Daily Dose Of Jazz…
David Owen Mackay was born on March 24, 1932 in Syracuse, New York. He attended Trinity College in Hartford, Connecticut from 1950 to 1954, where he was the first blind student to graduate. He then attended Boston University from 1956 to 1958, where he studied with Margaret Charloff. He also studied with Lennie Tristano in New York City, then at the Lenox School of Jazz where he studied with Bill Evans, and lastly at The Hartford School of Music where he studied with Asher Zlotnik.
By the mid-1960s, Mackay joined the Hindustani Jazz Sextet with Don Ellis, Harihar Rao, Emil Richards, Steve Bohannon, Chuck Domanico and Ray Neapolitan. During this period he played with the Don Ellis Orchestra. The late Sixties saw him and Vicky Hamilton formed a duo and produced two recordings together with instrumentation including flute and saxes from Ira Schulman and guitar from Joe Pass.
In the mid-1970s, Dave along with Bill Henderson, and Joyce Collins formed a unique trio which toured the northwest, recorded two Grammy nominated albums for Discovery, and by 1981 they were performing on the television show Ad Lib. By the end of the decade with Lori Bell, and Ron Satterfield he formed the group Interplay, which garnered them four Grammy npominations. In the 1990s, he teamed up with Stephanie Haynes.
By the turn of the century he teamed with John Giannelli on bass and Joe Correro on drums performing Bill Evans tunes in a celebration of the Life and Music of bassist Scott LaFaro. He then hooked up with bassist Kenny Wild and singer Tierney Sutton. He would go on to perform with Serge Chaloff, Sonny Stitt, Bob Wilber, Bobby Hackett, Jim Hall, Don Ellis, Emil Richards, Shelly Manne, Chet Baker, Joe Pass, Warne Marsh, Kai Winding, Stephanie Haynes, and Tierney Sutton.
As a composer a couple of Mackay’s original compositions were later recorded by Cal Tjader, and by the Baja Marimba Band. He wrote a majority of the music with lyricist Barbara Schill for a hit stage musical comedy titled Is It Just Me, Or Is It Hot In Here?
Pianist, vocalist and composer Dave Mackay, with roots in the works of Art Tatum, Bud Powell, and Bill Evans, who favored the standards of the 1940s and 1950s and the bossa novas of Luíz Eça, Antonio Carlos Jobim, and João Gilberto, transitioned on July 29, 2020.
More Posts: composer,history,instrumental,jazz,music,piano,vocal
Daily Dose Of Jazz…
Frank Isola was born on February 20, 1925 in Detroit, Michigan and was heavily influenced by Gene Krupa. He played in the U.S. military during World War II and then studied and performed in California with Bobby Sherwood and Earle Spencer.
Moving to New York City he played with Johnny Bothwell and Elliot Lawrence in 1947. Following this, in the Fifties Frank played with Stan Getz and Gerry Mulligan, as well as with Mose Allison, Eddie Bert, Bob Brookmeyer, Jimmy Raney, Johnny Williams and Tony Fruscella.
By the late 1950s Isola returned to Detroit and kept working periodically with local bands or in jam sessions but well out of the spotlight. He was active in the Cass Corridor area of Detroit in the 1970s playing jazz standards with pianist Bobby McDonald and others at Cobb’s Corner Bar.
He worked as a drummer briefly at Captain Hornblower’s in Key West, Florida in the late 1980s with pianist Johnny Williams. By the early Nineties, he moved back north and was playing weekly at Tom’s Steamer’s Bar in Grosse Pointe, Michigan. In 1994 and 1995 Isola played at The Windsor Jazz Festival in Ontario, Canada backing Franz Jackson and Marcus Belgrave. The 1994 concert was released on Parkwood Records as Live at Windsor Jazz Festival III with Jackson and Belgrave as co-leaders.
