Daily Dose Of Jazz…
Philip L. Bodner was born June 13, 1917 in Waterbury, Connecticut and played in the Forties and 1950s as a sideman for studio recordings in New York City. He played on jazz sessions with Benny Goodman, with Miles Davis and Gil Evans in 1958.
Organizing The Brass Ring, a group modeled after Herb Alpert, in the mid-1960s they had popular success. Bodner also played with Oliver Nelson and J.J. Johnson during that decade. His associations in the 1970s included Oscar Peterson, Yusef Lateef, Peanuts Hucko, Wild Bill Davison, Ralph Sutton and he also played the signature piccolo part on the disco hit The Hustle by Van McCoy. Other work in the 1970s included playing with Ralph Sutton and Johnny Varro, working with Mingus Epitaph, and arranging Louie Bellson’s tribute to Duke Ellington’s Black, Brown and Beige.
The 1980s saw him working in a swing style with Marty Napoleon, Mel Lewis, George Duvivier, Maxine Sullivan, and Barbara Carroll. He released an album under his own name, Jammin’ at Phil’s Place, on Jazzmania Records in 1990, with Milt Hinton, Bobby Rosengarden, and Derek Smith as sidemen.
Multi-instrumentalist and studio musician Philip Bodner, active in jazz and popular music idioms. Best known as a reedist, he played clarinet, saxophone, oboe, English horn, piccolo, flute, conductor and arranger passed away on February 24, 2008 at age 90 in New York City.
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Daily Dose Of Jazz…
Bob Gordon was born in St. Louis, Missouri on June 11, 1928. Moving to Los Angeles, California in 1948 he studied at Westlake College of Music. Becoming a part of the West Coast jazz scene he was best known as a sideman for musicians like Stan Kenton, Shelly Manne, Chet Baker, Maynard Ferguson, Shorty Rogers, Spud Murphy, Red Norvo, Bill Holman, Dave Pell, Herbie Harper, and Jack Montrose.
In May 1954, only a few weeks before the sessions with Clifford Brown, Gordon recorded as a leader for Pacific Jazz titled Meet Mr. Gordon. As a co-leader, he recorded another five during his short career,
Cool jazz baritone saxophonist Bob Gordon passed away in a car accident on his way to playing at a Pete Rugolo concert in San Diego, California on August 28, 1955. He was 27.
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Daily Dose Of Jazz…
Eugene Joseph Wright was born May 29, 1923 in Chicago, Illinois. Mostly self-taught but took a few lessons late in his career from Paul Gregory. He studied cornet in high school. He played with the Lonnie Simmons group and led his own 16-piece band, the Dukes of Swing in the Forties. He played with Gene Ammons, Count Basie, and Arnett Cobb in the late ’40s and early ’50s, then worked with Buddy DeFranco from 1952 to 1955, touring Europe with him.
He played in the Red Norvo trio in 1955, toured Australia with them, and was featured in a film short with Charlie Barnet. His biggest opportunity came when he was hired by pianist Dave Brubeck, remaining until 1968. He led his own ensemble on a tour of Black colleges in 1969 and 1970, then played with Monty Alexander’s trio from 1971 to 1974.
During the ’70s working in television studios found him film soundtrack work as well as play in clubs. He also did private teaching and became head of the advisory board in the jazz division of the International Society of Bassists, and head of the University of Cincinnati’s jazz department.
Over the course of his lengthy career Wright has worked with Charlie Parker, Billie Holiday, Carmen McRae, Buddy DeFranco, Cal Tjader, Kai Winding, Sonny Stitt, Paul Desmond, Kenny Drew, Dottie Dodgion, Lee Shaw, Buddy Collette, Gerry Wiggins and Dorothy Donegan among others, participating on more than five dozen recordings, thirty-two of which were with Brubeck.
With the death of Brubeck on December 5, 2012, he became the last surviving member of the quartet. Cool and swing bassist Eugene Wright, who has recorded once as a leader, The Wright Groove, is presently still active on the jazz scene at age 96.
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Daily Dose Of Jazz…
Milt Bernhart was born on May 25, 1926 in Valparaiso, Indiana and began on tuba but switched to trombone in high school. At 16 he worked in Boyd Raeburn’s band and later had some gigs with Teddy Powell. After time in the Army he worked, off and on, with Stan Kenton for the next ten years. In 1955 Bernhart recorded his first album as a leader. In 1986 he was elected President of the Big Band Academy of America.
Although known as mild-mannered or humorous, he spent a brief period with Benny Goodman, who brought out his ire. He indicated working with Goodman was “the bottom” of his first 23 years of life, except for basic training in the Army. He called Goodman a bore and claimed he did nothing about the treatment Wardell Gray faced at a segregated club in Las Vegas and he even alleges that he quit because Goodman publicly humiliated Gray in front of an audience.
The West Coast jazz trombonist recorded more than a hundred albums as a sideman working with Maynard Ferguson, Henri Rene, Shorty Rogers, Pete Rugolo, Howard Rumsey, Lalo Schifrin, Chet Baker, Sammy Davis Jr., June Christy, Astrud Gilberto, Peggy Lee, Johnny Mandel, and Henry Mancini among numerous others.
He recorded with Frank Sinatra, supplying the solo in the middle of Sinatra’s 1956 recording of I’ve Got You Under My Skin conducted by Nelson Riddle. Trombonist Milt Bernhart passed away from congestive heart failure at the Adventist Health in Glendale, California at the age of 77 on January 22, 2004.
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Daily Dose Of Jazz…
Gianni Basso, born in Asti, Italy on May 24, 1931 studied music in the busy northern city of Turin, where his childhood friend Oscar Valdambrini was a homeboy. A fascination for American jazz, their meeting was a case of a tenor saxophone and trumpet finding each other. This led to all manner of musical possibilities, most notably the easy-to-maneuver-and-feed small combo.
He started his career shortly after World War II, first as a clarinetist, then switched to the saxophone in the Forties performing in Germany and Belgium in Raoul Falsan’s Big Band. By the beginning of the next decade, he was established as a commercial “GB” or “general business” player in Milan, but one with a steady presence at jazz events, including some of the early Italian attempts at post-fascist festivals.
From about 1954, a collaboration with trumpeter and composer Oscar Valdambrini began that resembled the relationship between Duke Ellington and Billy Strayhorn. The partners’ group was without a doubt the most popular jazz band in Italy in the ’50s, accompanying many touring stars such as Billie Holiday, Lionel Hampton, Gerry Mulligan, Slide Hampton, and Chet Baker. His style became so developed that the Verve label signed him and Sarah Vaughan immediately recruited him for her 1984 album The Mystery of Man.
The late ’70s saw Basso founding the band Saxes Machine and fronting the Gianni Basso Big Band. In his senior years he settled into the comfort of the Rome studio scene, still playing in clubs and enjoying his growing historical stature on the European jazz scene that included free jazz fans.
Tenor saxophonist Gianni Basso, whose playing was influenced by Stan Getz and Sonny Rollins, passed away on August 17, 2009.
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