
Daily Dose Of Jazz…
Aubrey Frank was born on June 3, 1921 in London, England. He started playing alto saxophone at fourteen, then switched to tenor the following year. HIs first gig was with Jack Harris, then joined the RAF but continued playing with Ambrose, Johnny Claes, Geraldo, Lew Stone, and George Evans. He was in the first Ted Heath band and the RAF Fighter Command Band. During World War II he played with Sam Donahue and Glenn Miller.
Leaving the RAF, he continued to work with Ambrose until 1947, as well as the Skyrockets and the Squadronnaires. From 1949 to 1954 a member of Jack Nathan’s band alongside Ronnie Scott and Harry Klein. He freelanced and became a staple on early British bebop dates where his adaptability allowed him to play in any type of band, from Dixieland to modern jazz.
He recorded with the George Shearing Sextet, Harry Hayes, Alan Dean All-Star Sextet and had a long career regarded as a first-class session musician but was a jazzman at heart. With the advent of bop, his style changed little, leading the Aubrey Frank Modern Music Sextet consisting of Hank Shaw or Wyatt Forbes, Harry Klein, Andy Denits, Stan Wasser, and Douggie Cooper. Tenor saxophonist Aubrey Frank passed away on his seventy-second birthday in 1993.
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Daily Dose Of Jazz…
Pierre Favre was born June 2, 1937 in Le Locle, Switzerland and originally was a self-taught drummer. He went on to study classical composition and immersed himself in the diverse percussion music of the wider world, particularly those of India, Africa, and Brazil. Gradually he consolidated all of this new information in the “sound-color poems” he was writing for his Singing Drums group.
He recorded the album Singing Drums for ECM in 1984 with Paul Motian, Fredy Studer, and Nana Vasconcelos. Over the course of his career, Pierre has recorded twenty-nine as a sideman working with John Surman, Tamia, Michel Godard, Mal Waldron, Paul Giger, Jiří Stivín, Michel Portal, Samuel Blaser, the ARTE Quartett, Barre Phillips, Irene Schweizer, Philipp Schaufelberger, Manfred Schoof, Joe McPhee, Dino Saluzzi, London Jazz Composers Orchestra, Stefano Battaglia, Furio Di Castri, Paolo Fresu, Jon Balke, Denis Levaillant, Yang Jing, and Andrea Centazzo.
As a leader, drummer and percussionist Pierre Favre has recorded seven albums and continues to perform and record.
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Daily Dose Of Jazz…
Rossano Sportiello was born in Vigevano, Italy on June 1, 1974 and began studying piano at the age of 9 under the tutelage of Italian classical pianist Carlo Villa and continued until his graduation in classical piano from the Conservatory in 1996. At 16, he was performing professionally at jazz venues in the Milan, Italy area, and in 1992, he joined one of Europe’s historic jazz bands, the Milano Jazz Gang. He toured with the group throughout Italy and West Europe until the end of 2000.
That same year, Sportiello met legendary jazz pianist and educator, Barry Harris, who became a mentor and good friend. Drawing international acclaim at the 2002 Ascona Jazz Festival in Switzerland while performing with the eight-piece, all-star American band led by Dan Barrett. In 2007, Rossano established himself in New York City and has performed with Slide Hampton, Clark Terry, Kenny Davern, Bucky Pizzarelli, Bob Wilber, Warren Vache, Bob Cranshaw, Mickey Roker, Harry Allen, Howard Alden, Joe Wilder, Eddie Locke, Joe La Barbera, Scott Hamilton, Jake Hanna, Houston Person, Bill Charlap, Dick Hyman, and the list goes on.
As an educator, Rossano has given lectures on jazz and masterclasses on piano at institutions such as the University of Toronto Jazz Studies, University of Central Florida and Claremont College in California and has lectured as a professor in residence at the Master’s Lodge of St. John’s College, Cambridge, UK.
Stride piano player Rossano Sportiello lists his influences have been Harris along with Ralph Sutton, Dave McKenna and Barry Harris, Fats Waller, Teddy Wilson, Art Tatum, Count Basie, Earl Hines, Ellis Larkins, and Bill Evans, to name a few. He continues to perform, record, and tour.
