Daily Dose Of Jazz…
Johnny Meijer was born Jan Cornelis Meijer on October 1, 1912 in Amsterdam, Netherlands. Widely recognized as a virtuoso jazz accordionist not only did he play popular songs but also fast swing numbers. In 1974 he recorded the Dutch Swing College Band’s Johnny Goes Dixie LP, which went gold.
He will also be remembered for his proficiency with classical and folk music in his native city. was typically seen during performances with a cigar in his mouth. He was a major influence on French accordionist Richard Galliano.
Unfortunately, due to his short temper and drinking, during the last years of his life, Meijer was rarely invited to play large performances, mainly in connection with his short temper and his drinking, the King of the Accordion saw out his final days mostly in silence, occasionally playing weddings and parties.
The subject of a film, Amsterdam erected a statue to the musician. Accordionist Johnny Meijer, who celebrated his 75th birthday at the North Sea Jazz Festival, transitioned on January 8, 1992 in Amsterdam.
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Daily Dose Of Jazz…
William Henry Graham was born on September 8, 1918 in Kansas City, Missouri and grew up in Denver, Colorado. During his years in Denver he led his own ensemble which included Paul Quinichette among its members. He went on to study at Tuskegee University and then Lincoln University of Missouri after a stint in the Army during World War II.
He worked with Count Basie, Lucky Millinder, Herbie Fields, and Erskine Hawkins early in his career. From 1946 to 1953, he worked with Dizzy Gillespie as a baritone saxophonist. As a composer under Gillespie, he penned the tune Oh-Sho-Be-Do-Be.
Following his Gillespie years he led his own band in New York City, in addition to touring Europe with Sarah Vaughan in 1953. From 1955 to 1957, Bill was back with Basie, including on the 1956 release April in Paris and the Newport Jazz Festival. In 1956-57 he teamed again with Quinichette, then in 1958 he found work with Duke Ellington and Mercer Ellington from 1958–59.
Outside of jazz, Graham also played on numerous R&B recordings, including those of Wynonie Harris, Joe Williams, and Little Willie John. In the 1960s he quit active touring and became a teacher in the New York City Public Schools system.
Saxophonist Bill Graham transitioned on December 29, 1975 in New York at the age of 57.
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Daily Dose Of Jazz…
Jan Savitt was born Jacob Savetnick on September 4, 1907 in Shumsk, Russian Empire and reared in Philadelphia, Pennsylvania. He showed musical ability at an early age and began winning conservatory scholarships in the study of the violin. He was offered the position of concertmaster in Leopold Stokowski’s Philadelphia Symphony Orchestra, but turned it down, preferring to continue his studies at Curtis Institute. About a year later, believing himself ready, he joined Stokowski and the association continued for seven years, during which time he gained further laurels as a concert soloist and leader of a string quartet.
By 1938, Jan Savitt & His Top Hatters broadcasted as the KYW staff orchestra at KYW/NBC in Philadelphia coast-to-coast. The group also played at the Earl Theatre and performed with The Andrews Sisters and The Three Stooges.
Getting his start in popular music some time later as music director of KYW, he evolved the unique “shuffle rhythm” which remained his trademark. Numerous sustaining programs created such a demand for the “shuffle rhythm” that Jan left KYW to form his own dance crew.
His band was notable for including George “Bon Bon” Tunnell, one of the first Black singers to perform with a white band. Tunnell’s recording with Savitt included Vol Vistu Gaily Star co-composed by Slim Gaillard and Rose of the Rio Grande. Helen Englert Blaum, known at the time as Helen Warren, also sang with Savitt during the war years. His orchestra had a bit role in the 1946 film High School Hero.
Shortly before arriving in Sacramento, California with his orchestra in 1948 he was stricken with a cerebral hemorrhage and taken to Sacramento County Hospital. Bandleader, arranger, and violinist Jan Savitt, known as The Stokowski of Swing, transitioned on October 4, 1948 with his wife at his bedside.
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Daily Dose Of Jazz…
Clyde Lanham Hurley, Jr. was born on September 3, 1916 in Fort Worth, Texas. Self-taught, he learned to play the trumpet by playing along with Louis Armstrong records. He studied music at the Texas Christian University in Fort Worth from 1932 to 1936 where he participated in the school’s jazz band. He began his career working with territory bands.
In 1937, while drummer/band-leader Ben Pollack was touring through Texas he heard Hurley and invited him to join his orchestra where he soloed on So Unexpectedly. While on a touring stop with the band in Los Angeles, California he left to become a studio musician. He played with Paul Whiteman then with Glenn Miller. While with Miller he was one of the key soloists appearing on the band’s studio recordings and live performances throughout America.
Hurley played the trumpet solo on Miller’s In The Mood, Slip Horn Jive and Tuxedo Junction. Leaving Miller in 1940 he went on to work with Tommy Dorsey before joining Artie Shaw in 1941.After his stint with Shaw, he freelanced for the movie studios. In 1941, he played the trumpet track for the classic Walter Lantz cartoon Boogie Woogie Bugle Boy of Company B.
He worked for MGM from the mid-Forties to the end of the decade and for NBC from 1950 to 1955. During the late 1950s, Hurley played in Dixieland groups, recording with Matty Matlock’s Rampart Street Paraders. In 1954, he recorded live with Ralph Sutton and Edmond Hall at the Club Hangover. His studio work in the 1950s included sessions with Paul Weston. He soloed on Memories of You on Weston’s Solo Flight album.
Trumpeter Clyde Hurley, who was prominent during the big band era, transitioned on August 14, 1963 from coronary occlusion in Fort Worth.
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Daily Dose Of Jazz…
Todd Washington Rhodes was born in Hopkinsville, Kentucky on August 31, 1899 and was raised in Springfield, Ohio. He attended the Springfield School of Music and the Erie Conservatory, studying as pianist and songwriter. After graduating in 1921, he began performing with drummer William McKinney in the jazz band McKinney’s Cotton Pickers, and played with Benny Carter, Coleman Hawkins, Fats Waller, Rex Stewart, Doc Cheatham, and Don Redman.
Leaving McKinney’s Cotton Pickers in 1934, he lived and played in Detroit, Michigan from then on. He formed his own small group in 1943, expanding it into the Todd Rhodes Orchestra by 1946. The orchestra made its first recordings for Sensation Records in 1947.
Turning more towards rhythm and blues music, the band became known as Todd Rhodes & His Toddlers, and their recordings were distributed by the Vitacoustic label. His instrumental Blues for the Red Boy reached number 4 on the R&B chart late in 1948, and the following year Pot Likker, made number 3 on the R&B chart. “Blues for the Red Boy” was later famously used by Alan Freed as the theme song for his Moondog radio show; Freed referring to the song as “Blues for the Moondog” instead of its actual title.
With his Toddlers, Rhodes also recorded Your Daddy’s Doggin’ Around and Your Mouth Got a Hole in It. After signing with King Records in 1951, he also worked with Hank Ballard, Dave Bartholomew, and Wynonie Harris. He featured singers such as Connie Allen, who recorded “Rocket 69” in 1952. After she left the band in early 1952, her position was taken by LaVern Baker. Rhodes made his last recordings in the late 1950s.
Developing diabetes, which was untreated for several years, pianist, arranger and bandleader Todd Rhodes transitioned following the amputation of a leg in Inkster, Michigan on June 4, 1965, at the age of 65.
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