Daily Dose Of Jazz…
Barney Jean Wilen was born on March 4, 1937 in Nice, France. His mother was French, his father was an American dentist turned inventor. He began performing in Nice nightclubs after receiving encouragement from Blaise Cendrars who was a friend of his mother.
His career was boosted in 1957 when he worked with Miles Davis on the soundtrack Ascenseur pour l’Échafaud. In 1959, Wilen wrote his two soundtracks Un Témoin Dans la Ville and Jazz sur scène with Kenny Clarke, and two years later composed the soundtrack for Roger Vadim’s film Les Liaisons Dangereuses working with Thelonious Monk. In the mid-to-late 1960s he became interested in rock, and recorded an album dedicated to Timothy Leary.
Returning to composing for French films in the 1980s and 1990s, touring Japan for the first time in 1990. He ventured into the world of punk rockers before returning to jazz in the early 1990s. Barney played with modern jazz musicians until his death in 1996.
In 1987, French comic book artist Jacques de Loustal and author Philippe Paringaux paid homage to Wilen in their “bande dessinée” Barney et la note bleue (Barney and the Blue Note).
Tenor and soprano saxophonist and jazz composer Barney Wilen, passed away from cancer in Paris, France on May 25, 1996.
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Daily Dose Of Jazz…
Dupree Bolton was born in Oklahoma City, Oklahoma on March 3, 1929. His father was a musician who earned a meager living working in the defense industry.
The Bolton family later moved to Southern California where Dupree spent most of his childhood and teenage years. He picked up the trumpet at an early age, becoming a professional by the time he was around 15, It was at theat point in his life that he ran away from home to join Jay McShann’s band.
Trumpeter Dupree Bolton, known for his recordings with Harold Land and Curtis Amy, passed away on June 5, 1993.
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Daily Dose Of Jazz…
Bernard “Bunny” Brunel was born in Nice, France on March 2, 1950 and took up the electric and acoustic bass when he was fifteen. A self taught musician, he did attend for a time a classical conservatory to learn the basic technique of playing with the bow on the bass.
Brunel is a founding member of the jazz fusion band CAB along with Dennis Chambers, and Tony MacAlpine. Since their formation in 2000, they have released four studio albums and two live albums. Their second album, CAB 2, received a nomination for Best Contemporary Jazz Album at the 2002 Grammy Awards. Other musicians who have been members of CAB include Patrice Rushen, Virgil Donati, David Hirschfelder, and Brian Auger.
Bassist Bunny Brunel, who has played with Chick Corea, Herbie Hancock, and Wayne Shorter, and who has recorded ten albums as a leader, is involved in musical instrument design, film and television scoring, continues to perform and record.
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Daily Dose Of Jazz…
De Priest E. B. Wheeler was born on March 1, 1903 in Kansas City, Missouri and played trumpet and mellophone in The Knights of Pythias Band while attending Lincoln High School. With the band he journeyed to St. Louis, Missouri in 1917. Returning to Kansas City he worked in a local dance hall for a year, before becoming a member of the resident band at the Chauffeur’s Club in St. Louis in 1918.
He was with Dave Lewis’s Jazz Boys in Kansas City, then toured with a circus band until 1922. Joining the Wilson Robinson Syncopators in St. Louis in 1923, he toured the Pantages Circuit from Chicago, Illinois to California with that band. The band eventually settled in New York in early 1925 where they were renamed Andy Preer And His Cotton Club Orchestra. Subsequently they worked under the leadership of violinist Andrew Freer until his death in 1927. Later on the group became known as The Missourians, and when Cab Calloway joined as a singer in 1928, from 1930 on he took over and they became Cab’s band.
Wheeler remained with Calloway until 1940, touring Europe in 1934. He worked for the postal authorities for many years, but continued to play part-time with bands and orchestras through the 1950s. Trombonist De Preist Wheeler passed away April 10, 1998 in St. Albans, Queens, New York.
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Daily Dose Of Jazz…
William Earnest Green was born on February 28, 1925 in Kansas City, Kansas and learned to play the alto saxophone at age ten, picking up the clarinet when he was twelve. He eventually learned to play most varieties of saxophone, clarinet, and flute.
Serving in the military until 1946, Green began working at a club called Small’s in Kansas City. Relocating to Los Angeles, California in 1947 he enrolled at the Los Angeles Conservatory of Music and Arts, and graduating in 1952 remained on staff as an educator until 1962. He also ran a music education studio on La Brea Avenue in Los Angeles for many years.
During his early career Bill played with Gerald Wilson, and began working with Benny Carter in the latter half of the 1950s. From 1959 to 1962 he played in Louie Bellson’s big band, then went to work extensively as a section player in the bands of Quincy Jones, Henry Mancini, and Buddy Rich. He would accompany vocalists such as Frank Sinatra, Tony Bennett, Nat King Cole, Nancy Wilson, and Dionne Warwick.
Through the mid to late Sixties he played the Monterey Jazz Festival with Gil Fuller, worked with Oliver Nelson, and then Blue Mitchell. The 1970s saw him performing or recording with Gene Ammons, the Capp-Pierce Juggernaut, Ella Fitzgerald, Sonny Rollins, and Sarah Vaughan. He continued working with the Capp-Pierce Orchestra in the early 1980s, as well as with Lionel Hampton, Woody Herman, and the Clayton-Hamilton Jazz Orchestra.
His most notable recordings are Benny Carter’s Aspects and the Quincy Jones recording of the soundtrack for Roots. Multi-instrumentalist Bill Green, who played most saxophones, clarinet and flute, passed away on July 29, 1996. His personal papers and recordings are archived at University of California, Los Angeles..
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