Daily Dose Of Jazz…
Ginger Smock was born Emma Smock on June 4, 1920 in Chicago, Illinois and grew up in Los Angeles, California. She graduated from Jefferson High School and studied violin privately with Bessie Dones. By the time she hit the age of 10 she appeared as a soloist at the Hollywood Bowl. She was featured on Clarence Muse’s radio program at the age of thirteen performing Edward MacDowell’s To A Wild Rose. She earned degrees in music from Los Angeles City College, and the Zoellner Conservatory of Music. At the latter institution she was a pupil of Edith Smith.
During 1944 she led a trio with Nina Russell and Mata Roy. In 1951, she led an all-female sextette, featuring Clora Bryant, on the Chicks and the Fiddle show hosted by Phil Moore that broadcasted for six weeks on CBS. The next year she was the featured soloist on KTLA’s variety show, Dixie Showboat.
1953 had Smock recording as part of a group with Gerald Wiggins, Freddie Simon, Red Callender, and Rudy Pitts, accompanying the vocalist Cecil “Count” Carter.
During the mid 1970s, she spent ten years as concertmaster of show orchestras in Las Vegas. In addition to her work in jazz and rhythm & blues, she performed with the All City Symphony Orchestra of Los Angeles. A violin owned by Smock is in the collection of the National Museum of African American History and Culture
Violinist, orchestra leader, and local Los Angeles television personality Ginger Smock, who recorded as a leader but is perhaps best known from her recordings with the Vivien Garry Quintet, transitioned on June 13, 1995.
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Daily Dose Of Jazz…
Ronnie Bedford was born in Bridgeport, Connecticut on June 2, 1931. He started early on the drums, taking lessons from Fred Albright of the NBC Orchestra when he was ten. Later he started listening to radio airchecks of the great big bands on the radio which, among other things, resulted in Gene Krupa becoming his idol. Although he was already in jazz, the defining moment when he fully committed to the jazz life came in 1970 while he was with the Morris Nanton Trio.
He went on to perform with Broadway shows, big bands, small groups, TV, and the recording studio. A very short list of those he has sat in at drums are Hank Jones, Sylvia Sims, Arnett Cobb, Benny Carter, Walter Norris, and Bill Watrous. The drummer has also performed at key jazz festivals and major concert halls including the Newport Jazz Festival, Royal Albert Hall in London and New York’s Avery Fisher Hall, both with Benny Goodman, and the Smithsonian Museum with Benny Carter.
In 1993 he released a self-published album titled Tour de West. He later produced three more albums before the turn of the century on the Progressive Records label. As a sideman he recorded with Carter, Cobb, Jones, Chris Connor, Buddy DeFranco, Don Friedman, Rod Levitt, Pee Wee Russell, Derek Smith and Chuck Wayne.
He was one of the founders of the Yellowstone Jazz Festival held annually in Cody, Wyoming, and was the recipient of the 1993 Wyoming Governor’s Award for the Arts. Living in Powell, Wyoming he taught percussion at Northwest College. Drummer and professor Ronnie Bedford transitioned on December 20, 2014.
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Daily Dose Of Jazz…
Harry Alexander White was born on June 1, 1898 in Bethlehem, Pennsylvania. As a teenager, he played drums, then switched to trombone after moving to Washington, D.C. around 1919. In the early Twenties he played with Duke Ellington, Elmer Snowden, and Claude Hopkins. Then in 1925 he formed the family band called the White Brothers Orchestra, which played the mid-Atlantic states for several years with regular gigs in New York City and Philadelphia, Pennsylvania.
Late in the 1920s, he played with Luis Russell, then joined the Mills Blue Rhythm Band in 1931. The following year he joined Cab Calloway’s orchestra, working as an arranger and composer in addition to his duties on trombone. One of Calloway’s trumpeters, Edwin Swayze, overheard Harry use the term “jitterbug”, and wrote a tune called The Jitterbug. Calloway’s 1934 recording of the song brought the term into widespread currency.
Returning to play with Russell in 1935 when the band was backing Louis Armstrong, he eventually quit playing for part of the Thirties decade. He would later perform with Manzie Johnson, Hot Lips Page, Edgar Hayes, and Bud Freeman.
Trombonist, pianist, saxophonist, arranger and composer Harry White, who was affectionately known as Father White, transitioned on August 14, 1962 in New York City.
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Daily Dose Of Jazz…
John Bernard Gordon was born May 30, 1939 in New York City, New York. He studied at Juilliard School and played with Buddy Johnson and Ray Draper in the 1950s.
Gordon worked with Lionel Hampton in 1961 and 1962 and with Lloyd Price and Sam Rivers later in the 1960s. By the 1970s, he was playing with Charles Tolliver, Clark Terry, Count Basie, Howard McGhee, and Frank Foster.
John led his own ensembles in the late 1970s, and his sidemen included Tolliver, Roland Alexander, Lisle Atkinson, Stanley Cowell, and Andrew Cyrille. During this decade he rejoined Hampton again, with whom he continued working until 1989.
After his Hampton residency Gordon played in Al Grey’s ensemble, Trombone Summit, and founded a group called Trombones Incorporated with Fred Joiner. When Joiner left the group in the early 1990s, he became its leader and changed its name to Trombones Unlimited. The late 1990s had him playing with Slide Hampton, Josh Roseman, Lafayette Harris, Martin Winder, Curtis Fuller, and Thilo Berg.
Gordon worked for several decades as a session musician for recordings and has also performed in pit orchestras for Broadway musicals. At 83, trombonist JOhn Gordon continues to play.
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Daily Dose Of Jazz…
Skeets Herfut was born Arthur Relsmond Herfut on May 28, 1911 in Cincinnati, Ohio and raised in Denver, Colorado. While attending the University of Colorado he played in different bands. By 1934 he was performing with Smith Ballew, and through the decade with Jimmy and Tommy Dorsey, and Ray Noble.
After moving to California, Herfut worked with Alvino Rey, then served in the Army from 1944 to 1945. After the war, he flourished as a studio musician in Hollywood, California and led his own band. Between 1946 and 1947 he performed with Benny Goodman and Earle Spencer.
Into the 1960s Skeets’ studio sessions were with Billy May, Louis Armstrong, Georgie Auld, Jack Teagarden, Stan Kenton and again with Goodman. By the end of the 1960s he joined the Ray Conniff orchestra for several tours of Japan and Germany as well as recording sessions during the 1970s.
Herfurt bacme a member of Lawrence Welk’s orchestra and weekly television show from 1979 to 1982, performing on lead alto saxophone. During his career he recorded with Glen Gray, Ray Anthony, Joe “Fingers” Carr, Frankie Carle, Larry Clinton, Bob Eberly, Helen O’Connell, The Four Freshmen, Bob Keene and Pete Rugolo.
Saxophonist and clarinetist Skeets Herfut, who appeared as a saxophonist in the 1956 film The Nightmare, playing clarinet on the soundtrack, and performed on the soundtrack to the 1974 film The Fortune, transitioned in New Orleans, Louisiana at the age of 80 on April 17, 1992.
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