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Daily Dose Of Jazz…
Shake Keane was born Ellsworth McGranahan Keane on May 30, 1927 in Kingstown, St. Vincent, West Indies into a family that loved music and books. He attended Kingstown Methodist School and St. Vincent Grammar School. He was taught to play the trumpet by his father Charles and gave his first public recital at the age of six. When he was 14 years old, Keane led a musical band made up of his brothers. In the 1940s, with his mother Dorcas working to raise six children, the teenager joined one of the island’s leading bands, Ted Lawrence and His Silvertone Orchestra.
During his early adulthood in St. Vincent, his principal interest was literature, rather than the music for which he would become better known. Dubbed “Shakespeare” by his school friends, on account of his love of prose and poetry. This nickname was subsequently shortened to “Shake”, which name he came to use throughout his adult life. He published two books of poetry in the early Fifties L’Oubili and Ixion, while still in St. Vincent.
Emigrating to Great Britain in 1952 he worked on BBC Radio’s Caribbean Voices, reading poetry and interviewing fellow writers and musicians. He also began playing the trumpet in London nightclubs, working in a number of styles including cabaret, highlife, soca, mento, calypso, and jazz. From 1959 he committed more fully to jazz, spending six years as a member of pioneering alto saxophonist Joe Harriott’s band. The group was the first in Europe and one of the first worldwide, to play free jazz, and Keane contributed mightily to the band’s artistic success, thanks to his fleet and powerful improvisatory skills on trumpet and flugelhorn.
He also made a small handful of records under his own name, but these were usually light jazz. In 1966 he left Britain to settle in Germany and became a featured soloist with the Kurt Edelhagen Radio Orchestra, and also joined the Kenny Clarke-Francy Boland Big Band.
Setting aside his musical career, he returned to St. Vincent in 1972 taking up a government position as director of culture, where he remained in the post until 1975. He then became an educator as his main profession, while continuing to write poetry. In the early 1980s, Shake moved to New York City, settling the Bedford-Stuyvesant section of Brooklyn which became his base but found a second home in Norway.
He returned full-time to music in 1989 when he rejoined Michael Garrick and his old bandmates Coleridge Goode and Bobby Orr for a tour in honor of Joe Harriott. In 1991 Keane appeared in a BBC Arena documentary with the Jamaican poet Linton Kwesi Johnson.
In the 1990s, he remained based in Brooklyn, but found a second home in Norway, where he worked most extensively. He contributed music to Norwegian television and stage productions for the next few years, also touring the country playing jazz. It was while preparing for one such tour that he became ill, and subsequently, trumpeter and poet Shake Keane passed away from stomach cancer on November 11, 1997 in Oslo, Norway.
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Daily Dose Of Jazz…
Eugene Joseph Wright was born May 29, 1923 in Chicago, Illinois. Mostly self-taught but took a few lessons late in his career from Paul Gregory. He studied cornet in high school. He played with the Lonnie Simmons group and led his own 16-piece band, the Dukes of Swing in the Forties. He played with Gene Ammons, Count Basie, and Arnett Cobb in the late ’40s and early ’50s, then worked with Buddy DeFranco from 1952 to 1955, touring Europe with him.
He played in the Red Norvo trio in 1955, toured Australia with them, and was featured in a film short with Charlie Barnet. His biggest opportunity came when he was hired by pianist Dave Brubeck, remaining until 1968. He led his own ensemble on a tour of Black colleges in 1969 and 1970, then played with Monty Alexander’s trio from 1971 to 1974.
During the ’70s working in television studios found him film soundtrack work as well as play in clubs. He also did private teaching and became head of the advisory board in the jazz division of the International Society of Bassists, and head of the University of Cincinnati’s jazz department.
Over the course of his lengthy career Wright has worked with Charlie Parker, Billie Holiday, Carmen McRae, Buddy DeFranco, Cal Tjader, Kai Winding, Sonny Stitt, Paul Desmond, Kenny Drew, Dottie Dodgion, Lee Shaw, Buddy Collette, Gerry Wiggins and Dorothy Donegan among others, participating on more than five dozen recordings, thirty-two of which were with Brubeck.
With the death of Brubeck on December 5, 2012, he became the last surviving member of the quartet. Cool and swing bassist Eugene Wright, who has recorded once as a leader, The Wright Groove, is presently still active on the jazz scene at age 96.
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