Daily Dose Of Jazz…
Dwike Mitchell was born Ivory Mitchell Jr. on February 14, 1930 and raised in Dunedin, Florida. He began playing piano around the age of three after his father, who had a job driving a garbage truck, brought home an old piano discarded by its owner. With the help of his mother, who made him play exercises and scales, and a cousin, who had been taking piano lessons herself, he soon displayed an exceptional aptitude for the instrument. He began performing in public at the age of five. His mother, a soloist in her church choir, needed an accompanist and gave the job to her young son. Before long he was playing for the entire Sunday morning service, a role he would continue to perform through the age of seventeen while attending Pinellas High School.
In 1946, Mitchell enlisted and was stationed at Lockbourne Air Force Base, at that time an all-black facility renowned for its excellent music program, where he was assigned to the band. It was here that he heard the music of Rachmaninoff that impacted his piano style development. Post-discharge from the Army, he went to the Philadelphia Musical Academy, where he studied under pianist Agi Jambor. After graduation, he joined Lionel Hampton and changed his name from Ivory to Dwike, at his mother’s suggestion, based on several family names.
By the mid-Fifties, he reunited with French horn player Willie Ruff, when he joined the Hampton orchestra. In 1955 the two men left the orchestra to form the Mitchell-Ruff jazz duo. The duo placed an emphasis on introducing American jazz music in parts of the world unfamiliar with the idiom. Among these, were visits to the Soviet Union in 1959 and to China in 1981. Throughout his duo and trio career they recorded fourteen albums, he also taught piano. In 2012, after becoming ill, he returned to his native South, spending his last months in Jacksonville, Florida. On April 7, 2013 pianist Dwike Mitchell passed away from pancreatic disease.
More Posts: bandleader,educator,history,instrumental,jazz,music,piano
Daily Dose Of Jazz…
Mel Powell was born Melvin Epstein on February 12, 1923 in The Bronx, New York City to Russian Jewish parents. He began playing piano at age four, taking lessons from, among others, Nadia Reisenberg. His passion for baseball was shattered with a hand injury that turned him to music. His dream of being a concert pianist was also shattered when his older brother took him to see jazz pianist Teddy Wilson play and later to a concert featuring Benny Goodman. By 14, he was performing jazz professionally around New York City.
As early as 1939, he was working with Bobby Hackett, George Brunies, and Zutty Singleton, as well as writing arrangements for Earl Hines. In 1941 he changed his last name from Epstein to Powell, shortly before joining the Benny Goodman band. His style was rooted in the stride style that was the direct precursor to swing piano. His composition The Earl, dedicated to Earl Fatha Hines, one of hi’s piano heroes, was recorded sans drums. Two years with Goodman, led to a brief stint with the CBS radio band before Uncle Sam came calling in 1943 for World War II where he played with Glenn Miller’s Army Air Force Band to the end.
In Paris, France he played with Django Reinhardt, returned briefly to Goodman, then moved to Hollywood and ventured into providing music for movies and cartoons, played himself in the movie A Song Is Born, appearing along with many other famous jazz players, including Louis Armstrong. After developing muscular dystrophy his traveling musician career ended, so he devoted himself to composing.
During the Fifties, he enrolled at the Yale School of Music, recorded the jazz album Thigamigig, became an educator, and was a founding dean of the California Institute of the Arts in Valencia, California. After serving as Provost of the Institute from 1972 to 1976, he was appointed the Roy O. Disney Professor of Music and taught at the institute until shortly before his death. The Pulitzer Prize-winning American composer, pianist, and educator Mel Powell passed away on April 24, 1998 in Sherman Oaks, California.
More Posts: composer,educator,history,instrumental,jazz,music,piano
Daily Dose Of Jazz…
Brian Lemon was born on February 11, 1937 in Nottingham, England to parents who were semi-professional dance-band violinists who both worked for the cigarette manufacturer John Player & Sons. Inspired by Fats Waller and later by Art Tatum and Teddy Wilson, he studied the piano with Reg Conroy, a local teacher, and was soon proficient enough to perform in palais bands in his home city.
By the mid-1950s, at 19, he moved to London and joined Freddy Randall’s group. After that, he worked with George Chisholm and Kenny Baker. Over the years, Brian worked with Benny Goodman, Charlie Watts, Scott Hamilton, Buddy Tate, Milt Jackson, Ben Webster, and Digby Fairweather. He led an octet that played songs by Billy Strayhorn.
