includes Brazilian and popular jazz. They accompanied singers Beppe Vella, Gaetano Riccobono, and Tony Piscopo, as well as numerous musicians such asCalderone Ignazio, Aldo Oliveri, Benedetto Modica, Giovanni Mazzarino, Sergio Munafò, Aldo Messina, and Sebastiano Alioto, among others.

Pianist, organist, composer, arranger and orchestra director Tony Vella continues to perform, conduct and record.

ROBYN B. NASH

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