Daily Dose Of Jazz…
Malachi Favors was born August 22, 1927 in Lexington, Mississippi. He began playing double bass at age fifteen and began performing professionally upon graduating high school. His early performances included work with Dizzy Gillespie and Freddie Hubbard. But by 1965, he was a founding member of the AACM – Association for the Advancement of Creative Musicians and a member of Muhal Richard Abrams’ Experimental Band.
Malachi was a protégé of Chicago bassist Wilbur Ware. His first known recording was a 1953 session with tenor saxophonist Paul Bascomb and four years later recorded with pianist Andrew Hill. He began working with Roscoe Mitchell in 1966 and this group eventually became the Art Ensemble of Chicago, for which he is most prominently known. Favors also worked outside the group, with artists including Sunny Murray, Archie Shepp and Dewey Redman.
Favors’ most notable records include “Natural and the Spiritual”, “Sightsong” andthe 1994 Roman Bunka collaboration and recording at the Berlin Jazz Fest of the German Critics Poll Winner album “Color Me Cairo”.
At some point in his career Malachi added the word “Maghostut” to his name and because of this he is commonly listed on recordings as Malachi Favors Maghostut.
Most associated musically with bebop, hard bop and particularly free jazz, Favors not only plays the double bass but electric bass, guitar, banjo, zither, gong and other instruments. Malachi Favors died of pancreatic cancer in Chicago, Illinois on January 30, 2004 at the age of 76.
Daily Dose Of Jazz…
Thurman Green was born on August 12, 1940 in Texas. A jazz trombonist, who primary performed in the bebop orientation, spent time playing in Los Angeles with swinging big bands, such as, the Clayton-Hamilton Jazz Orchestra. He an occasional member of the Horace Tapscott Quintet, one of many groups headed by the late pianist that no one bothered to record. Thurman was open-eared enough to play quite credibly in free settings now and then.
Thurman recorded as a sideman with Willie Bobo, Donald Byrd and Bobby Hutcherson on the Blue Note label. In 1962, Green and baritone saxophonist Hamiet Bluiett were jamming buddies at the Navy School of Music in Washington D.C. They soon went their separate ways but hoped to team up again some day.
It was thirty-two years later, in 1994, that Bluiett was able to give his old friend his first opportunity to lead his own record date with Dance of the Night Creatures that had pianist John Hicks, bassist Walter Booker or Steve Novosel and drummer Steve Williams. It is a shame that it took over four years for the music to finally come out because Green suddenly died at age 57 on June 19, 1997.
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Daily Dose Of Jazz…
Benny Carter was born Bennett Lester Carter on August 8, 1907 in New York City. He received his first piano lessons from his mother but was largely self-taught. Growing up in Harlem under the influence of trumpeter Bubber Miley and was inspired to buy his own. Unable to play like Miley, he switched to saxophone.
By age fifteen he was sitting in at Harlem night spots and from 1924 to 1928, Carter gained valuable professional experience as a sideman in some of New York’s top bands. For the next two years he played with such jazz greats as cornetist Rex Stewart, Sidney Bechet, Earl Hines, Willie “The Lion” Smith, Fats Waller, James P. Johnson, Duke Ellington and others.
His first recordings of a prolific catalogue were made in 1928 with the Charlie Johnson’s Orchestra and he formed his first big band the following year. In the early 30s he played with Fletcher Henderson, led the McKinney’s Cotton Pickers in Detroit, then returned to New York to once again lead his own band. He would work with Sid Catlett, Chu Berry, Teddy Wilson and Dicky Wells.
Benny’s name first appeared on records with a 1932 Crown label, then on Columbia, Okeh and Vocalion. In 1935 he moved to Europe to play trumpet with Willie Lewis’s orchestra, became staff arranger for the BBC dance orchestra, made several records, returned home in 1938, formed another orchestra and spent much of 1939 and 1940 at Harlem’s Savoy Ballroom. He relocated to Los Angeles in 1943, moved increasingly into studio work and arrange for dozens of feature films and television productions, influencing and mentoring Quincy Jones, as well as arranging for Billie Holiday, Sarah Vaughan, Billy Eckstine, Pearl Bailey, Ray Charles, Peggy Lee, Lou Rawls, Louis Armstrong and Mel Torme among others over the course of his career.