For 10 years from 1994 Lemon recorded a sequence of 27 albums for Zephyr, with seven as leader. Zephyr was set up by retired businessman John Bune to record Lemon’s work. Adelaide Hall recorded an album with The Brian Lemon Half-Dozen. A rare copy is at the British Library.
After the development of severe osteoarthritis in his handsLemon retired from music around 2005. Pianist and arranger Brian Lemon passed away on October 11, 2014.
More Posts: bandleader,history,instrumental,jazz,music,piano
Daily Dose Of Jazz…
Chris Biscoe was born on February 5, 1947, in Pensford, Somerset, England and in 1963 taught himself to play alto saxophone and then started playing tenor, soprano, baritone, and also comparatively rare alto clarinet. Before he became a notable presence on the UK Jazz scene, he was a computer programmer.
From 1970 to 1973 Biscoe played with National Youth Jazz Orchestra in London, doing gigs with various other London-based bands of that period, including Redbrass. He worked with several notable jazz musicians during the Seventies such as Harry Beckett, Ken Hyder, Didier Levallet, Chris McGregor, Andy Sheppard, Graham Collier, Danilo Terenzi, Pete Hurt, Tommy Chase, Pete Saberton, Barry Guy, Dave Holdsworth, and Pete Jacobsen.
In 1979, Chris had a long-term association with Mike Westbrook touring throughout Europe and playing international festivals in Australia, Singapore, Hong Kong, Canada and the USA. In the same year, he also formed a quartet featuring Peter Jacobsen, expanded to a quintet in 1980, a sextet in 1986, and reformed as a quartet in 1987. During the Eighties he also recorded two albums.
During the late 1980s and 1990s, Biscoe toured and recorded with George Russell, Andy Sheppard, Liam Noble, Gail Thompson’s Jazz Africa, Harry Beckett, and also played in France with Didier Levallet’s groups and the collective band called Zhivaro. In 1991, he released a second cassette, Modern Alarms, and also recorded in the Dedication Orchestra in the Spirits Rejoice project.
Between 1997 and 2000, he became the first English musician to join the Orchestre National de Jazz. Multi-instrumentalist Chris Biscoe plays the alto, soprano, tenor and baritone saxophone, the alto clarinet, piccolo, and flute and continues to play and record.
More Posts: bandleader,clarinet,flute,history,instrumental,jazz,music,piccolo,saxophone
Daily Dose Of Jazz…
Leroy Williams was born in Chicago, Illinois on February 3, 1939 and first began playing drums as a teenager in the 1950s. From 1959 to the middle of the 1960s he played with Judy Roberts, and following this stint he moved to New York City and played with Booker Ervin in 1967.
1968 found him playing with Sonny Rollins, Archie Shepp, and Clifford Jordan; in 1969 he first began playing and collaboration with Barry Harris. 1970 saw him playing with Hank Mobley, Wilbur Ware, and Thelonious Monk, the latter of which he went with on a tour of Japan.
Later in the 1970s he played and recorded with Hank Mobley, Yusef Lateef, Ray Bryant, Charles McPherson, Stan Getz, Andrew Hill, Sonny Stitt, Junior Cook, Al Cohn, Buddy Tate, Ted Dunbar, Slide Hampton, Red Rodney and Bob Wilber, among others.
In the 1980s Williams played with Talk Talk, Level 42, Art Davis, Barry Harris, Tommy Flanagan, Steve Turre, and recorded with Pepper Adams, Bill Hardman. In the 1990s he performed and recorded with Frank Morgan, with Anthony Braxton, Lee Konitz, Ralph Lalama, and Pete Malinverni. Most recently, he was a member of El Mollenium with Roni Ben-Hur, Bertha Hope, and Walter Booker.
He was a member of the cast in the music documentary Bird Now and played one of the Angels of Mercy in the Steve Martin film spoof Leap Of Faith about fake faith healers. At the turn of the decade, Williams was a member of the cooperative band el Mollenium, which also included guitarist Roni Ben-hur, pianist Bertha Hope, and bassist Walter Booker. The band is devoted largely to interpreting the music of the late pianist Elmo Hope. Drummer Leroy Williams continues to be active.
More Posts: bandleader,drums,history,instrumental,jazz,music