Daily Dose Of Jazz…
Stanley Ernest Sulzmann was born November 30, 1948 in London, England and began on saxophone at age 13, playing in Bill Ashton’s London Youth Jazz Orchestra, later the National Youth Jazz Orchestra. He studied at the Royal Academy of Music from 1969-1972.
In the 1970s he played with the Clarke-Boland Big Band, Mike Gibbs, John Taylor, Kenny Wheeler, Volker Kriegel, Eberhard Weber, Zbigniew Seifert, Phil Woods, Clark Terry, and Gordon Beck. The 1980s saw him working with Gil Evans, Paul McCartney, the European Jazz Ensemble, the James Last Orchestra, the Hilversum Radio Orchestra, the NDR Big Band, and the London Jazz Orchestra.
Collaborations in the 1990s include with Allan Botschinsky, David Murray, Paul Clarvis, and Bruno Castellucci. Television audiences around the world have heard him as the saxophone soloist in The Belgian Detective, the theme music to ITV’s Poirot, composed by Christopher Gunning.
Saxophonist Stan Sulzmann has held teaching positions at the Guildhall School of Music, the Royal Academy of Music, and Trinity College of Music, and continues to teach, perform and record.
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Daily Dose Of Jazz…
John Lamb was born in Vero Beach, Florida on November 29, 1933 and grew up as a child who loved playing music, specializing in the tuba. He left high school to join the United States Air Force as a musician for their military band. Stationed in Texas and then Montana, the long winters left him with ample time to practice. He replaced the regular string bassist in 1951. He When the band’s usual string bass player was unavailable for a gig in 1951, the bandmaster asked Lamb if he could play the bass; Lamb immediately said yes, and before long became the band’s new string bassist.
Lamb joined Duke Ellington’s orchestra in 1964, and toured with them for three years. Lamb was more of a fan of Miles Davis and Red Garland when he was with Ellington, In 1966 Lamb performed with Ellington and Sam Woodyard for artist Joan Miró at the Fondation Maeght in Saint-Paul-de-Vence.
A later move to St. Petersburg, Florida saw him teaching music in public schools as well as St. Petersburg College. John was awarded the Jazz Club of Sarasota’s Satchmo Award for his service to jazz. Double bassist John Lamb, who recorded with the Duke Ellington Orchestra until 1975, continues to perform.
Daily Dose Of Jazz…
Joe Britton was born on November 28, 1903 in Birmingham, Alabama and following his student days under the guidance of Fess Whatley, he went to work with Bessie Smith who took him on the road from 1924 through 1926 as a member of her backing group, followed with the Fred Longshaw Orchestra and then the Bill Woods Orchestra. The next year, he jumped to Frank Bunch & the Fuzzy Wuzzies, most likely the most obscure name in the list of the groups he played for.
Settling in New York in the ’30s and immediately got into the fast-paced jazz scene working with Ellsworth Reynold’s Bostonians, Teddy Hill, the band of classic jazz drummer Kaiser Marshall, Charlie Johnson, Edgar Hayes, and the Vernon Andrade Orchestra. In the ’40s: he worked with Benny Carter from 1940-1941 and Dizzy Gillespie, while at the same time collaborating on older styles of jazz.
In the 1940s Britton worked and recorded with Jelly Roll Morton, Jay McShann, and Lucky Millinder in 1942. He would go on to be employed by Wynonie Harris showing up on a half-dozen of her R&B records, and also recorded with Sister Rosetta Tharpe.
He performed and recorded with pianist Earl Hines. The trombonist dabbled into orchestra arrangements and his work in this field is highlighted on the album Breaks, Blues and Boogies by fellow bone-man Vic Dickenson. retired from full-time professional playing in the 1950s, however, he gigged off and on into the Sixties, including a regular stint in a band led by saxophonist Wesley Fagan. Trombonist Joe Britton passed away on August 12, 1972 in New York City, New York.
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Daily Dose Of Jazz…
William McLeish Smith was born on November 25, 1910 in Charleston, South Carolina, and raised in Cleveland, Ohio. His first instrument was the clarinet and his education was in chemistry, receiving his degree from Fisk University, an HBCU.
In 1929 Smith became an alto saxophonist for Jimmie Lunceford’s band, becoming one of the main stars in the group. 1940 had him leading his own quintet as a side project. His success with Lunceford had lost its charms by 1942 as he now wanted more pay and less travel. Moving to the Charlie Spivak Orchestra for a year and was in the navy for another year. He then switched to Harry James’s orchestra, where he made more money and stayed with him for seven years.
His next move was to work with Duke Ellington and Billy May. He was also part of the Gene Krupa Trio and can be heard on the 1952 live Verve album The Drum Battle, part of the Jazz at the Philharmonic series. In 1954 he returned to Harry James’s band.
He recorded some three dozen albums as a sideman with Stan Getz, Dizzy Gillespie, Lionel Hampton, Billie Holiday, Barney Kessel, Jimmie Lunceford, Billy May, Rose Murphy, Red Norvo, Andre Previn, Googie René, and Kay Starr among others.
Alto saxophonist Willie Smith, who has been described as one of the triumvirates of great jazz alto saxophonists with Johnny Hodges and Benny Carter before Charlie Parker arrived, passed away of cancer on March 7, 1967 in Los Angeles, California, at the age of 56.
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Daily Dose Of Jazz…
Keg Johnson was born Frederic Homer Johnson on November 19, 1908 in Dallas, Texas. His father was a choir director and he and his younger brother, Budd began their musical careers singing and playing first with their father and later with Portia Pittman, daughter of Booker T. Washington. They played in Dallas-area bands like the Blue Moon Chasers, then with Ben Smith’s Music Makers, eventually performing with Gene Coy and The Happy Black Aces.
Playing a variety of instruments but most noted as a trombonist, around 1928, in Kansas City, Missouri they played in several bands but by 1930 Keg left for Chicago, Illinois to play with Louis Armstrong, recording his first solo on Armstrong’s Basin Street Blues album. His move to New York City in 1933 Keg played with Fletcher Henderson, Benny Carter, and Cab Calloway at the Cotton Club, remaining with Cab for 15 years.
Leaving New York City for Los Angeles, California he briefly changed careers renovating houses. During the 1950s he returned to New York City where he and his brother reunited and recorded the album Let’s Swing. In 1961, he began playing with Ray Charles and was still in his band when trombonist Keg Johnson passed away in Chicago on November 8, 1967.
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