Daily Dose Of Jazz…
Sonny Burke, born Joseph Francis Burke on March 22, 1914 in Scranton, Pennsylvania and in the Thirties attended Duke University where he formed and led the jazz big band called The Duke Ambassadors. Graduating in 1937, during the 1930s and 1940s, he was a big band arranger in New York City, working with Sam Donahue’s band.
In the 1940s and 1950s, he worked as an arranger for the Charlie Spivak and Jimmy Dorsey bands, among others. 1955 saw him writing, along with Peggy Lee, the songs to Disney’s Lady and the Tramp. He also wrote songs with John Elliot for Disney’s Toot, Whistle, Plunk and Boom, which won the 1953 Oscar for Best Short Animated Feature.
Burke wrote the music for number of popular songs that continue to be regarded as jazz standards including Black Coffee, with lyric by Paul Francis Webster, and Midnight Sun, co-written with jazz vibraphonist Lionel Hampton. An active arranger, conductor and A&R man at major Hollywood record labels, especially Decca Records, he worked with Charles “Bud” Dant. He also wrote and arranged the theme for the early 1960s television show Hennesey, a jazzy update of the Sailor’s Hornpipe.
Later Sonny went on to become musical director at Warner Bros./Reprise Records. He was responsible for many of Frank Sinatra’s albums and produced Sinatra’s iconic recording of My Way and Petula Clark’s classic This Is My Song written by Charles Chaplin for his movie A Countess From Hong Kong. He was also the bandleader for recordings of leading singers such as Dinah Shore, Bing Crosby, The Andrews Sisters, The Mills Brothers, Ella Fitzgerald, and Mel Tormé.
Arranger, composer, big band leader, and producer Sonny Burke passed away from cancer on May 31, 1980 in Santa Monica, California at the age of 66.
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Daily Dose Of Jazz…
Lawrence Joseph Elgart was born in New London, Connecticut on March 20, 1922, four years younger than his brother, Les, and grew up in Pompton Lakes, New Jersey. Mother and father both played piano, the former being a concert pianist. He attended Pompton Lakes High School and began playing in jazz ensembles in their teens, and he played with jazz musicians such as Charlie Spivak, Woody Herman, Red Norvo, Freddie Slack and Tommy Dorsey.
In the mid-1940s, the brothers started up their own ensemble, hiring Nelson Riddle, Bill Finegan and Ralph Flanagan to arrange tunes for them. Their ensemble was not successful, and after a few years, they scuttled the band and sold the arrangements they had commissioned to Tommy Dorsey. Both returned to sideman positions in various orchestras.
By 1953, Larry met Charles Albertine and recorded two of his experimental compositions, Impressions of Outer Space and Music for Barefoot Ballerinas. Released on 10″ vinyl, these recordings became collectors’ items for fans of avant-garde jazz, though not commercially successful. Putting together a more traditional ensemble they, produced what came to be known as the Elgart Sound in their recordings. This configuration proved to be very commercially successful, and throughout the 1950s, Larry and Les enjoyed a run of successful albums and singles on the Columbia label. Their initial LP, “Sophisticated Swing,” released in late 1953, was credited to The Les Elgart Orchestra, because, according to Larry, Les was more interested than his brother in fronting the band.
In 1954, the Elgarts left their permanent mark on music history in recording Albertine’s Bandstand Boogie, for the legendary television show originally hosted by Bob Horn, and two years later, by Dick Clark. In 1956, Clark took the show from its local broadcast in Philadelphia, to ABC-TV for national distribution as American Bandstand. He remained host for another 32 years. Variations of the original song surfaced as the show’s theme in later years.
In 1955, the band became The Les and Larry Elgart Orchestra, but split up in 1959, subsequently releasing his own series of LPs. Larry signed with RCA Victor and his 1959 album, New Sounds At the Roosevelt, was nominated that year for a Grammy Award. From 1960-62, he released music on MGM Records. The brothers reunited in 1963, recorded several more albums and ended with 1967’s “Wonderful World of Today’s Hits,” after which they once again went their separate ways.
His biggest exposure came in 1982, with the smash success of a recording titled Hooked on Swing. The instrumental was a medley of swing jazz hits – In the Mood, Cherokee, Don’t Sit Under the Apple Tree, American Patrol, Sing, Sing, Sing, Don’t Be That Way, Little Brown Jug, Opus #1, Take the A Train, Zing Went the Strings of My Heart and A String of Pearls. The album became so popular it cracked the US Billboard Pop Singles chart at #31 and Adult Contemporary chart #20. This was the final hit for any artist in the year-long “medley craze,” that lasted from 1981 to 1982.
Continuing to tour internationally and record into the 2000s, alto saxophonist Larry Elgart, who over the course of his career recorded twenty-eight albums as a leader and recorded two-dozen with his brother, passed away at a hospice center in Sarasota, Florida on August 29, 2017 at the age of 95.
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Daily Dose Of Jazz…
Ray Ellington was born Henry Pitts Brown on March 17, 1916 at 155 Kennington Road, Kennington, London, England, the youngest of four children. His father, a Black music-hall comedian, and entertainer, his mother a Russian Jew. When his father died when he was four years old, he was brought up as an Orthodox Jew and attended the South London Jewish School before entering show business at the age of twelve, when he appeared in an acting role on the London stage.
