Daily Dose Of Jazz…
Cabell Calloway III was born on December 25, 1907 in Rochester, New York, on December 25, 1907 to two college graduates, his mother a teacher and church organist, and his father who worked as a lawyer and in real estate. The family moved to Baltimore, Maryland, in 1919 but soon after, his father died and his mother remarried.
Growing up in West Baltimore’s Druid Hill neighborhood Cab often skipped school to earn money by selling newspapers, shining shoes, and cooling down horses at the Pimlico racetrack where he developed an interest in racing and gambling on horse races. He ended up in Downingtown Industrial and Agricultural School, a Pennsylvania reform school run by his mother’s uncle.
Returning to Baltimore he resumed hustling, worked as a caterer while he improved his studies in school, and his mentors included drummer Chick Webb and pianist Johnny Jones. After graduating high school Calloway joined his older sister Blanche on tour for the popular black musical revue Plantation Days. He spent most of his nights in Chicago, Illinois clubs performing as a singer, drummer, master of ceremonies and as an understudy for singer Adelaide Hall. There he met and performed with Louis Armstrong, who taught him to sing in the scat style.
He established himself as a vocalist singing Ain’t Misbehavin’ by Fats Waller. The Thirties saw Cab’s orchestra permanently at the Cotton Club in Harlem, performed twice a week for radio broadcasts on NBC, and appeared on radio programs with Walter Winchell and Bing Crosby. He was the first Black American to have a nationally syndicated radio show and during the depths of the Great Depression he was earning $50,000 a year at 23 years old.
During the decade he recorded his most famous song, Minnie the Moocher, and became the first single record by a Black American to sell a million copies. He performed the song along with St. James Infirmary Blues and The Old Man of the Mountain, in Betty Boop cartoons of the same name.
His success with Minnie the Moocher and his relationship to the chorus earned him the nickname, The Hi De Ho Man. He performed a gliding backstep dance move called The Buzz, which some observers have described as the precursor to Michael Jackson’s moonwalk. He would go on to be featured in several films, and made his first Hollywood feature film appearance opposite Al Jolson in The Singing Kid in 1936.
His band included Ben Webster, Illinois Jacquet, Milt Hinton, Danny Barker, Doc Cheatham, Ed Swayze, Cozy Cole, Eddie Barefield, and Dizzy Gillespie. He entertained troops during World War II, hosted a weekly radio quiz show called The Cab Calloway Quizzicale and recorded songs full of social commentary. He appeared in the film Stormy Weather, one of the first mainstream Hollywood films with a black cast. Then he played the prominent role of Sportin’ Life in a stage production of Porgy and Bess. He continued to perform in movies and on stage throughout his career.
He published an autobiography and Cab Calloway’s Cat-ologue: A “Hepster’s” Dictionary, the first dictionary published by a Black American. It became the official jive language reference book of the New York Public Library.
Suffering a stroke at his home, vocalist, bandleader and actor Cab Calloway transitioned from pneumonia on November 18, 1994, at the age of 86, at a nursing home in Hockessin, Delaware.
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Daily Dose Of Jazz…
David Louis Bartholomew was born Davis Bartholomew on December 24, 1918 in Edgard, Louisiana and initially learned to play the tuba, then took up the trumpet with lessons from Peter Davis, who also tutored Louis Armstrong. Around 1933 he moved with his parents to New Orleans, Louisiana where he played in local jazz and brass bands, including Papa Celestin’s. He played in Fats Pichon’s band on a Mississippi riverboat and took charge of his band in 1941. After a stint in Jimmie Lunceford’s band he joined the US Army during World War II and developed writing and arranging skills as a member of the 196th Army Ground Forces Band.
At the end of the war he returned to New Orleans and towards the end of 1945 he started leading his own dance band, Dave Bartholomew and the Dew Droppers, named after a now-defunct local hotel and nightclub, the Dew Drop Inn. Their popularity was a model for early rock ‘n’ roll bands the world over. In 1947, they were invited by club owner Don Robey to perform in Houston, Texas, where Bartholomew met Lew Chudd, the founder of Imperial Records.
