Daily Dose Of Jazz…

Hector Rodriguez was born on July 11, 1965 in Mexico City, Mexico. He began playing guitar at 14, which led to him playing rock covers in high school bands. By 18 he started privately studying with renowned Mexio City musicians  and immersing himself in jazz and other genres.

After several years of studying and playing professionally in his hometown, he ventured to Berklee College of Music in Boston, Massachusetts, majoring in performance. With financial assistance from the World Scholarship Tour award, there he studied with a host of the faculty, graduating Summa Cum Laude with a Bachelor’s degree in performance in 2008.

Another scholarship led him to the New Egland Conservatory of Music in Harford, Connecticut studying with the likes of Jerry Bergonzi, Danilo Perez and Jason Moran among others. He graduated in 2011with a Masters in Jazz Performance.

Since then has performed at festivals in Central America, Mexico and the United States. Guitarist Hector Rodriguez continues to perform and conduct workshops and masterclasses.

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Daily Dose Of Jazz…

Milton Brent Buckner was born July 10, 1915 in St. Louis, Missouri to parents who encouraged him to learn to play piano, but they both died when he was nine years old. Milt and his younger brother Ted were sent to Detroit where they were adopted by members of the Earl Walton band, trombonist John Tobias, drummer George Robinson fostered Milt and reedplayer Fred Kewley fostered Ted. He studied piano for three years from the age 10, then at 15 began writing arrangements for the band. He and his brother went on to become active in the Detroit jazz world in the 1930s.

He first played in Detroit with the McKinney’s Cotton Pickers and then with Cab Calloway. In 1941, he joined Lionel Hampton’s big band, and for the next seven years served as its pianist and staff arranger. Buckner was part of a Variety Revue of 1950 organized by Lionel Hampton at the Cavalcade of Jazz concert held at Wrigley Field in Los Angeles, California. He led a short-lived big band of his own for two years, but then returned to Hampton’s in 1950.

In 1952, Milt formed his own trio and pioneered the use of the electric Hammond organ. He often played in Europe in the late 1960s. His last studio session took place in Paris. France on July 4, 1977. He is also known for the use of his song The Beast in the title menu of the video game, Battlefield: Bad Company.

Pianist and Hammond B3 organist Milt Buckner, who pioneered the parallel chords style that influenced Red Garland, George Shearing, Bill Evans, and Oscar Peterson, transitioned from a heart attack on July 27, 1977, in Chicago, Illinois, at the age of 62.



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John William Heard was born on July 3, 1938 in Pittsburgh, Pennsylvania and in his early years he played saxophone. He began playing bass at the age of 14. His professional career began in a band that included sax player Booker Ervin, drummer J.C. Moses, pianist Horace Parlan and trumpet player Tommy Turrentine. While in high school, he attended special classes at the Carnegie Museum of Art.

Joining the United States Air Force in 1958 John was sent to Germany. Because of his art experience he was given a job of designing posters for events. He also did some art teaching, teaching the wives of officers. He left the Air Force in 1961 and enrolled at the Art Institute of Pittsburgh. He returned to music and went to Buffalo, New York with a later move to California.

The Sixties saw him playing double bass with Turrentine, Al Jarreau, Jean-Luc Ponty, Sonny Rollins and Wes Montgomery. The 1970s he was with Toshiko Akiyoshi, Count Baie, Louie Bellson, Joe Henderson, Ahmad Jamal, John Cillins, Blue Mitchell and Oscar Peterson. By the Eghties he had moved on to perform with Eddie “Lockjaw” Davis, Buddy Montgomery and Pharoah Sanders and Larry Vuckovich. During the decade he teamed with Tom Ranier and Sherman Ferguson to create the group Heard, Ranier, Ferguson in which they released an album in 1983.

Desiring to retire from music in order to spend more time painting, Heard managed to record with Tete Montoliu, Eddie “Lockjaw” Davis, Art Pepper, Clark Terry, Pharoah Sanders, Zoot Sims and Joe Williams. He would return to music, record with Benny Carter, release his album The Jazz Composer’s Songbook and form his group, The John Heard Trio that played at Charlie O’s club in Van Nuys, California. With over 52 recording dates as a sideman with a who’s who list of jazz musicians from the 60’s to 2010, double bassist, bandleader and painter John Heard transitioned on December 10, 2021 at the age of 83.

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Jackie Coon was born in Beatrice, Nebraska on June 21, 1929 and grew up in Southern California. He was inspired to play trumpet after hearing Louis Armstrong’s West End Blues. He spent a few months with Jack Teagarden’s band and had gigs with Charlie Barnet, Louis Prima, and Earl Hines.

Making his recording debut with Barney Bigard in 1957 and he also played the mellophone on Red Nichols’ version of Battle Hymn of the Republic. Jackie’s decision to stay in California cost him the fame that eluded him, but he worked at Disneyland for nine years, and performed regularly in local clubs and jazz festivals.

It was until 1986 that Coon led his first record session for Sea Breeze. Since 1991 he has recorded fairly often for Arbors. Trumpeter, flügelhornist and cornetist Jackie Coon has become less active in his Eighties.


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Phillip Rista Nimmons was born on June 3, 1923 in Kamloops, British Columbia, Canada. He studied clarinet at the Juilliard School and composition at the Royal Conservatory of Music in Toronto, Canada. In 1953 Nimmons formed the ensemble Nimmons ‘N’ Nine, which later he led during his weekly radio show on CBC radio. This ensemble eventually grew to 16 musicians in 1965 and was active intil 1980.

He joined the University of Toronto in 1973 and as an educator, Nimmons has made substantial contributions to the study of jazz. In 1960, Along with Oscar Peterson, he founded the Advanced School of Contemporary Music in Toronto, Canada. He was involved in the development of the jazz performance program at the University of Toronto.

Nimmons received the first Juno Award given in the Juno Awards jazz category, for his album Atlantic Suite. His composition The Torch was commissioned for the 1988 Winter Olympics in Calgary, Alberta, Canada and was performed at the Olympics by a big band led by Rob McConnell.

In 1993, he was made an Officer of the Order of Canada, received the Order of Ontario, the Jazz Education Hall of Fame honor, the Lifetime Achievement Award by SOCAN and the Governor General’s Performing Arts Award, Canada’s highest honour in the performing arts, for his lifetime contribution to popular music.

Clarinetist, composer, bandleader, and educator Phil Nimmons, known for playing in the free jazz and mainstream styles, has recorded seventeen albums as a leader and at 98 is still involved in music.

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