Daily Dose Of Jazz…
Skeets Herfut was born Arthur Relsmond Herfut on May 28, 1911 in Cincinnati, Ohio and raised in Denver, Colorado. While attending the University of Colorado he played in different bands. By 1934 he was performing with Smith Ballew, and through the decade with Jimmy and Tommy Dorsey, and Ray Noble.
After moving to California, Herfut worked with Alvino Rey, then served in the Army from 1944 to 1945. After the war, he flourished as a studio musician in Hollywood, California and led his own band. Between 1946 and 1947 he performed with Benny Goodman and Earle Spencer.
Into the 1960s Skeets’ studio sessions were with Billy May, Louis Armstrong, Georgie Auld, Jack Teagarden, Stan Kenton and again with Goodman. By the end of the 1960s he joined the Ray Conniff orchestra for several tours of Japan and Germany as well as recording sessions during the 1970s.
Herfurt bacme a member of Lawrence Welk’s orchestra and weekly television show from 1979 to 1982, performing on lead alto saxophone. During his career he recorded with Glen Gray, Ray Anthony, Joe “Fingers” Carr, Frankie Carle, Larry Clinton, Bob Eberly, Helen O’Connell, The Four Freshmen, Bob Keene and Pete Rugolo.
Saxophonist and clarinetist Skeets Herfut, who appeared as a saxophonist in the 1956 film The Nightmare, playing clarinet on the soundtrack, and performed on the soundtrack to the 1974 film The Fortune, transitioned in New Orleans, Louisiana at the age of 80 on April 17, 1992.
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Daily Dose Of Jazz…
Gianni Basso was born May 24, 1931 in Asti, Italy. He started his career shortly after World War II, at first as a clarinetist, then switched to the tenor saxophone playing in Germany and Belgium with Raoul Faisant’s Big Band.
By the Fifties he became established as a commercial GB or general business player in Milan, Italy and had a steady presence at jazz events. The middle of the decade saw Gianni studying music in Turin, Italy and collaborating with trumpeter and composer Oscar Valdambrini. They created a small group combo which soon became one of the most popular jazz groups in Italy during the Fifties.
Due to their popularity Basso went on to work with a number of touring American jazz musicians, including Chet Baker, Buddy Collette, Slide Hampton, Maynard Ferguson, Phil Woods and Gerry Mulligan.
During the Seventies he founded the Saxes Machine and fronted the Gianni Basso Big Band. His senior years had him settling into the Rome, Italy studio scene while playing clubs and enjoying his historical stature.
Tenor saxophonist Gianni Basso, who was influenced by Stan Getz, transitioned on August 17, 2009.
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Daily Dose Of Jazz…
Edgar Junius Hayes was born on May 23, 1902 in Lexington, Kentucky and attended Wilberforce University, graduating with a degree in music. In 1922 he toured with Fess Williams, and formed his own group in 1924, the Blue Grass Buddies, in Ohio. The following year he played with Lois Deppe. Later in the decade he led the groups Eight Black Pirates and the Symphonic Harmonists.
For five years from 1931 to 1936 Hayes played and arranged for the Mills Blue Rhythm Band. Hayes again led his own orchestra from 1937 to 1941 and Kenny Clarke was among his sidemen. His most popular recording was a version of the song Stardust and the original recording of In the Mood which was later covered by Glenn Miller; both songs were recorded in 1938.
Moving to California in 1942 and led a quartet there for most of the decade. Following this he played solo, continuing to perform live into the 1970s. He recorded under his own name several times between 1937 and 1960.
Pianist and bandleader Edgar Hayes transitioned in San Bernardino, California on June 28, 1979.
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Daily Dose Of Jazz…
Karl Drewo was born May 17, 1929 in Vienna, Austria and as a child studied piano and accordion, but switched to tenor saxophone in his teens. In the late 1940s he worked with Charlie Gaudriot and Paul Reischman, followed by performing with Gert Steffens and Horst Winter in the early Fifties. He was a member of the Austrian All Stars in the mid-1950s and from 1956 to 1958 he worked with Fatty George.
He continued on by becoming a member of Kurt Edelhagen’s orchestra, where he played into the early 1970s. In the 1960s he recorded with Francy Boland, Kenny Clarke, Zoot Sims, and Jimmy Woode, among others.
After leaving Edelhagen’s group, he played with the Österreichischer Rundfunk band, and in the 1980s was a member of Peter Herbolzheimer’s ensemble. Later that decade he took a position as a lecturer at an arts school in Graz, Austria. In the Nineties he played with the Lungau Big Band, Rudolf Josel, and Rudi Wilfer.
Saxophonist Karl Drewo, often spelled Carl Drewo or Drevo, transitioned on May 10, 1995 in Wels, Austria.
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Daily Dose Of Jazz…
Friedrich Gulda was born on May 16, 1930 in Vienna, Austria and as the son of a teacher began learning to play the piano at age 7 with Felix Pazofsky at the Wiener Volkskonservatorium. In 1942, he entered the Vienna Music Academy, where he studied piano and musical theory under Bruno Seidlhofer and Joseph Marx.
During World War II as teenagers, Gulda and his friend Joe Zawinul were rebellious and would perform forbidden music, including jazz, in violation of the government’s prohibition of playing such music. Winning first prize at the Geneva International Music Competition in 1946, he began to play concerts worldwide, making his Carnegie Hall debut in 1950, and with Jörg Demus and Paul Badura-Skoda, formed what became known as the “Viennese troika”. Friedrich enjoyed a renowned classical career for years before his 1956 engagement at Birdland in New York City and at the Newport Jazz Festival.
In 1966 he organized the International Competition for Modern Jazz in 1966, and established the International Musikforum, a school in Ossiach, Austria two years later, for students who wanted to learn improvisation. From the 1950s on Gulda cultivated a professional interest in jazz, writing songs and free improvisation or open music improvisations. He also recorded as a vocalist under the pseudonym “Albert Golowin”, fooling music critics for years until it was realized that Gulda and Golowin were the same person.
In jazz, he found “the rhythmic drive, the risk, the absolute contrast to the pale, academic approach I had been taught. He also took up playing the baritone saxophone. His 1970 album, As You Like It, includes the standards Round Midnight and What Is This Thing Called Love?, as well as his own classic Blues For H.G. that is dedicated to Hans Georg Brunner-Schwer.
From the late 1960s through the 1980s he continued his straight-ahead swing and bop-based jazz often in European Jazz big bands, which he often organized yearly performances and recordings. He performed and recorded playing clavichord, percussion instruments, and a bass recorder wooden flute with musicians involved in free improvisation, including Cecil Taylor, Barre Phillips, Ursula Anders, John Surman, Albert Mangelsdorff, Stu Martin, and Fritz Pauer. He would go on to collaborate in the coming decades with Herbie Hancock, Joe Zawinul, and Chick Corea.
When the Vienna Music Academy awarded him its Beethoven Ring in recognition of his performances, he accepted it but then later reconsidered and returned it. To promote a concert in 1999, he announced his own death in a press release so that the concert at the Vienna Konzerthaus could serve as a resurrection party.
Pianist and composer Friedrich Gulda, who worked in both the classical and jazz fields, transitioned from heart failure at the age of 69 on January 27, 2000 at his home in Weissenbach, Austria.
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