Daily Dose Of Jazz…
Jimmy Strong was born August 29, 1906 in Chicago, Illinois. As a teenage clarinetist he performed in Lottie Hightower’s Nighthawks. Around 1925, he did a national tour with a traveling revue and stayed in California for a time, freelancing with several groups.
Returning to Chicago he joined Carroll Dickerson’s orchestra, where he worked with Louis Armstrong, appearing on Armstrong’s Hot Fives recordings. In 1928, he also worked briefly with Clifford King. The 1930s saw him playing with Cassino Simpson, Zinky Cohn, and Jimmie Noone, as well as his own bands.
Around 1940 relocating to Jersey City, New Jersey he performed with local bands until his death. Clarinetist and tenor saxophonist Jimmy Strong transitioned in April 1977.
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Daily Dose Of Jazz…
Tony Crombie was born Anthony John Kronenberg on August 27, 1925 in London, England’s East End Jewish community. A self-taught musician, he began playing the drums at the age of fourteen. He was one of a group of young men from the East End of London who ultimately formed the co-operative Club Eleven bringing modern jazz to Britain. He went to New York with his friend Ronnie Scott in 1947, witnessing the playing of Charlie Parker and Dizzy Gillespie, he and like-minded musicians such as Johnny Dankworth, and Scott and Denis Rose, brought be-bop to the UK. This group of musicians were the ones called upon if and when modern jazz gigs were available.
In 1948, Crombie toured Britain and Europe with Duke Ellington, who had been unable to bring his own musicians with him, except for Ray Nance and Kay Davis. Picking up a rhythm section in London, he chose Crombie on the recommendation of Lena Horne, with whom Crombie had worked when she appeared at the Palladium.
By 1956 Tony temporarily left jazz to set up a rock and roll band he called The Rockets, modeling themselves after Bill Haley’s Comets and Freddie Bell & the Bellboys. They released several singles for Decca and Columbia. He is credited with introducing rock and roll music to Iceland, performing there in 1957.
The next year the Rockets had become a jazz group with Scott and Tubby Hayes. During the following year, Crombie started Jazz Inc. with pianist Stan Tracey. During the Sixties he scored for television and film and established a residency at a hotel in Monte Carlo. He toured the UK with Conway Twitty, Freddy Cannon, Johnny Preston, and Wee Willie Harris.
In the early 1960s, Crombie’s friend, Victor Feldman, passed one of his compositions to Miles Davis, who recorded the piece on his album Seven Steps to Heaven. The song, “So Near, So Far”, has been recorded by players including Joe Henderson, who named a tribute album to Miles Davis using the title.
Over the next thirty years, Crombie worked with many American jazz musicians, including Ben Webster, Coleman Hawkins, Illinois Jacquet, Joe Pass, Mark Murphy and Eddie “Lockjaw” Davis.
After breaking his arm in a fall in the mid-1990s he stopped playing the drums, but continued composing until his death. Drummer, pianist, vibraphonist, bandleader and composer Tony Crombie, was regarded as one of the finest English jazz drummers and bandleaders, transitioned on October 18, 1999, aged 74.
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Daily Dose Of Jazz…
Sonny Lee was born Thomas Ball Lee on August 26, 1904 in Huntsville, Texas. While a student at Texas State Teachers’ College in the early 1920s he played with Peck Kelley, then moved to St. Louis, Missouri where he worked with the Scranton Sirens, Frankie Trumbauer, Gene Rodemich, Vincent Lopez, and Paul Specht.
By 1932 he had joined the Isham Jones Orchestra, remaining with Jones until 1936. Concomitantly he played with Benny Goodman in 1934-35. After this stint he went to work with Artie Shaw, Charlie Barnet, Woody Herman, and Bunny Berigan. In 1938 he joined the Jimmy Dorsey Orchestra, where he played until 1946.
Trombonist Sonny Lee, who is credited on nearly 200 recording sessions between 1925 and 1946, transitioned on May 17, 1975 in Amarillo, Texas.
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Daily Dose Of Jazz…
Leonard Gaskin was born August 25, 1920 in Brooklyn, New York. He played on the early bebop scene at Minton’s and Monroe’s in New York in the early 1940s. In 1944 he took over Oscar Pettiford’s spot in Dizzy Gillespie’s band,and followed it with stints in bands led by Cootie Williams, Charlie Parker, Don Byas, Eddie South, Charlie Shavers, and Erroll Garner.
In the 1950s, he played with Eddie Condon’s Dixieland band, and played with Ruby Braff, Bud Freeman, Rex Stewart, Cootie Williams, Billie Holiday, Stan Getz, J.J. Johnson, and Miles Davis. In the 1960s he became a studio musician, playing on numerous gospel and pop records. In the 1970s and 1980s he returned to jazz, playing with Sy Oliver, Panama Francis, and The International Art of Jazz.
Gaskin became involved in educating young people later in his life. He toured and performed at New York City schools, sharing his knowledge with elementary students with the Good Groove Band and the International Art of Jazz groups. For more than a decade, he and drummer Oliver Jackson teamed to play the European jazz festival circuit. He also regularly collaborated with Sy Oliver’s Rainbow Room Orchestra.
Capping off his career in 1994, Leonard performed at the White House’s Congressional Ball at the behest of President Bill Clinton. Although his touring schedule slowed dramatically in the decade to follow, he wrote a privately published autobiography and donated his personal jazz collection to the American Music Archives at the Smithsonian’s Museum of American History.
Bassist Leonard Gaskin transitioned from natural causes at a nursing home in Queens, New York on January 24, 2009. He was 88.
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Daily Dose Of Jazz…
Court Mast was born Corky Miller on August 24, 1951 in Sunnyvale, California, where he took up the accordion and then trumpet in grade school. He went to Fremont High School, graduating in 1969. He traveled to Europe on tour with 120 high school and college musicians. Trumpet great Raphael Mendez was on board as guest artist, and Corky took six weeks of private lessons from the master. Returning to the Bay Area, he began performing in big bands around the South Bay and Peninsula and performed with the earliest version of the band that went on to fame as Tower of Power.
While taking performance and composition courses at De Anza College, Corky stayed active in a wide variety of bands, playing rock, jazz, Latin and Mexican music that kept this young working trumpeter onstage. By 1977 he moved to San Francisco, California where he led quartet and quintet jazz groups active on the North Beach music scene and in funky venues like the Hotel Utah.
Disillusioned with the direction that popular music, and jazz in particular, was moving in, in 1983 Miller stepped away from the music world. He became a surfer, changed his name to Court Mast, got into photography and became one of San Francisco’s leading commercial photographers. Then in the first decade of the new century his love of music returned and in 2008 he recorded his debut album Sausalito Summer
Composer and cornetist Court Mast, whose influences have been Henry Mancini, Chuck Mangione, Maurice Ravel, Duke Ellington, the Beatles, Steely Dan, Clifford Brown and Thad Jones, continues to compose and perform as well as maintain his photography.
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