
Daily Dose Of Jazz…
César Cardoso was born on November 10, 1982, in Leiria, Portugal. At only seven years old he dedicated his time to studying music, From 2004 to 2008 he studied at Hot Clube de Portugal’s Jazz School, where he had lessons with Jorge Reis and Pedro Moreira and started to distinguish himself as a jazz musician. 2008 had him enrolled at Escola Superior de Música de Lisboa, where he continued to work with Jorge Reis and Pedro Moreira. Completing a Jazz Bachelor Degree in saxophone performance, he became a member of the dixieland group Desbundixie with whom he recorded Kick’n Blow in 2007 and Up 2 Nine in 2009.
In 2010, César recorded his debut, Half Step, with his quintet at that timefollowed with a second album, Bottom Shelf, was released five years later in Hot Clube de Portugal, and features his original music this time written for His third album Interchange, was recorded with special guest, Miguel Zenón on alto saxophone.his quartet. His fourth album, Deice of Tenors, is a large ensemble recording.
He published the book Teoria do Jazz (Jazz Theory), with Chiado Editora, the first book ever written in Portuguese about the theoretical bases of Jazz, thought through to serve as a handbook for jazz students. His second book, a complement of the first, is titled Teoria do Jazz – Exercícios. Cardoso has composed and arranged for big bands, such as the Orquestra Jazz de Leiria and the Orquestra do Hot Clube de Portugal.
Saxophonist César Cardoso has won awards, became the first Portuguese musician to become an Artist Henri Selmer Paris, completed his PhD in Music and Musicology, and continues to perform, compose, arrange and teach at the Universidade de Évora in the Jazz degree program and is the pedagogical director of Escola de Jazz de Leiria.
More Posts: bandleader,history,instrumental,jazz,music,saxophone

Daily Dose Of Jazz…
Billy Novick was born on Long Island, New York on October 12, 1951 and began playing clarinet at age eight. He picked up the saxophone at fifteen, and began playing club dates and concerts around the New York area. By 1973 he joined the David Bromberg band. After leaving the band, he started touring and making regional appearances as a sideman with a series of pop performers, including Leon Redbone, Jonathan Edwards, and Martha and the Vandellas.
While rehearsing for a dance performance in 1976, Novick was introduced to the innovative guitarist Guy Van Duser, and the two began a collaboration that continues to flourish. He joined the New Black Eagle Jazz Band, and continues to perform with them. He has appeared on more than thirty-five of the band’s recordings.
With jazz as his first love, Billy has always had an eclectic sensibility and enjoys being able to play a wide range of musical styles. He has performed with blues greats Robert Junior Lockwood, Willie Dixon, Ruth Brown, Duke Robillard, Scott Hamilton, Milt Hinton, Herb Pomeroy, Dave McKenna, Dorothy Donegan and Butch Thompson. He has recorded with a wide variety of artists including Maria Muldaur, Tex-Mex star Freddy Fender, Celtic performers Robbie O’Connel and Aine Minogue, and even rock legend J. Geils.
Internationally recognized as a musician, performer, arranger and composer, he has toured extensively throughout North America, Europe and Asia, and has made spotlight appearances at numerous festivals.
Clarinetist Billy Novick, who has been featured as a sideman on over two hundred and fifty recordings and as a composer, arranger or studio musician has appeared in more than 100 film scores, television shows and commercials, continues to compose, arrange, perform and record.
More Posts: clarinet,history,instrumental,jazz,music

Daily Dose Of Jazz…
Isidore Jean “John” Barbarin was born September 24, 1871 in New Orleans, Louisiana. He began learning cornet at age 14, then played in various New Orleans brass bands, like the Onward Brass Band, the Excelsior Brass Band, and Papa Celestin’s Tuxedo Brass Band.
He did not make it on to record until 1945, when he recorded with Bunk Johnson; in 1946 he recorded with the Original Zenith Brass Band. He was a mainstay of the New Orleans jazz scene in the decades around the turn of the 20th century.
Cornet and alto horn player Isidore Barbarin died on June 12, 1960 in New Orleans.
More Posts: alto horn,cornet,history,instrumental,jazz,music

Daily Dose Of Jazz…
Frank Orchard was born on September 21, 1914 in Chicago, Illinois. He studied at Juilliard from 1932-33 and performed for a year with Stanley Melba’s band, but then worked outside of music altogether, mostly as a salesman until 1941.
Orchard became a part of the New York Dixieland scene in the 1940s, working with Jimmy McPartland, Jimmy Dorsey, Louis Armstrong, Bobby Hackett, Max Kaminsky, Wingy Manone, Joe Marsala and the Eddie Condon gang.
The mid-1950s saw Frank’s move to Dayton, Ohio and eventually to St. Louis, Missouri and still playing trombone although out of the spotlight. He never led his own record date and returned to New York in the 1960s. He worked regularly at Jimmy Ryan’s from 1970-71 and with Billy Butterfield in 1979.
Trombonist, violinist, banjoist and tubist Frank Orchard, who also played in the Willie “The Lion” Smith band with Jack Lesberg, Mac McGrath, Max Kaminsky, Rod Cless, died December 27, 1983 in Manhattan, New York City, New York.
More Posts: banjo,history,instrumental,jazz,music,trombone,tuba,violin

Daily Dose Of Jazz…
Benny Featherstone was born on July 30, 1912 in Brown’s Creek, Tasmania, Australia. His family moved to Melbourne, Australia around the time he was six where he attended Melbourne Grammar and played trombone with the school orchestra and its Footwarmers band between 1926 and 1927. He went on to play drums with Joe Watson and His Green Mill/Wentworth Hotel Orchestra for three years when he was 17. During those years he recorded with the Beachcombers.
Between 1931 and 1933 he worked with bands led by Maurice Guttridge, Les Raphael, Em Pettifer, Geoff Smith and the 3DB Radio Studio Band. Mid 1933 he went to Englandwhere he heard and met Louis Armstrong and Duke Ellington and had a short residency at the Silver Slipper Club. Returning home he joined Art Chapman’s New Embassy Band and led a group at Rex Cabaret. He joined Art Chapman’s New Embassy Band and led a group at Rex Cabaret.
In Sydney, Australia he led the Benny Featherstone Famous Band for a year residency at the Manhattan Club/Cabaret.that only lasted eight weeks when the club went bankrupt. He led the Commodore Cabaret Band, was a member of Art Chapman’s Orchestra at Wattle Palais, then reformed his band in 1935. Two years later he worked with popular dance, swing and show bands. He contributed to the legendary Fawker Park Kiosk Jam Sessions on weekends.
He led his own swing quartet, sextet, Six Stars of Swing, and the Dixielanders. Joining the merchant navy late in 1943 he played in American Servicemen’s clubs in Queensland and in Oakland, California. He disappeared from music in 1945 became a shipping clerk from 1958 to 1975 but played the occasional jam session.
Trumpeter Benny Featherstone became reclusive in his later years and died in Melbourne on April 6, 1977.