He recorded fourteen albums between 1954 and 1981 with Getz, Mulligan, Mose Allison, Bob Brookmeyer, Dick Garcia, Franz Jackson, Charlie Parker and Bob Szajner. Drummer Frank Isola, who never led a recording session, transitioned on December 12, 2004.
More Posts: drums,history,instrumental,jazz,music
Daily Dose Of Jazz…
Alvin “Buddy” Banks was born on January 15, 1927 in St. Thomas, Ontario, Canada and grew up in the United States. He became interested in music during high school, starting out on piano before switching to saxophone. During World War II he joined the United States Army Band as a bass player.
Making his first appearance on record was in Vienna, Austria with Thurmond Young, this group also played live at the Colored Club. He played in Paris, France with Gerry Wiggins in 1950, and then with Bill Coleman in Bern, Switzerland, Le Havre, France and Belgium. After problems with his passport in Switzerland, he left for Paris in 1953, where he recorded often with expatriate American jazz musicians as well as local performers.
These include Hazel Scott, Buck Clayton, Lionel Hampton, Mezz Mezzrow, Don Byas, Albert Nicholas, and André Persiany. He toured with Michel Attenoux and with Sidney Bechet through Western and Central Europe in 1954.
Double bassist Buddy Banks transitioned on August 7, 2005 in Las Vegas, Nevada.
More Posts: bass,history,instrumental,jazz,music
Daily Dose Of Jazz…
Nathan Peck was born on January 13, 1925 in New York City and began playing the trombone as a teenager. After leaving high school he was drafted into the army and became part of Glenn Miller’s band. He remained with the band until after World War II ended.
He played with Don Redman in 1947 and studied classical music at the Paris Conservatory from 1949 to 1951, while playing and recording with leading jazz musicians such as Coleman Hawkins, James Moody, and Roy Eldridge. During the 1950s Peck played on television in New York, and in 1953 he recorded with Dizzy Gillespie. He shuttled between Paris and New York until 1957, when he married dancer Vera Tietz, then settled in France.
In France, he played with Michel Legrand, André Hodeir and Duke Ellington. Spending some time in England and Germany, Nathan worked as a staff musician at Sender Freies Berlin and played with Quincy Jones and the Clarke-Boland Big Band from 1963 to 1969. Relocating to London, England in 1965, he became active in the studios, film, and television. He played with Benny Goodman in the early Seventies and with Peter Herbolzheimer by the end of the decade.
Later he worked mainly as a contractor with his company, London Studio Orchestras. While this led to him ending his playing career, he shifted his talents to putting together the best blend of session musicians that he could find. ‘The Italian Job’, ‘Yentl’, ‘The 3 Muskateers’, and many more great films, especially with French composers Michel Legrand and Philippe Sarde.
Trombonist Nathan Peck transitioned on October 24, 2015.
More Posts: history,instrumental,jazz,music,trombone
Daily Dose Of Jazz…
Waymon Reed was born on January 10, 1940 in Fayetteville, North Carolina and attended the Eastman School of Music. He went on to play with trumpeter/saxophonist Ira Sullivan. Joining James Brown’s band from 1965 to 1969, he played on It’s a Man’s Man’s Man’s World.
Reed worked with the big bands of Frank Foster and Thad Jones-Mel Lewis. He became a member of the Count Basie Orchestra in 1969, staying until 1973. He returned to play with Basie again in 1977–78.
He married Sarah Vaughan and worked with her from 1978–80, but shortly afterwards they divorced. He played on B.B. King’s album There Must Be A Better World Somewhere in 1981. In 1977, Reed recorded his one album as leader, 46th and 8th, featuring tenor saxophonist Jimmy Forrest, pianist Tommy Flanagan, bassist Keter Betts and drummer Bobby Durham.
Trumpeter Waymon Reed, who was principally a bebop soloist, transitioned from cancer on November 25, 1983 in Nashville, Tennessee.
More Posts: bandleader,history,instrumental,jazz,music,trumpet