Daily Dose Of Jazz…
Dieter Antritter was born in Pforzheim, Germany on October 6, 1929. After the end of World War II he started first to learn guitar, then later he switched to soprano saxophone. A move to Stuttgart, Germany gave him the opportunity to connect with the local jazz-scene.
On holiday in Paris, France in 1949, he unsuccessfully attempted to meet Sidney Bechet. However, Dieter eventually met Charles Delaunay, who opened him to the possibility of jamming with contemporary jazz greats living in Paris that time. Improving his playing, he built up a network with a few well-known jazz musicians.
Returning to Stuttgart in 1952 he founded the Latin Jazz Band. He used his concerts as a platform for guest musicians from his Paris connection to perform. From this band the Quartier Latin Jazz Band emerged, which existed until at least 2009. During those years this band accompanied numerous guest soloists such as Michel Attenoux, Peanuts Holland, Mezz Mezzrow, Benny Waters and Nelson “Cadillac” Williams.
In 1960, this led to several recordings for Deutscher Schallplattenclub, all recorded in Stuttgart venues. Antritter was one of the world’s longest-serving bandleaders, who led his band for 63 years, from 1952 until his death in 2015.
Bandleader, soprano and alto saxophonist Dieter Antritter died on August 5, 2015 in Königsbach-Stein, Germany.
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Daily Dose Of Jazz…
Francisco “Chino” Pozo was born on October 4, 1915 in Havana, Cuba. An autodidact on piano and bass, he concentrated on bongos, congas, and drums before leaving his home for greener pastures. Moving to the United States in 1937, he played with Machito from 1941–43 and with the Jack Cole Dancers from 1943-1949.
In the Fifties he went on to play in numerous jazz ensembles, especially latin jazz and Afro-Cuban jazz. He performed and/or recorded with Jose Curbelo, Noro Morales, Tito Puente, Tito Rodríguez, Enric Madriguera, Perez Prado, Josephine Premice, Tadd Dameron, Charlie Parker, and Dizzy Gillespie.
He toured with Peggy Lee in 1954-55 and played with Stan Kenton in 1955, Herbie Mann in 1956, Xavier Cugat and René Touzet in 1959.
He also recorded with Illinois Jacquet, Phineas Newborn, Gábor Szabó, Paul Anka, Justo Betancourt, Harry Betts, Fats Navarro, Eddie Palmieri, Johnny Richards, A. K. Salim, Billy Taylor, Clark Terry, Chico O’Farrill, Julius Watkins and Charlie Rouse.
Drummer Chino Pozo, whose claim to be the cousin of Chano Pozo has been disputed, died on April 28, 1980 in New York City.
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Daily Dose Of Jazz…
Samuel Quinto Feitosa was born Samuel Quinto Feitosa on September 5, 1973 in Belém, Pará, but grew up in Salvador, Bahia. From the age of seven, he developed his interest in piano from the gospel music performed in the Baptist Church during his childhood. An autodidact, he played at home without teachers, learning harmony, reading and writing music and orchestration, musical composition, arranging for the church choir, and started playing as a pianist at age 12.
Releasing his debut CD Latin Jazz Thrill in 2007 in Portugal, with his trio, Samuel followed it with Salsa ‘n Jazz, containing eight original compositions and a standard the following year. After a European tour he established the first course of Latin Jazz at Jazz School North, Porto. He also became the artistic director of one of the most traditional jazz Portuguese clubs, B-flat.
He returned to Brazil in 2012 to take the position of Music Minister at the Second Baptist Church in Mossoro, Rio Grande do Norte. During this period he wrote symphonies, opera, minuets and christmas rratorio for choir.
In 2015 he becames the newest piano representative of Fritz Dobbert pianos and returned to jazz performance. He published his first book called Improvisar é muito fácil in 2016. Quinto is a member of several organizations including the International Council for Traditional Music, the American Council of Piano Performers, the National Federation of Music Clubs and has a collaborative relationship with UNESCO.
Pianist Samuel Quinto, who is a Fellow of the Royal Society of Arts in London, continues to perform, compose and educate.
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Daily Dose Of Jazz…
Bobby Carcassés was born on August 29, 1938 in Kingston Jamaica where his Cuban grandfather worked as a diplomat. Upon moving to Villa Clara, Cuba at the age of four he grew up surrounded by Cuban rhythms, listening to Benny Moré, Conjunto Casino & Roberto Faz. He acquired a love for an eclectic spectrum of music from the opera star Enrico Carusso and Mexico’s Jorge Negrete to jazz royalty Sarah Vaughan, Buddy Rich and Stan Getz.
By the 1950’s he was involved with some of the best vocal quartets in Cuba and while playing for many years at The Tropicana the center of Cuban Jazz, he began to experiment with bebop and scat vocals. During the Sixties he traveled to Europe, spending a year in Paris where he played with Kenny Clarke and Bud Powell.
Returning to Cuba he worked in the Teatro Musical where he met three of the future founders of Irakere: Chucho Valdes, Carlos Emilio Morales and Paquito D’ Rivera. Over the next ten years he played in the best night clubs in Havana, Cuba as well as acting in Cuban cinema, Tv and essentially starting to form his own Jazz group.
In 1980 he organized the first Jazz Plaza Festival in Havana, inviting Dizzy Gillespie, Ronnie Scott, Charlie Haden, Airto Moreira, Tania Maria, Steve Coleman and many others. After his own group played these festivals. he traveled to Canada, England, France and the USA where he performed with Tito Puente, Eddie Palmieri, Patato Valdés and many others on the Latin Jazz scene.
Trumpeter Bobby Carcassés, who also plays piano, bass, percussion, and flugelhorn, as well as writing his own pieces, continues to perform, record and create art that has been exhibited globally.
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Daily Dose Of Jazz…
Omar Ruben Rada Silva was born July 16, 1943 in Montevideo, Uruguay. Little is known about his early life but his sound comes from his exposure to the music of his country, a chorus of tamboriles and Uruguayan barrel drums.
In 1965, he and Eduardo Mateo formed the band El Kinto Conjunto. This was the first group in Uruguay to create the beat genre in Spanish and to fuse rock with Latin American musical styles. In 1969 the success of his Candombe song Las Manzanas (The Apples) led to his first solo album and participation in the Festival of Popular Music in Rio de Janeiro, Brazil. A year later he formed the band Tótem.
In 1977, he traveled to the United States after an invitation by the Fattoruso Brothers to play with the group OPA. Over the next year, he performed with Tom Scott, Ray Barretto, Hermeto Pascoal, and Flora Purim.
Settling in Mexico for three years beginning in 1991, Rubén worked as a composer and arranger for local musicians such as Mijares, Eugenia León, Stephanie Salas, and Tania Libertad. In 1994 he shared the spotlight with Sting and UB40 at the Palacio de Deportes in Mexico City.
Rada’s renown led him to record on international labels and his songs have been played worldwide and have been recorded by Milton Nascimento, Herb Alpert, and Lani Hall. He was invited by Jon Anderson and Joan Manuel Serrat to appear on their albums Deseo and Utopía, respectively.
He has voiced the part of Lucius Best/Frozone in the 2004 Argentinian dubbing of The Incredibles. Ruben has directed radio and TV shows, and has starred in the television sitcom La Oveja Negra (The Black Sheep).In 2010, the third round of the series LifeLines in Berlin paid tribute to Rubén Rada. That same year he recorded a show in the Argentine program Encuentro en El Estudio, which is run by that country’s Ministry of Education.
Percussionist, composer, singer and television personality Ruben Rada, who has recorded more than thirty albums, continues to perform, compose and record.
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