
Daily Dose Of Jazz…
Irving “Mouse” Randolph was born in St. Louis, Missouri on January 22, 1909 and started off playing on riverboats with Fate Marable’s ensemble. Following this he played in numerous territory bands, including those of Walt Farrington, Willie Austin, Art Sims, Norman Mason, Floyd Campbell, Alphonse Trent, and J. Frank Terry.
From 1931 to 1933 he was in Kansas City, Missouri playing in Andy Kirk’s Twelve Clouds of Joy, and then played briefly with Fletcher Henderson and Benny Carter in 1934. 1935 to 1939 saw Mouse playing in Cab Calloway’s orchestra, then departed to play with the Ella Fitzgerald Orchestra under the direction of Chick Webb for three years ending in 1942.
By 1943 he was playing with Don Redman and from 1944 to 1947 he did a stint with Edmond Hall. Randolph continued to play into the Seventies, including with the Chick Morrison Orchestra. He never recorded as a bandleader, though he recorded copiously with Henderson, Carter, and Calloway.
Trumpeter Mouse Randolph, who was prominent during the swing era, transitioned on December 12, 1997 in New York City, just six weeks shy of his 89th birthday.

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Daily Dose Of Jazz…
Albert “Abbie” Brunies was born on January 19, 1900 in New Orleans, Louisiana into a famous musical family, which counted among its members George Brunies and Merritt Brunies.
He was the leader of the Halfway House Orchestra from 1919 to about 1927, playing at the Halfway House Club in New Orleans. This ensemble recorded for Okeh Records in 1925. Among the musicians who played in this group were New Orleans Rhythm Kings members Charlie Cordella, Mickey Marcour, Leon Rappolo, Sidney Arodin, Bill Eastwood, Joe Loyacano and Leo Adde.
He played in New Orleans into the mid-1940s, after which time he moved to Biloxi, Mississippi. There he played with Merritt in the Brunie Brothers Dixieland Jazz Band. Unfortunately, this ensemble recorded sparsely. Cornetist Abbie Brunies transitioned on October 2, 1978.

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Daily Dose Of Jazz…
George Handy, born George Joseph Hendleman on January 17, 1920 in New York City, where his musical beginnings were fostered under the tutelage of composer Aaron Copland.
He first worked professionally as a swing pianist for Michael Loring in 1938. Soon afterward George was drafted into the United States Army in 1940. Post WWII, from 1944 to 1946 he became a member of the Boyd Raeburn Orchestra, composing and performing on piano. This was during a time when many big bands were transforming their musical tendencies toward bebop. Leaving the orchestra briefly to work for Paramount Studios, he returned to Raeburn quickly. During this period he entered one of his most creative periods, doing arrangements of older standards with a distinctly bebop quality.
A rift between him and Raeburn, just as he was entering his prime, forced him to depart the group. Handy continued to arrange for other musicians in his later career.
Pianist, arranger and composer George Handy, best remembered in retrospect for his bebop arrangements, transitioned in Harris, New York, on January 8, 1997 at the age of 76, from heart disease.

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Daily Dose Of Jazz…
Vido William Musso born Vito Gugliermo Musso on January 16, 1913 in Palermo, Sicily. He moved with his family to the U.S. in July 1920, having arrived at the Port of New York on the Italian steamship Patria. They lived in Detroit, where Musso started learning to play clarinet. Ten years later, he went to Los Angeles, California and formed a big band with Stan Kenton in 1935.
Musso dropped out the next year to work with Gus Arnheim, Benny Goodman, and Gene Krupa. He accompanied Billie Holiday and pianist Teddy Wilson on recordings in the late 1930s. He replaced Bunny Berigan as the leader of his band and tried unsuccessfully at other times during the 1930s and 1940s to be a big band leader. However, most of his career was spent as a sideman.
Returning to Goodman, he was a member of big bands led by Harry James, Woody Herman, and Tommy Dorsey. He went back to play with Kenton during the middle 1940s and having moved to California, he retired around 1975.
Saxophonist Vido Musso, who recorded as a leader in the Forties and Fifties for Savoy, Trilon, Arco, Fantasy, RPM, Crown, and Modern record labels, transitioned on January 9, 1982 in Rancho Mirage, California.

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Daily Dose Of Jazz…
Edward Burke was born on January 13, 1909 in Fulton, Ohio. Adept at both violin and trombone, he played both professionally in jazz bands. He worked with Walter Barnes late in the 1920s, then with Cassino Simpson and Ed Carry in the early 1930s.
He worked with Kenneth Anderson in 1934 before joining Erskine Tate’s band through the end of 1935. Following a stint with Horace Henderson, Ed then joined Earl Hines’s band in 1938.
The 1940s saw Burke playing with Walter Fuller and Coleman Hawkins and later in the decade he was with first Duke Ellington and then Cootie Williams. In the early 1950s he joined Cab Calloway’s outfit before working with Buddy Johnson a few years later.
By the 1960s and through the 1970s he essentially went into retirement, though he occasionally played with musicians such as Lem Johnson and Wally Edwards. Violinist and trombonist Ed Bure transitioned on April 19, 1988 in East Elmhurst, New York.


