Daily Dose Of Jazz…

Freddie Jenkins was born on October 10, 1906 in New York City, New York and played in the Jenkins Orphanage Band when young before he attended Wilberforce University. Following this he played with Edgar Hayes and Horace Henderson between 1924 and 1928. 

He then took a position in Duke Ellington’s Orchestra in 1928 where he soloed in the 1930 film Check and Double Check, during a performance of the song Old Man Blues. He remained with the Ellington Orchestra until 1935, when lung problems forced him to quit.

Recovered, he formed his own group in 1935, recording one session as a leader. His sidemen included Ward Pinkett, Albert Nicholas and Bernard Addison. After this he played with Luis Russell in 1936. Rejoining Ellington in 1937 he played with him for a year, then for a short time thereafter played with Hayes Alvis. 

After 1938, his lung ailment returned and he retired again from performance. In his later years he worked as a songwriter, disc jockey, and in music press. He became a deputy sheriff in Fort Worth, Texas. 

Trumpeter Freddie Jenkins transitioned in 1978.

Bestow upon an inquiring mind a dose of a New York City trumpeter to motivate the perusal of the genius of jazz musicians worldwide whose gifts contribute to the canon…

Freddie Jenkins: 1906~1978 | Trumpet



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Bill Stegmeyer was born October 8, 1916 in Detroit, Michigan. He attended Transylvania College in Lexington, Kentucky from 1934 to 1936, and following his studies he played through the rest of the decade with Austin Wylie, Glenn Miller, and Bob Crosby.

In the 1940s, he did arrangement work and played clarinet and occasionally, saxophone with Billy Butterfield, Yank Lawson, Bobby Hackett, Will Bradley, and Billie Holiday from 1945 to 1947. He arranged for WXYZ, a Detroit radio station, for two years starting in 1948, then followed this with arranging Your Hit Parade for eight years.

In the 1950s he also continued to play jazz with Lawson, Butterfield, Bob Haggart, Jimmy McPartland, and Ruby Braff.  He went to work for CBS in the early 1960s.

Clarinetist and arranger Bill Stegmeyer, whose only recordings as a leader were five tunes for Signature Records in 1945 and some V-Discs, transitioned from cancer in Long Island, New York on August 19, 1968 at the age of 51.

BRONZE LENS

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Buddy Featherstonhaugh was born Rupert Edward Lee Featherstonhaugh on October 4, 1909 in Paris, France. After the family moved to England he studied in Sussex, and had his first professional gig with Pat O’Malley in 1927. He went on to play with Spike Hughes from 1930 to 1932, and toured England in Billy Mason’s band behind Louis Armstrong that same year and in 1933 recorded with a group called The Cosmopolitans. which included Fletcher Allen. In 1935 he recorded with Valaida Snow and two years later with Benny Carter.

During World War II, he led a Royal Air Force band which included in its ranks Vic Lewis, Don McAffer, and Jack Parnell. They went on to record as The BBC Radio Rhythm Club Sextet during 1943-45. After the war Buddy toured Iceland in 1946, and then left the jazz scene, taking up work as a car salesman.

1956 saw his return to playing and recording in a quintet with trumpeter Leon Calvert, Roy Sidewell, Kenny Wheeler, and Bobby Wellins. He also appeared with the band at Butlin’s Holiday Camps in the mid-1950s. He toured the Middle East in 1957, after which he retired.

Saxophonist and clarinetist Buddy Featherstonhaugh, who was an occasional racing car driver who won the 1934 Albi Grand Prix, transitioned on July 12, 1976.

BRONZE LENS

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EdgarPuddingheadBattle was born on October 3, 1907 into a musical family in Atlanta, Georgia. In 1921 while a student at Morris Brown University he started playing trumpet and formed his own band, the Dixie Serenaders. A few years later the group changed their name to Dixie Ramblers.

Battle played with Eddie Heywood Sr., and toured with the 101 Ranch Boys traveling show. During the 1920s he worked with Gene Coy, Andy Kirk, Blanche Calloway, Ira Coffey, and Willie Bryant. A move to New York City in the early Thirties saw him doing short stints with Benny Carter and Sam Wooding before joining George White’s ensemble on Broadway.

Over time, he began doing more work as a studio musician and arranger, writing charts for Cab Calloway, Paul Whiteman, Fats Waller, Earl Hines, Rudy Vallee, and Count Basie. During World War II, Edgar held a position as an electrician in a shipyard, while simultaneously running a big band with Shirley Clay.

In the 1950s, he founded Cosmopolitan Records and continued to play in big bands part-time through the 1960s. Among his numerous jazz compositions are the pieces Topsy, co-composed with Eddie Durham and Doggin’ Around with Herschel Evans.

Trumpeter, trombonist, saxophonist and pianist Edgar “Puddinghead” Battle, who was also a composer and arranger, transitioned in New York City on February 6, 1977, at the age of 69.

BRONZE LENS

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Bent Jædig, born September 28, 1935 in Copenhagen, Denmark. He first studied clarinet before playing saxophone. In the 1950s, he settled in Germany and led a band with trombonist Rudi Fuesers, later joining another band with trombonist Peter Herbolzheimer in Munich, Germany.

By the 1960s, he returned to Denmark and worked with trumpeter Allan Botschinsky and pianist Bent Axen, with whom he recorded for Denmark’s Debut label. Bent would go on to play with the Dollar Brand Quintet which included Don Cherry. As a side-man he was constantly in demand and worked with Tete Montoliu, Jimmy Woode, Philly Joe Jones/Dizzy Reece, and Louis Hjulmand.

Jædig recorded his first album as a leader in 1967 titled, Danish Jazzman, with Axen, Botschinsky, Dusko Goykovich, Niels-Henning Ørsted Pedersen and Alex Riel. He would later form a trio, played in a duo and recorded live shows in 2002 which were compiled for a release from Timeless Records.

In the Seventies and 1980s he worked with Wild Bill Davison, Art Farmer, Stan Getz, the Thad Jones Big Band, Duke Jordan, Horace Parlan, Sahib Shihab, and Ernie Wilkins Almost Big Band. He was also a member of the Erling Kroner Tentet, played in the Danish Radio Big Band, and recorded on the Miles Davis album Aura. In 1987, Jædig was a member of Pierre Dørge’s New Jungle Orchestra.

At the end of the 1990s he was performing in a quintet. Tenor saxophonist and flutist Bent Jædig transitioned on June 9, 2004. Saxophonist Charles Davis recorded the album Charles Davis Plays the Music of Bent Jædig in 2006.

CALIFORNIA JAZZ FOUNDATION

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