His band made their first recordings for De Luxe Records in 1947 and their first hit was Country Boy, reached No. 14 in the national Billboard R&B chart in early 1950. Prominent members of the band, besides Bartholomew on trumpet and occasional vocals, were the saxophonists Alvin Tyler, Herb Hardesty, and Clarence Hall, the bass player Frank Fields, the guitarist Ernest McLean, the pianist Salvador Doucette, and the drummer Earl Palmer. They were later joined by the saxophonist Lee Allen.
Two years after their first meeting in Houston, Texas he was asked by Lew Chudd to become Imperial’s A&R man in New Orleans. Dave went on to produce singer Jewel King, and a young pianist Fats Domino, who went on to have great success with their collaboration. He went on to work at several labels including his own Broadmoor Records.
The 1970s and 1980s had Bartholomew leading a traditional Dixieland jazz band in New Orleans, releasing an album, Dave Bartholomew’s New Orleans Jazz Band in 1981. He produced numerous hit songs and was inducted into the Songwriters Hall of Fame, the Rock and Roll Hall of Fame, and the Louisiana Music Hall of Fame.
Trumpeter, bandleader, composer, arranger and record producer Dave Bartholomew, who was prominent in the New Orleans music scene and active in rhythm and blues, big band, swing music, rock and roll, New Orleans jazz, and Dixieland, transitioned from a heart attack in Metarie, Louisiana on June 23, 2019.
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Daily Dose Of Jazz…
Joe Thomas was born in Muskogee, Oklahoma on December 23, 1908 and was the brother of Walter “Foots” Thomas. He first went to New York City with Jelly Roll Morton in 1929.
During the 1930s he worked with Blanche Calloway and other bands. The early Forties saw him working with jazz musician Dave Martin. He gave up playing to become a vocal coach and songwriter and later an A&R executive.
Alto saxophonist and songwriter Joe Thomas transitioned on April 15, 1997.
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Daily Dose Of Jazz…
Marshall Richard Brown was born on December 21, 1920 in Framingham, Massachusetts and graduated from New York University with a degree in music. He was a band teacher in New York City schools, and one of his school bands performed at the Newport Jazz Festival in the 1950s.
With George Wein, he went to Europe to look for musicians for the International Youth Band. In the late 1950s he started the Newport Youth Band and his students included Eddie Gomez, Duško Gojković, George Gruntz, Albert Mangelsdorff, Jimmy Owens, and Gabor Szabo.
He worked with Ruby Braff, Bobby Hackett, Lee Konitz, and Pee Wee Russell. Valve trombonist and teacher Marshall Brown transitioned on December 13, 1983 in New York City. He was 67.
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Daily Dose Of Jazz…
Donald Arthur Albert Weller was born on December 19, 1940 in Thornton Heath, Croydon, England. He began learning clarinet at the age of 14, and was classically educated for four or five years. He played the solo part in Mozart’s Clarinet Concerto at Croydon Town Hall aged 15, and began performing in Dixieland bands around the Croydon area, before switching to tenor saxophone and playing in Kathy Stobart’s rehearsal band.
During the 1970s he formed a jazz-rock group called Major Surgery that played a regular weekly gig at a local pub, the Dog & Bull. They played Weller’s compositions on the album released as The First Cut. This was followed by a quartet with drummer Bryan Spring and at the same time Don worked regularly with pianist Stan Tracey, and also with Harry Beckett and in a quintet with Art Themen. Renowned for his versatility, he has played with artists such as Alan Price, Tina May and Charlie Hearnshaw.
Weller played saxophone for rock records, working with the likes of David Bowie. He was the lead saxophonist with Tower of Power on the instrumental track Nascimento on Cat Stevens’ Back To Earth and also played on the Alex Harvey album The Mafia Stole My Guitar.
In the Eighties he stood in for Michael Brecker when the Gil Evans Orchestra played at the Bracknell Jazz Festival. This gig subsequently led to him touring the UK and recording with one of the band’s trumpeters, Hannibal Marvin Peterson, added on to the Weller–Spring Quartet. He went on to play and record with Evans’ British Orchestra, becoming a regular member of Rocket 88, as well as a first choice for TV and film soundtracks.
He contributed to several films composed for jazz big bands and was commissioned for his Electric Jazz Octet. Tenor saxophonist, and composer Don Weller had a triple bypass in 2012 and eight years later transitioned on May 30, 2020 in Croydon at the age of 79.
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