Daily Dose Of Jazz…

Sonny Clark was born Conrad Yeatis Clark on July 21, 1931 in Herminie, Pennsylvania, learned to play the piano and by age 12 was living in Pittsburgh. When visiting an aunt in California at age 20, he decided to stay and began working with saxophonist Wardell Gray. Clark went to San Francisco with Oscar Pettiford and after a couple months, began working with clarinetist Buddy De Franco in 1953, subsequently touring the U.S. and Europe until 1956. It was then he became a member of The Lighthouse All-Stars, led by bassist Howard Rumsey.

Wishing to return to the east coast, Clark served as accompanist for singer Dinah Washington in 1957, allowing him to relocate to New York City. He became an often-requested sideman partly because of his rhythmic comping. Frequently recording for Blue Note Records, Sonny held a sideman chair for such luminaries as Kenny Burrell, Donald Byrd, Paul Chambers, John Coltrane, Dexter Gordon, Art Farmer, Curtis Fuller, Grant Green, Philly Joe Jones, Hank Mobley, Charles Mingus, Lee Morgan and Billie Holiday among a host of others.

As a leader Clark recorded albums Dial “S” For Sonny, Sonny’s Crib, Sonny Clark Trio with Paul Chambers and Philly Joe Jones, Cool Struttin’ and Sonny Clark Trio with George Duvivier and Max Roach.

Pianist Sonny Clark, who mainly worked in the hard bop idiom, died of a heart attack in New York City on January 13, 1963. It is thought by some commentators that his drug and alcohol abuse contributed to his premature death.

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Daily Dose Of Jazz…

Turk Mauro was born Mauro Turso on June 11, 1944 in New York City into a family of first-generation Italian-Americans and he first experienced jazz when his father who played in local swing bands and began playing alto saxophone at 14. He soon met his mentor, trumpeter Henry Allen, who started getting him gigs around the city until he graduated from high school in 1962.

Mauro worked in a mailroom while playing jazz, got married, had two children, hit the road and his marriage fell apart by the mid-70s. While touring he met Billy Mitchell, a member of Dizzy Gillespie’s band, that led to a few hits with Gillespie but a permanent spot in Buddy Rich’s band. His reputation as a perfectionist made him a popular sideman in the New York area, and in 1977 he release his debut album, The Underdog.

He would go on to play the Blue Note, release his sophomore project The Heavyweight, which unfortunately flopped. This began a dry period for Turk through the ’80s and he abandoned jazz for taxi and limo driving. However, in 1987 after running into Sonny Rollins who suggested Europe, Mauro packed up and moved to France. He found work as a sideman and renewed success in Paris. But success was fleeting and with work drying up in Paris and another failed marriage, his second dry spell ensued by the Nineties.

By 1994 Mauro was back in the States with his new wife taking care of his father in Florida. He managed to play at the few jazz clubs in South Florida at the time but also began to gamble in attempt to regain the good times of Paris. Health problems came by the end of the decade and a burst colon hospitalized the saxophonist. An physical altercation in which he punched local singer Beverly Barkley in the early 2000s sidelined the musician after being arrested for battery. This incident put a halt to his career and with a year probation and 50 hours of community service, since the turn of the century the hard bop saxophonist Turk Mauro has only been able to get the occasional gig around the Florida area.

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Daily Dose Of Jazz…

Grant Green was born on June 6, 1931 in St. Louis, Missouri. He first performed as a guitarist in a professional setting at the age of 12, first playing boogie-woogie before moving to jazz. His influences were Charlie Christian, Charlie Parker, Ike Quebec, Lester Young, Jimmy Raney, Jimmy Smith and Miles Davis.

Grant first recorded in St. Louis with tenor saxophonist Jimmy Forrest on the Delmark label alongside Elvin Jones. But it was Lou Donaldson who discovered the young talent and after touring together, by 1959 Green had moved to New York. An impressive introduction to Alfred Lion led to his bypassing the sideman audition and recording as a bandleader, a relationship that lasted throughout the Sixties.

Grant’s first issued album as a leader was in 1961 with Grant’s First Stand, followed by Green Street, Grantstand and being named Down Beat critics’ poll best new star in 1962. He would often play the sideman for Hank Mobley, Ike Quebec, Stanley Turrentine, Harold Vick and Larry Young among others at the label.

Though he had an impressive catalogue of recordings many were not released during his lifetime though Grant always carried off his more commercial dates with artistic success during this period. Towards the late 60s he left Blue Note for Verve Records and other labels into the Seventies but was relatively inactive due to personal problems and heroin addiction.

The guitarist spent much of 1978 in the hospital, but against doctors’ advice, went back on the road to earn some money and collapsed in his car of a heart attack in New York City on January 31, 1979 at age 47.

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Daily Dose Of Jazz…

Charles Davis was born on May 20, 1933 in Mississippi but was raised in Chicago, Illinois. Graduating from DuSable High School he continued his musical study of the saxophone at the Chicago School of Music and privately under John Hauser. In the 1950s he played in the bands of Billie Holiday, Ben Webster, Dinah Washington and extensively with Sun Ra and Archie Shepp. He teamed up with Kenny Dorham, performing and recording for many years together.

An accomplished tenor and alto saxophonist, Charles was widely known for his baritone, winning Downbeat Magazine’s 1964 International Jazz Critics Poll for the baritone saxophone. Throughout his career he would perform in the musical production of “The Philosophy of The Spiritual – A Masque of the Black”, teach public school in Brooklyn, the Jazzmobile Workshop and at the New School, be the musical director of The Turntable, a nightclub owned by Lloyd Price, and tour Europe several times.

Davis would be a member of the cooperative group “Artistry in Music” with Hank Mobley, Cedar Walton, Sam Jones and Billy Higgins, and was the co-leader and composer/arranger for the Baritone Saxophone Retinue. His numerous collaborations, performances and recordings both as a leader and sideman with a who’s who of his contemporaries such as Elvin Jones, Jimmy Garrison, Illinois Jacquet, Freddie Hubbard, Johnny Griffin, Steve Lacy, Ahmad Jamal, Blue Mitchell, Erskine Hawkins, John Coltrane and Clifford Jordan among many others. Alto, tenor and baritone saxophonist Charles Davis continued to enjoy a prolific career until his passing on July 15, 2016.

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Daily Dose Of Jazz…

Joe Ford was born on May 7, 1947 in Buffalo, New York and was singing in his mother and aunt’s family choir by age 5. At seven he started taking piano lessons and by the time he was eleven he started playing saxophone. In high school and college Joe played in a variety of campus jazz and funk bands.

Ford studied saxophone under Makanda Ken McIntyre, Jackie McLean and Frank Foster, and percussion under Joe Chambers. After graduating from Ohio’s Central State University He returned home to teach in the Buffalo public schools from 1968 to 1972. It was while working at the Buffalo Public Library in 1974 that Joe played in the Birthright Ensemble, and then would go on to join McCoy Tyner in 1976, recording eight albums with him through 1993.

Since the early 1980s Ford worked extensively as a sideman with Sam Jones, Lester Bowie, Jimmy Owens, Idris Muhammad, Abdullah Ibrahim, Chico O’Farrill, Avery Sharpe, Jerry Gonzalez, Malachi Thompson, Steve Berrios, Nova Bossa Nova and Freddy Cole amongst others.

In the late 1990s he led two ensembles, the Black Art Sax Quartet and a big band called The Thing. As a leader, saxophonist Joe Ford released his one album in 1993, “Today’s Night” on Blue Moon Records featuring Charles Fambrough, Kenny Kirkland and Jeff “Tain” Watts. He continues to perform and tour.

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