Carter has been honored as a jazz master by the National Endowment for the Arts, received the National Medal of Arts from President Clinton, was a Kennedy Center honoree, was awarded the Grammy Lifetime Achievement Award, won six Grammy Awards, has a star on the Hollywood Walk of Fame and was inducted into the Downbeat Jazz Hall of Fame.
Alto saxophonist, clarinetist, trumpeter, composer, arranger and bandleader Benny Carter, who was a major figure known as “King” in the jazz community and the only musician to record in eight different decades, passed away on July 12, 2003 in Los Angeles, California at age 95.
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Daily Dose Of Jazz…
Eddie Locke was born on August 2, 1930 and at a very young age the drummer became a part of the fertile and vibrant Detroit jazz scene during the 1940s and 1950s. This period spawned such great musicians including Hank, Thad and Elvin Jones, Kenny Burrell, Lucky Thompson, Tommy Flanagan, Barry Harris, among so many others.
He eventually formed a variety act with drummer Oliver Jackson called “Bop & Locke” which played the Apollo Theater. A move to New York City in 1954 had him working with Dick Wellstood, Tony Parenti, Red Allen, Willie “The Lion” Smith and Teddy Wilson, to name a few. During this time he came under the tutelage of the great Jo Jones, and eventually became known as a driving and swinging drummer who kept solid time and supported the soloist.
During the late 1950s Eddie formed two of his most fruitful musical relationships, one with Roy Eldridge and the other with Coleman Hawkins. His recording debut came with Eldridge in 1959 on “On The Town”, and he rounded out the Coleman Hawkins Quartet in the 1960s with band members Tommy Flanagan and Major Holley, that made many fine records including the exquisite album “Today and Now” in 1963.
Throughout the 1970s, he played with Roy Eldridge’s band at Jimmy Ryan’s on 54th Street, wound out his career freelancing, teaching youngsters the drums and appearing in the “A Great Day In Harlem” photograph. Drummer Eddie Locke passed away on September 7 2009, in Ramsey, New Jersey.
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Daily Dose Of Jazz…
Hank Jones was born Henry Jones on July 31, 1918 in Vicksburg, Mississippi but grew up in Pontiac, Michigan. Raised in a musical family, his mother sang, his two older sisters studied piano and his two younger brothers— Thad played trumpet and Elvin, drums. He studied piano at an early age and came under the influence of Earl Hines, Fats Waller, Teddy Wilson and Art Tatum.
By age 13 Jones was performing locally in Michigan and Ohio and while playing with territory bands in Grand Rapids and Lansing in 1944 he met Lucky Thompson who invited Jones to work in New York City at the Onyx Club with Hot Lips Page.
In New York he mastered the bop style and worked with John Kirby, Howard McGhee, Coleman Hawkins, Andy Kirk, and Billy Eckstine. In 1947 he began touring with Jazz at the Philharmonic and from 1948 to 1953 he was accompanist for Ella Fitzgerald. During this period he made several historically important recordings with Charlie Parker that included “The Song Is You”, from the Now’s the Time album.
This led to engagements with Artie Shaw, Benny Goodman, Lester Young, Cannonball Adderley and Wes Montgomery. In addition to being the “house pianist” at one time on the Savoy label, Hank was the staff pianist for CBS studios from 1959 through 1975 backing such artists as Frank Sinatra, and for Marilyn Monroe when she sang her famous Happy Birthday for President Kennedy, and pianist and conductor for the Broadway musical Ain’t Misbehavin’.
During the late 1970s and the 1980s, Jones continued to record prolifically with John Lewis, Tommy Flanagan, Ron Carter, Tony Williams, Buster Williams, Eddie Gomez, Al Foster, Jimmy Cobb, Art Farmer, Benny Golson and Nancy Wilson to name a few as his list of jazz collaborators is extensive.
Jones has racked up an impressive catalogue of recordings numbering over sixty as a leader and more as a sideman, worked with Roberta Gambarini at the Monterey Jazz Festival, with Diana Krall on the compilation “We All Love Ella”, was nominated for five Grammys and was honored with a Lifetime Achievement Award, was inducted into the society of NEA Jazz Masters, and was awarded the National Medal of Arts among other accolades. Pianist Hank Jones passed away at a hospice in Manhattan, New York, on May 16, 2010.
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