Daily Dose Of Jazz…
Friedrich Gulda was born on May 16, 1930 in Vienna, Austria and as the son of a teacher began learning to play the piano at age 7 with Felix Pazofsky at the Wiener Volkskonservatorium. In 1942, he entered the Vienna Music Academy, where he studied piano and musical theory under Bruno Seidlhofer and Joseph Marx.
During World War II as teenagers, Gulda and his friend Joe Zawinul were rebellious and would perform forbidden music, including jazz, in violation of the government’s prohibition of playing such music. Winning first prize at the Geneva International Music Competition in 1946, he began to play concerts worldwide, making his Carnegie Hall debut in 1950, and with Jörg Demus and Paul Badura-Skoda, formed what became known as the “Viennese troika”. Friedrich enjoyed a renowned classical career for years before his 1956 engagement at Birdland in New York City and at the Newport Jazz Festival.
In 1966 he organized the International Competition for Modern Jazz in 1966, and established the International Musikforum, a school in Ossiach, Austria two years later, for students who wanted to learn improvisation. From the 1950s on Gulda cultivated a professional interest in jazz, writing songs and free improvisation or open music improvisations. He also recorded as a vocalist under the pseudonym “Albert Golowin”, fooling music critics for years until it was realized that Gulda and Golowin were the same person.
In jazz, he found “the rhythmic drive, the risk, the absolute contrast to the pale, academic approach I had been taught. He also took up playing the baritone saxophone. His 1970 album, As You Like It, includes the standards Round Midnight and What Is This Thing Called Love?, as well as his own classic Blues For H.G. that is dedicated to Hans Georg Brunner-Schwer.
From the late 1960s through the 1980s he continued his straight-ahead swing and bop-based jazz often in European Jazz big bands, which he often organized yearly performances and recordings. He performed and recorded playing clavichord, percussion instruments, and a bass recorder wooden flute with musicians involved in free improvisation, including Cecil Taylor, Barre Phillips, Ursula Anders, John Surman, Albert Mangelsdorff, Stu Martin, and Fritz Pauer. He would go on to collaborate in the coming decades with Herbie Hancock, Joe Zawinul, and Chick Corea.
When the Vienna Music Academy awarded him its Beethoven Ring in recognition of his performances, he accepted it but then later reconsidered and returned it. To promote a concert in 1999, he announced his own death in a press release so that the concert at the Vienna Konzerthaus could serve as a resurrection party.
Pianist and composer Friedrich Gulda, who worked in both the classical and jazz fields, transitioned from heart failure at the age of 69 on January 27, 2000 at his home in Weissenbach, Austria.
More Posts: bandleader,composer,history,instrumental,jazz,music,piano,saxophone
Daily Dose Of Jazz…
Bobby Martin was born on May 15, 1903. He played trumpet as a child with June Clark and Sonny Greer. By 1925 at the age of 22 he was in New York City playing and recording with Sam Wooding, as well as touring Europe through 1931.
From 1932 to 1936 he played abroad with Willie Lewis, and formed his own band after returning home in 1937. His quartet held an extended gig at the Palace in Greenwich VillageYork with pianist Richard Edwards, drummer Ural Dean, and guitarist Samuel Steede. This era of Martin’s life, as is much of his life, is poorly documented, however, because during a tour of The Netherlands at the Mephisto Club in Rotterdam, his entire book of arrangements was burned in a club fire.
Bobby continued to tour Europe into the early Forties, then held residencies in New York City and New Jersey. He opened his own club briefly in the decade as well.
He married vocalist Thelma Minor, but then left the music industry in 1944. Not much is known of him after this time, however, he never recorded as a leader and transitioned in March 1983.
More Posts: bandleader,history,instrumental,jazz,music,trumpet
Daily Dose Of Jazz…
Calvin Edwards was born in Kings Mountain, North Carolina on May 14, 1957. At 17, he joined the famous Gospel group Five Blind Boys of Alabama for many years. Then, he moved to Los Angeles, California to play in his brother’s band, The Jett Edwards Band. During this time, he and his brother recorded two albums together, including one song which was recorded by George Benson.
He has released four CD’s as a band leader, and performed with and/or booked various artist through Chasity Music including Tom Brown, Tuck & Patti, Michael White, Kei Akagi, Lonnie Plaxico, Benny Maupin, Hidefumi Toke, Javon Jackson, Michael O’Neil, Ron Brown, Ali Jackson, Michael Paluo, Michael Wolf, Roy Ayers, Everette Harp, Dan Siegel, and Phil Perry.
A well-known international artist, Calvin has performed for President Clinton at the G8 Summit, as well as in Asia and across the United States. He continues to record and play both jazz and blues as he explores the genres.
More Posts: bandleader,guitar,history,instrumental,jazz,music
Daily Dose Of Jazz…
John Von Ohlen was born in Indianapolis, Indiana on May 13, 1941. He began playing trombone in middle school, and continued playing through high school. Graduating from North Central High School in 1960, he briefly studied at North Texas State, but returned to Indianapolis shortly after.
From 1967 to 1968, Von Ohlen toured with Billy Maxted’s Manhattan Jazz Band. He also worked for Woody Herman in 1967 and 1969, then with Stan Kenton from 1970 to 1972.
John went on to lead the Blue Wisp Big Band in Cincinnati from 1980 to 2018 and his own groups under his name ranging from quartets to big bands. During this period of the 1980s and 1990s, he was a member of a big band led by pianist Steve Allee.
Drummer John Von Ohlen transitioned in Cincinnati, Ohio on October 3, 2018 at the age of 77.
More Posts: bandleader,drums,history,instrumental,jazz,music
Daily Dose Of Jazz…
On May 12, 1964 Audrey Silver was born and raised in New York City, New York. She graduated from Brown University, where she founded The Higher Keys, the school’s first a capella singing group. After stints working in marketing for CBS Masterworks (now Sony Classical) and Chesky Records, she returned to school and earned an MBA from Columbia University Business School.
Beginning her singing career in earnest in 1998, she teamed with Jon Raney, son of pianist Jimmy Raney and produced her first demo with the help of Ronnie Zito and Jay Leonhart. In the meantime, she honed her craft through private study with singers Sheila Jordan and Mark Murphy. Building a respected career performing around the city’s jazz clubs and music venues, she also performed at national festivals and venues around the country.
She released her debut album Here In My Arms in 2004 and has since released three more, the last being before the pandemic. Silver was a 2016 semi-finalist in the International Songwriting Competition. As a songwriter, it was her four year old son that opened that door for her and the stories began to pour out.
Vocalist Audrey Silver credits Bill Evans, Annie Lennox and Arnold Schoenberg as influences as she continues to grow her catalogue of originals and performing around the world.
More Posts: bandleader,history,instrumental,jazz,music,vocal