Daily Dose Of Jazz…

Todd Washington Rhodes was born in Hopkinsville, Kentucky on August 31, 1899 and was raised in Springfield, Ohio. He attended the Springfield School of Music and the Erie Conservatory, studying as pianist and songwriter. After graduating in 1921, he began performing with drummer William McKinney in the jazz band McKinney’s Cotton Pickers, and played with Benny Carter, Coleman Hawkins, Fats Waller, Rex Stewart, Doc Cheatham, and Don Redman.

Leaving McKinney’s Cotton Pickers in 1934, he lived and played in Detroit, Michigan from then on. He formed his own small group in 1943, expanding it into the Todd Rhodes Orchestra by 1946. The orchestra made its first recordings for Sensation Records in 1947.

Turning more towards rhythm and blues music, the band became known as Todd Rhodes & His Toddlers, and their recordings were distributed by the Vitacoustic label. His instrumental Blues for the Red Boy reached number 4 on the R&B chart late in 1948, and the following year Pot Likker, made number 3 on the R&B chart. “Blues for the Red Boy” was later famously used by Alan Freed as the theme song for his Moondog radio show; Freed referring to the song as “Blues for the Moondog” instead of its actual title.

With his Toddlers, Rhodes also recorded Your Daddy’s Doggin’ Around and Your Mouth Got a Hole in It. After signing with King Records in 1951, he also worked with Hank Ballard, Dave Bartholomew, and Wynonie Harris. He featured singers such as Connie Allen, who recorded “Rocket 69” in 1952. After she left the band in early 1952, her position was taken by LaVern Baker. Rhodes made his last recordings in the late 1950s.

Developing diabetes, which was untreated for several years, pianist, arranger and bandleader Todd Rhodes transitioned following the amputation of a leg in Inkster, Michigan on June 4, 1965, at the age of 65.

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Daily Dose Of Jazz…

William Stevens Bryant was born August 30, 1908 in Chicago, Illinois and while growing up took trumpet lessons to little success. His first job in entertainment was dancing in the Whitman Sisters Show in 1926. He worked in various vaudeville productions for the next several years, and in 1934 he appeared in the show Chocolate Revue with Bessie Smith.

In 1934, he put together his first big band, which at times included Teddy Wilson, Cozy Cole, Johnny Russell, Benny Carter, Ben Webster, Eddie Durham, Ram Ramirez, and Taft Jordan. They recorded six times between 1935 and 1938 with Bryant sings on 18 of the 26 sides recorded.

Once his ensemble disbanded, Bryant worked as an actor and disc jockey. He recorded R&B in 1945 and led another big band between 1946 and 1948. During September and October 1949, he hosted Uptown Jubilee, a short-lived all-Black variety show on CBS-TV, airing on Tuesday nights. In the 1950s he was the emcee at the Apollo Theater in Harlem, New York.

Bandleader, vocalist, and disc jockey Willie Bryant, known as the Mayor of Harlem, transitioned from a heart attack in Los Angeles, California on February 9, 1964.

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Daily Dose Of Jazz…

Jimmy Strong was born August 29, 1906 in Chicago, Illinois. As a teenage clarinetist he performed in Lottie Hightower’s Nighthawks. Around 1925, he did a national tour with a traveling revue and stayed in California for a time, freelancing with several groups.

Returning to Chicago he joined Carroll Dickerson’s orchestra, where he worked with Louis Armstrong, appearing on Armstrong’s Hot Fives recordings. In 1928, he also worked briefly with Clifford King. The 1930s saw him playing with Cassino Simpson, Zinky Cohn, and Jimmie Noone, as well as his own bands.

Around 1940 relocating to Jersey City, New Jersey he performed with local bands until his death. Clarinetist and tenor saxophonist Jimmy Strong transitioned in April 1977.

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Tony Crombie was born Anthony John Kronenberg on August 27, 1925 in London, England’s East End Jewish community. A self-taught musician, he began playing the drums at the age of fourteen. He was one of a group of young men from the East End of London who ultimately formed the co-operative Club Eleven bringing modern jazz to Britain. He went to New York with his friend Ronnie Scott in 1947, witnessing the playing of Charlie Parker and Dizzy Gillespie, he and like-minded musicians such as Johnny Dankworth, and Scott and Denis Rose, brought be-bop to the UK. This group of musicians were the ones called upon if and when modern jazz gigs were available.

In 1948, Crombie toured Britain and Europe with Duke Ellington, who had been unable to bring his own musicians with him, except for Ray Nance and Kay Davis. Picking up a rhythm section in London, he chose Crombie on the recommendation of Lena Horne, with whom Crombie had worked when she appeared at the Palladium.

By 1956 Tony temporarily left jazz to set up a rock and roll band he called The Rockets, modeling themselves after Bill Haley’s Comets and Freddie Bell & the Bellboys. They released several singles for Decca and Columbia. He is credited with introducing rock and roll music to Iceland, performing there in 1957.

The next year the Rockets had become a jazz group with Scott and Tubby Hayes. During the following year, Crombie started Jazz Inc. with pianist Stan Tracey. During the Sixties he scored for television and film and established a residency at a hotel in Monte Carlo. He toured the UK with Conway Twitty, Freddy Cannon, Johnny Preston, and Wee Willie Harris.

In the early 1960s, Crombie’s friend, Victor Feldman, passed one of his compositions to Miles Davis, who recorded the piece on his album Seven Steps to Heaven. The song, “So Near, So Far”, has been recorded by players including Joe Henderson, who named a tribute album to Miles Davis using the title.

Over the next thirty years, Crombie worked with many American jazz musicians, including Ben Webster, Coleman Hawkins, Illinois Jacquet, Joe Pass, Mark Murphy and Eddie “Lockjaw” Davis.

After breaking his arm in a fall in the mid-1990s he stopped playing the drums, but continued composing until his death. Drummer, pianist, vibraphonist, bandleader and composer  Tony Crombie, was regarded as one of the finest English jazz drummers and bandleaders, transitioned on October 18, 1999, aged 74.

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Sonny Lee was born Thomas Ball Lee on August 26, 1904 in Huntsville, Texas. While a student at Texas State Teachers’ College in the early 1920s he played with Peck Kelley, then moved to St. Louis, Missouri where he worked with the Scranton Sirens, Frankie Trumbauer, Gene Rodemich, Vincent Lopez, and Paul Specht.

By 1932 he had joined the Isham Jones Orchestra, remaining with Jones until 1936. Concomitantly he played with Benny Goodman in 1934-35. After this stint he went to work with Artie Shaw, Charlie Barnet, Woody Herman, and Bunny Berigan. In 1938 he joined the Jimmy Dorsey Orchestra, where he played until 1946.

Trombonist Sonny Lee, who is credited on nearly 200 recording sessions between 1925 and 1946, transitioned on May 17, 1975 in Amarillo, Texas.

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