Requisites

Blue Train ~ John Coltrane | By Eddie Carter

John Coltrane steps into the spotlight for this morning’s discussion with his only release for Alfred Lion’s label, Blue Train (Blue Note BLP 1577/BST 81577). It was recorded in 1957 and released a year later, has stood the test of time, and is considered one of the essential records to own in the tenor saxophonist’s discography. Blue Train is his third album as a leader and also highlights his compositions, he wrote four of the five selections and personally picked the musicians who accompany him on this date. Lee Morgan on trumpet, Curtis Fuller on trombone, Kenny Drew on piano, Paul Chambers on bass, and “Philly” Joe Jones on drums round out the sextet. My copy used in this report is the Classic Records Mono audiophile reissue sharing the original catalog number.

Side One leaves the station with Blue Train, a mid tempo blues that the sextet sets in motion to an easy-going beat. John soars effortlessly through the rhythm section in the first solo. Lee follows with a happy, relaxed groove, then Curtis gives a perfectly crafted, full-toned reading. Kenny shapes the next statement with some bluesy dialogue and Paul covers plenty of ground in the finale preceding the ensemble’s reprise and climax. Moment’s Notice is next and it’s ablaze from the start of the melody. Coltrane takes the lead with a pulse-quickening performance. Fuller comes in for an energetic excursion next, then Morgan swings vibrantly into the third reading. Chambers goes for a short walk and Drew gets a scintillating presentation on the closer leading to the ending theme.

Locomotion speeds down the track to begin Side Two and the sextet gives the uptempo melody a workout. John takes a swift run on the opening solo; next Curtis jumps into the second reading aggressively, then Lee follows with a stunning showpiece. Kenny raises the energy level of the following interpretation. Philly closes the proceedings on a few fiery phrases before the sextet takes it out. I’m Old Fashioned by Jerome Kern and Johnny Mercer starts with a tender melody by Coltrane who continues caressing the first solo with sultry notes. Fuller brings out breathtaking beauty in the next statement. Drew compliments them with sincere elegance subtly supported by Chambers and Jones. Morgan closes with a great delicacy that’s beautifully executed.

The sextet steps back into high gear on Lazy Bird with a nimble opening chorus. Lee leads the charge with electric energy. Curtis follows with fiery passion on the second statement, then John swings with fierce intensity. Kenny tears into the next reading enthusiastically, next Paul does a brief bit of bass walking. “Philly” adds a fitting closer with an exhilarating drum solo ahead of the ensemble’s finish. Blue Train was originally produced by Alfred Lion, and Rudy Van Gelder was the recording engineer. Bernie Grundman mastered the album from the original analog tapes. This reissue was pressed on 200-gram Quiex SV-P audiophile vinyl. The sound quality is sensational with a superb soundstage that’s a sonic treat, and the record is absolutely quiet until the music starts. If you like jazz, I can’t think of a better choice for your library than Blue Train by John Coltrane. The album is a bona fide classic that you can enjoy endlessly and a must-have for any jazz fan!

~ I’m Old Fashioned – Source: JazzStandards.com © 2022 by Edward Thomas Carter

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Armando Joseph “Buddy” Greco was born Armando Joseph Greco to an Italian-American family in Philadelphia, Pennsylvania on August 14, 1926. His mother introduced him to piano at age four and as a child he sang on the radio, and in his teens performed in the city’s night clubs. Sixteen saw him hired by Benny Goodman and spent four years touring the world with the Goodman orchestra, playing piano, singing, and arranging. Becoming acquainted with Great Britain in 1949 he spent many years performing in numerous clubs. He moved to Essex, keeping his Palm Springs property as a vacation home.

In 1951 he started his recording career, signing with labels such as Coral, Kapp, Epic, and Reprise. 1969 saw Buddy form a duo with jazz guitarist Ron Escheté. He opened a small club in Palm Springs, California which became popular for celebrities to dine. After closing it, he moved to England.

