Daily Dose Of Jazz…

Marilyn Crispell was born March 30, 1947 in Philadelphia, Pennsylvania and studied classical piano and composition at the New England Conservatory of Music. She discovered jazz through the music of John Coltrane, Cecil Taylor and other contemporary jazz players and composers like Paul Bley and Leo Smith.

For ten years Marilyn was a member of Anthony Braxton’s Quartet and the Reggie Workman Ensemble. She has worked with the Barry Guy New Orchestra as well as a member of the Henry Grimes Trio, the European Quartet Noir and Anders Jormin’s Bortom Quintet.

A resident of Woodstock, New York since 1977 when she came to study and teach at Karl Berger’s Creative Music Studio, in 2005 she performed and recorded with the NOW Orchestra, a year later she was co-director of the Vancouver Creative Music Institute and a faculty member at the Banff Centre International Workshop in Jazz.

Crispell has performed and recorded nearly two-dozen albums as a soloist and leader of her own groups as well as with John Cage, Pauline Oliveros, Robert Cogan, Pozzi Escot, Manfred Niehaus, Larry Ochs, Reggie Workman,Roscoe Mitchell, Wadada Leo Smith, Anthony Braxton,  Steve lacy and Anthony Davis with the New York City Opera, among numerous others.

Pianist Marilyn Crispell, the recipient of a Guggenheim Fellowship, continues to perform, record and teach throughout the U.S., Europe, Canada and New Zealand, and collaborate with videographers, filmmakers, dancers and poets.

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Daily Dose Of Jazz…

Jeri Brown was born in Halifax, Missouri on March 20, 1952 and began singing publicly from the age of six. While matriculating through college in Iowa on a four-year scholarship she studied classical voice. As a result of student performances in mid-western U.S. and Europe her voice caught the attention of musical directors and composers looking for an imaginative voice with incredible range effortlessly creating aesthetic touches to their contemporary or avant-garde works.

Along with performances with the Cleveland Chamber Orchestra, St. Louis Symphony Orchestra and several combos, Jeri began incorporating more stylistic renditions of standards from theatre, film and pop culture.  This led to her working with Ellis Marsalis, Billy Taylor and Dizzy Gillespie. Upon the suggestion of Joe Lovano, she began to improvise during concert performances.

The short list of jazz artists Jeri has performed and recorded with is not limited to Leon Thomas, John Hicks, Grady Tate, Kirk Lightsey, Betty Carter, David Murray, D.D. Jackson, Billy Hart, Kenny Werner, Pierre Michelot, Onaje Allan Gumbs, Fred Hersch, Tony Suggs, Michel Donato, Winard Harper, Chico Freeman, Rufus Reid and Seamus Blake.

Holding several degrees in Counseling, Education and English, Brown has taught at Cleveland State University, Oberlin Conservatory of Music, The university of Akron, University of Massachusetts at Amherst and several universities in Canada. Not to be limited, she has added documentaries, film and theatre to her arsenal of accomplishments and has written and recorded lyrics in collaboration with Avery Sharpe, Henry Butler, Cyrus Chestnut, Abdullah Ibrahim, and Jimmy Rowles. She continues her lifelong pursuit of excellence performing, composing and recording.

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Daily Dose Of Jazz…

Andy Narell was born March 18, 1954 in New York City and took up the steelpan at a very young age after his father invited Ellie Mannette to bring steel pan to Queens, New York in an attempt to get kids off the street and out of gangs.

Moving with his family to California in his teens he eventually studied music at the University of California, Berkeley. He played piano with UC Jazz Ensembles and graduated in 1973. In the 1980s he worked in the project Bebop & Beyond, recording tribute albums to Dizzy Gillespie and Thelonious Monk. He has performed with the Caribbean Jazz Project, Montreux, Sakésho, and Bela Fleck and the Flecktones.

A composer and arranger Andy has created music for Trinidad’s national steelband competition Panorama, and has also performed in South Africa. He has performed and recorded with Spyro Gyra, Taj Mahal, Toto and Mike Marshall and has recorded more than two dozen albums for Windham Hill, Inner City and Heads Up record labels. Steel panist Andy Narell continues to compose, arrange, perform and tour.

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Daily Dose Of Jazz…

Elis Regina was born Elis Regina Carvalho Costa in Porto Alegre, Sao Paulo Brasil on March 17, 1945. She began her career as a singer at age 11 on a children’s radio show, O Clube Do Guri on Rádio Farroupilha. In 1959, Rádio Gaúcha contracted her and the next year she travelled to Rio de Janeiro where she recorded her first LP, Viva a Brotolândia (Long Live Teenage Land).

Following this debut she won her first festival song contest in 1965 singing Arrastão that launched her solo career. Recording her sophomore project Dois na Bossa, that became the first album to sell over a million copies, is considered the beginning of the new musical style MPB, Musica Popular Brasileira.

In the late 1960s and early 1970s, along with Gal Costa, Caetano Veloso and Gilberto Gil, she helped to popularize the work of the tropicalismo movement. Her 1974 collaboration with Antonio Carlos Jobim, Elis & Tom, has been cited as one of the greatest bossa nova albums of all time. Her earlier records were mostly apolitical but from the mid-’70s on, her music became more engaged, and she began to choose compositions and structure her conceptually complex live shows in ways as to criticize the military government, capitalism, racial and sexual injustice and other forms of inequality.

Her death from a cocaine, alcohol and temazepan interaction on January 19, 1982 at the age of 36 shocked Brazil. Elis Regina, singer of MPB, samba, jazz, bossa nova, rock and pop, is widely regarded as the best Brazilian singer of all times by many critics, musicians, and commentators.

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Daily Dose Of Jazz…

Joachim Kühn was born March 15, 1944 in Leipzig, Germany. He was a musical prodigy and made his debut as a concert pianist, having studied classical piano and composition. Influenced by his elder brother, clarinetist Rolf Kühn, he simultaneously got interested in jazz and in 1961 he became a professional jazz musician.

He put together a trio in 1964 and presented the first free jazz in East Germany. In 1966 he left the country and settled in Hamburg and together with his brother played the Newport Jazz Festival and recorded with Jimmy Garrison on the Impulse Record label.

Kühn moved to Paris in 1968 and has since worked with Don Cherry, Karl Berger, Slide Hampton, Phil Woods and Jean-Luc Ponty among others. As a member of Association P.C. he turned to electronic keyboards and during the second half of the 70’s he lived in California and joined the West Coast fusion scene. This period saw him recording with Alphonse Mouzon, Billy Cobham, Michael Brecker and Eddie Gomez.

Returning to Europe and settled near Paris again, he has played in an acoustic trio with Jean-Francois Jenny-Clark and Daniel Humair since 1985. In the summer of 1996, he joined Ornette Coleman for two concerts at the Verona and Leipzig festivals, which opened the way for his Diminished Augmented System. He continues to perform and record.

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