Daily Dose Of Jazz…
Örjan Kjellin was born on July 21, 1944 in Ljungby, Sweden and didn’t pick up the clarinet until the age of 15 and two years later formed his first band in partnership with pianist Lars Edegran. The band played music in the New Orleans style. He made his first records in his native Sweden at the age of 17.
Moving to New Orleans, Louisiana in 1966 he became a regular performer at several leading jazz venues including Preservation Hall. In 1968 he was a founder member of the New Orleans Ragtime Orchestra. He also led his own bands in the city including, in 1970, a band which held a residency at the Maison Bourbon Club. Two years later he formed the New Orleans Joymakers.
He recorded with several veteran New Orleans musicians including Josiah ‘Cié’ Frazier, Preston Jackson, Jim Robinson, Jabbo Smith, Zutty Singleton and Kid Thomas Valentine. In 1978, Örjan played with NORO for the soundtrack of the movie Pretty Baby. The following year he appeared in New York City as musical director, co-arranger and on-stage clarinetist with the stage musical One Mo’ Time.
In the early 80s he appeared with the same show during its long and successful run in London’s West End. Kellin has toured extensively with his own bands and with bands formed largely from New Orleans veterans. In 1992 he made his first solo tour of the UK.
Clarinetist Örjan Kjellin, a gifted and highly musical player who is known to the jazz world as Orange Kellin, continues to fan the flames of the music of New Orleans.
More Posts: arranger,bandleader,clarinet,history,instrumental,jazz,music
Daily Dose Of Jazz…
Barbara Jordan was born on July 13, 1951 in Montreal, Canada and when she was in her last year of high school she realized her singing ability. Her high school music teacher, Iwan Edwards, encouraged her to audition for the lead role of Laurie in the musical Oklahoma. Getting the part she received her first lessons in stage presence and delivering a song. She joined the high school choir, and took a vocal music class in her last year of high school.
Joining an acapella choir outside of school, she also spent five years in this choir performing around Montreal and touring Western Canada and competed in the Eisteddfod in Wales. Her professional musical career began as a folk singer prior to becoming a multi-lingual vocalist with several leading disco, pop and country/western bands in and around the Montreal area.
Settling in Toronto, Canada she has acquired a reputation over the years singing traditional and swing. She has continuously performed in clubs around the Toronto area, New York, and New Orleans, as well as at various jazz festivals in Ontario, Montana, St. Petersburg and Sarasota, Florida; Newcastle, England and Paris, France.
Trad jazz, dixieland and swing vocalist Barbara Jordan, whose influences were Mildred Bailey, Peggy Lee and Lee Wiley, continues to lead her quartet and appear regularly.
More Posts: bandleader,history,instrumental,jazz,music,vocal
Daily Dose Of Jazz…
Malcom Bruce Turner was born July 5, 1922 in Saltburn-by-the-Sea, North Yorkshire, England. He received his education at Dulwich College, learning to play the clarinet as a schoolboy. He began playing alto saxophone while serving in the Royal Air Force in 1943 during World War II.
From 1948-53 he played with Freddy Randall and worked on the Queen Mary in a dance band and in a quartet with Dill Jones and Peter Ind. He briefly studied under Lee Konitz in New York City in 1950. His first period with Humphrey Lyttelton ran from 1953 to 1957 but leaving Lytteltonin he led his Jump Band from until 1965, which was featured in the 1961 film, Living Jazz.
Turner arranged and recorded the music for this film and the album Jumpin’ at the NFT (National Film Theatre) was issued to coincide with the film’s release. He then took part in the biggest trad jazz event to be staged in Britain at Alexandra Palace. Returning to Randall’s group from 1964 to 1966, he played with Don Byas and Acker Bilk. He continued to work with Lyttelton and Ind into the 1980s, played with the Jump Band intermittently, and led small ensembles in the 1990s.
Turner’s autobiography Hot Air, Cool Music, was published by Quartet Books, appeared in 1984. He wrote a column on jazz for the Daily Worker. Saxophonist, clarinetist and bandleader Bruce Turner transitioned on November 28, 1993.
More Posts: bandleader,history,instrumental,jazz,music,saxophone
Daily Dose Of Jazz…
Robert Cameron Gordon was born June 29, 1941 in Hartford, Connecticut and taught himself by listening intently to the stylings of Jimmie Noone, Jimmy Dorsey and Frank Teschmacher, among others. He studied with Chicago clarinetist Joe Marsala. As a teenager he would go to Eddie Condon’s jazz club in New York’s Greenwich Village, sit at a table near the bandstand and nurse a Coke all night as he listened.
Early in his career, he played with Wild Bill Davison, Bobby Hackett, Zutty Singleton, Muggsy Spanier and had a long run with Jim Cullum’s Happy Jazz Band in San Antonio, Texas. Moving to San Diego, California in the 1970s, he played with numerous groups around the county. By the mid-1970s Gordon frequently recorded and toured with singer Leon Redbone, and appeared on the Johnny Carson Show. In 1979, the two survived injuries in a crash of a twin engine prop jet in Clarksburg, West Virginia.
In the late 1990s, Bobby joined the Roadrunners, a popular quintet on the West Coast festival circuit. During this time, he played with Marty Grosz, the Orphan Newsboys and Destiny’s Tots. His longest gig was at Milligan’s Bar & Grill in La Jolla, California leading a quartet.
Clarinetist and bandleader Bobby Gordon, who had been in poor health for years, transitioned from cardiopulmonary arrest on December 31, 2013.
More Posts: bandleader,clarinet,history,instrumental,jazz,music
Daily Dose Of Jazz…
Martin Abraham, better known as Chink Martin, on June 10, 1886 in New Orleans, Louisiana. He played guitar in his youth before settling on tuba as his main instrument. He played with Papa Jack Laine’s Reliance Brass Band around 1910, and worked in various other brass bands in the city in the 1910s.
In 1923, he traveled to Chicago, Illinois and played with the New Orleans Rhythm Kings with whom he made his first records. He also recorded guitar duets with Leon Roppolo, but these unfortunately were never issued. Returning to New Orleans with the Rhythm Kings in 1925, Martin made further recordings with them.
He also played with the Halfway House Orchestra with which he recorded on both tuba and string bass, the New Orleans Harmony Kings, and the New Orleans Swing Kings. In the 1930s, Martin worked as a staff musician at WSMB radio. He continued to play tuba for his entire career, though he also played and recorded on the double-bass from at least the 1920s onward.
He played with dozens of noted New Orleans jazz musicians, appearing on record with Sharkey Bonano, Santo Pecora, Pete Fountain, Al Hirt, and others. Tubist Chink Martin, who released one album under his own name on Southland Records in 1963, transitioned on January 7, 1981 in New Orleans.
More Posts: bandleader,history,instrumental,jazz,music,tuba