In 2008, he and singer Lezlie Anders toured the UK, performed with the BBC Big Band and at Ronnie Scott’s Jazz Club in London. He was the first Las Vegas headliner to star at a British casino when he performed at the Circus Casino, and he performed a tribute to Frank Sinatra for BBC Radio 2 with the 42-piece BBC Concert Orchestra. He toured the UK with the Swinging Las Vegas Legends show beginning in July 2010.

In 2010, Greco and his wife Lezlie produced the stage show Fever! The Music of Miss Peggy Lee, which met with critical acclaim at its London West End opening. They continued to perform and tour for the next seven years. Vocalist Buddy Greco transitioned on January 10, 2017, in Las Vegas, Nevada, at the age of 90.

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In 1970 he played with Albert Ayler at the Fondation Maeght in France. Two years later he toured throughout Europe with Karl Berger, recorded with Mal Waldron for Enja, and with Albert Mangelsdorff. In 1976 Allen played with a German jazz rock group called Embryo and in France he collaborated with Bireli Lagrene.

By 1991 he recorded Life at the Montreux Music Festival in trio-formation with Günter Lenz and Uli Lenz. For over twenty years he played with saxophonist Olaf Schönborn and bassist Mario Fadani in Trio Variety. Since 2009 with tap dancer Kurt Albert and Olaf Schönborn in Melody Rhythm & Tap.

Drummer Allen Blairman was diagnosed with cancer in January and transitioned on April 29, 2022 in Heidelberg, Germany at 81 years of age.

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Andrew Anderson was born on August 12, 1912 in Mandeville, Louisiana. He played in the Young Tuxedo Band and the Allen Brass Band. In the mid to late Twenties he played with Joe Oliver in Chicago, Illinois.

He led the Pelican State Band in the late 1930s and continued playing in New Orleans with various bands until the 1980s. In the Seventies and Eighties he played and recorded with the New Orleans Ragtime Orchestra.

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Jesse Alexandria Stacy was born on August 11, 1904 in Bird’s Point, Missouri, a small town across the Mississippi River from Cairo, Illinois. His first piano teacher was Mabel Irene Bailey, who played piano for silent movies. In 1918 Stacy moved to Cape Girardeau, Missouri. He received his only formal music training with Clyde Brandt, a professor of piano and violin at Southeast Missouri State Teachers College, now Southeast Missouri State University while holding down a job sweeping Clark’s Music Store.

By 1920, Stacy was playing piano in Peg Meyer’s jazz ensemble at Cape Girardeau High School, the Bluebird Confectionery, and the Sweet Shop. Schoolmates called them the Agony Four. By 1921, the band was known as Peg Meyer’s Melody Kings and started touring the Mississippi River on the Majestic and other riverboats.^[6]

The early 1920s saw Jess moving to Chicago, Illinois where he performed with Paul Mares, leader of the New Orleans Rhythm Kings, playing Chicago-style jazz. In 1935, Benny Goodman asked him to join his band, then moved to New York City, and spent 1935–39 with the Benny Goodman Orchestra, including a Carnegie Hall concert in 1938, where he played an unplanned piano solo during Sing, Sing, Sing (With a Swing). After leaving the Goodman Orchestra, he joined the Bob Crosby Orchestra and the Bob Crosby Bob-Cats.

Moving to Los Angeles, California in 1950 his career declined to club work and after a drunken woman spilled beer in his lap he announced he was quitting the music business and retired from public performances. He worked as a salesman, warehouseman, postman, and for Max Factor cosmetics before being rediscovered. He played for Nelson Riddle on the soundtrack of The Great Gatsby in 1974, was invited to play at the Newport Jazz Festival in New York  and was asked to record twice for Chiaroscuro, in 1974 and 1977, Stacy Still Swings.

After his brief revival in the 1970s, he again retired from music and lived with his third wife, Patricia Peck Stacy, for forty-five years. Pianist Jess Stacy ,who won the DownBeat magazine piano poll in 1940 and was inducted posthumously into the Big Band and Jazz Hall of Fame in 1996, transitioned from congestive heart failure in Los Angeles on January 1, 1995.

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