His first break came in 1937 when he replaced Joe Daniels in Harry Roy and His Orchestra as the band’s drummer. His vocal talents were put to good use too, from the time of his first session when he recorded Swing for Sale. Ellington was called up in 1940, joined the Royal Air Force (RAF) as a physical training instructor where he served throughout the war. He played in various service bands including RAF Blue Eagles.
After demobilisation, Ellington resumed his career, fronting his own group, playing at The Bag O’Nails club. Early in 1947, he rejoined the Harry Roy band for a few months. The Ray Ellington Quartet was formed in the same year, specializing in jazz, while experimenting with many other genres. His musical style was heavily influenced by the comedic jump blues of Louis Jordan. His band was one of the first in the UK to feature the stripped-back guitar/bass/drums/piano format that became the basis of rock and roll, as well as being one of the first groups in Britain to prominently feature the electric and amplified guitar of Lauderic Caton. The other members of his quartet were pianist Dick Katz and bassist Coleridge Goode until 1955 when the players changed.
Vocalist, drummer and bandleader Ray Ellington passed away from cancer on February 27, 1985.
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Daily Dose Of Jazz…
Joe Mooney was born in Paterson, New Jersey on March 14, 1911 and went blind when he was around 10 years of age. His first job, at age 12, was playing the piano for requests called in to a local radio station. He and his brother, Dan, played together on radio broadcasts in the late 1920s, and recorded between 1929 and 1931 as the Sunshine Boys and the Melotone Boys, both sang while Joe accompanied on piano. They continued performing together on WLW in Cincinnati, Ohio until 1936, after which time Dan Mooney left the music industry.
In 1937, he began working as a pianist and arranger for Frank Dailey, a role he reprised with Buddy Rogers in 1938. Through the early 1940s, Joe arranged for Paul Whiteman, Vincent Lopez, Larry Clinton, Les Brown, and The Modernaires. Putting together his own quartet in 1943, he sang and played the accordion with accompaniment on guitar, bass, and clarinet.
In the last half of the 1940s his group experienced considerable success in the United States. By 1946, a newspaper columnist wrote that Mooney’s music “has the most cynical hot jazz critics describing it in joyous terms, such as exciting, new, the best thing since Ellington, and as new to jazz as the first Dixieland jazz band was when it first arrived”. As for Mooney himself, the columnist wrote that he “played in virtuoso fashion … a fellow who knows not only his instrument, but jazz music, both to just about the ultimate degree.”
In the 1950s, Mooney sang with the Sauter-Finegan Orchestra and played with Johnny Smith in 1953. After moving to Florida in 1954 he concentrated more on the organ and recorded in 1956. 1963 saw a group of friends form a company to produce a record, Joe Mooney and His Friends. He recorded again in the middle Sixties. Accordionist, organist, and vocalist Joe Mooney passed away after a stroke at age 64, on May 12, 1975, in Fort Lauderdale, Florida.
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Daily Dose Of Jazz…
Mercer Kennedy Ellington was born on March 11, 1919 in Washington, D.C. and is the only child of the composer, pianist, and bandleader Duke Ellington and his high school sweetheart Edna Thompson. He grew up primarily in Harlem from the age of eight and by the age of eighteen, he had written his first piece to be recorded by his father, Pigeons and Peppers. He attended New College for the Education of Teachers at Columbia University, New York University, and the Juilliard School.
In 1939, 1946 through 1949, and 1959, Mercer led his own bands, many of whose members later performed with his father, or achieved a successful career in their own right including Dizzy Gillespie, Kenny Dorham, Idrees Sulieman, Chico Hamilton, Charles Mingus, and Carmen McRae. During the 1940s, in particular, he wrote pieces that became standards, Things Ain’t What They Used to Be, Jumpin’ Punkins, Moon Mist, and Blue Serge. He also wrote the lyrics to Hillis Walters’ popular song, Pass Me By in 1946), which was recorded by Lena Horne, Carmen McRae, and Peggy Lee.
Composing for his father from 1940 until 1941, he later worked as the road manager for Cootie Williams’ orchestra in 1941 until 1943 and again in 1954. Ellington returned to work for his father playing alto horn in 1950, and then as general manager and copyist from 1955 until 1959. In 1960, he became Della Reese’s musical director, then later went on to take a job as a radio DJ in New York for three years beginning in 1962. He again returned to his father’s orchestra in 1965, this time as trumpeter and road manager. When his father died in 1974, Ellington took over the orchestra, traveling on tour to Europe in 1975 and 1977.
In the early 1980s, Ellington became the first conductor for a Broadway musical of his father’s music, Sophisticated Ladies which ran from 1981 until 1983. Mercer’s Digital Duke won the 1988 Grammy Award for Best Large Jazz Ensemble Album. From 1982 until the early 1990s, the Duke Ellington Orchestra included Barrie Lee Hall, Rocky White, Tommy James, Gregory Charles Royal, J.J. Wiggins, Onzy Matthews, and Shelly Carrol among others.
Trumpeter, composer, arranger, and bandleader Mercer Ellington, who recorded ten albums as a leader and arranged Clark Terry’s Duke With A Difference album, passed away from a heart attack on February 8, 1996 at age 76 in Copenhagen, Denmark.
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