MIMI JONES & FRIENDS
The Lab Sessions: Jazz & Jazz Party w/ Mimi Jones
For more than two decades she’s been on the scene, bassist/vocalist/producer/label owner and now filmmaker Mimi Jones has reigned supreme, as a side woman to an impressive coterie of musicians and as a leader with three original recording projects on her own Hot Tone Music label.
Born Miriam Sullivan in New York City on March 25, 1972, and was raised in the Bronx. Jones studied Music at the Manhattan School of Music Conservatory, and has also studied with Linda McKnight, Lisle Atkinson, Barry Harris, Milt Hinton, Dr. Billy Taylor, Yusef Lateef. She has toured extensively for over 30 years throughout the seven continents, and has played with such people as Frank Ocean, Kenny Barron, DD Bridgewater, Dianne Reeves, Tia Fuller, Roy Hargrove, Terri Lyne Carrington, Beyonce, Jason Moran, Common, Black Thought and more.
Mimi Jones co-directs a multimedia interdisciplinary production with pianist ArcoIris Sandoval entitled The D.O.M.E. Experience, creating choreography, musical and visual works inspired by social injustices and environmental changes in our world. Voted #1 & #2 rising star by the DownBeat polls for 3 consecutive years, she currently works on a new project called The Black Madonna. The Berklee School of Music professor recently began collaborating with a trio called Nite Bjuti featuring Vocalist Candice Hoyes, and Sound Chemist Val Jeanty. Mimi is a recipient of the Chamber Music America Performance Plus Award 2021.
More Posts: adventure,bass,club,genius,jazz,music,preserving,travel,vocal
Daily Dose Of Jazz…
Charles Pervis Harris was born in Alexandria, Virginia and raised in Baltimore, Maryland on January 9, 1916. He studied violin before switching to bass in high school. He played professional dates while studying education at what is now Coppin State College. He went on to work at the Royal Theater in Baltimore after graduating.
Joining Lionel Hampton in 1941, he played with him for several years and was one of three bassists in Hampton’s ensemble, one of his bandmates being Charles Mingus. Harris did some recording with Dizzy Gillespie in the 1940s as well. Fatigued from touring he returned to Baltimore in 1949.
Soon after he worked in a band called Three Strikes and a Miss, again at the Royal Theater. While working there Nat King Cole heard him and asked him to join his trio. During his tenure with the vocalist, Charlie performed on some of Cole’s best-known tunes, such as Unforgettable, Route 66, It’s Only A Paper Moon, Sweet Lorraine and Mona Lisa. During the 1956-57 season he performed on Nat’s tv show on NBC.
After leaving the band he returned to Baltimore and remained there, playing, teaching, and working as a furniture salesman. Double bassist Charlie Harris died from cancer on September 9, 2003 at Bon Secours Hospital.
More Posts: bass,history,instrumental,jazz,music
RODNEY WHITAKER
Innovative jazz bassist, Rodney Whitaker, is one of the leading performers of double bass in the world and is joined by a group of unique, soulful, and talented individuals to perform an exhilarating and enlightening program of his and composer’s, Gregg Hill, music. It is guaranteed to inspire, impart, uplift, and quench the thirsty spirits yearning for a delightful evening of majestic melodies, resounding rhythms, and heavenly harmonies. The culminating musical experience will meticulously marinate the minds of the devoted jazz enthusiasts, leaving them in a state of euphoria.
More Posts: adventure,bass,club,genius,jazz,music,preserving,travel
Daily Dose Of Jazz…
Rupert Theophilus Nurse was born the only child in Port of Spain, Trinidad on December 26, 1910. He spent some of his childhood in Venezuela before returning to the island to complete his education. He absorbed local calypso music traditions, and started working as a teacher in Tobago.
He taught himself piano, and learned arranging skills from a mail order Glenn Miller book, before returning around 1936 to Trinidad where he worked in an electronics business. He also learned to play the tenor saxophone and with Guyanese saxophonist Wally Stewart, formed the Moderneers or Modernaires, the first American-style big band in Trinidad. During the Second World War he played with visiting Americans on the island, and began writing jazz arrangements of calypsos.
Travelling to London, England in 1945, he began playing double bass with guitarist Fitzroy Coleman and pianist Cyril Jones in the Antilles jazz club near Leicester Square. He joined trumpeter Leslie “Jiver” Hutchinson’s mostly-black band, with whom he played on radio and toured in Europe, before working with entertainer Cab Kaye in the Netherlands. He also increasingly worked with musicians newly arriving in Britain from the West Indies, including popular pianist Winifred Atwell, and Lord Kitchener and his band. He began experimenting with electronic instruments along with Lauderic Caton.
By 1953, Nurse was appointed as musical director of the Melodisc record label, which increasingly sought to release records to appeal to Britain’s growing Afro-Caribbean community. He led the label’s house band, arranged and produced Kitchener’s recordings, and recorded many other musicians of Caribbean origin, including jazz saxophonist Joe Harriott. He continued to perform as a pianist, and became bandleader at the Sunset Club in Carnaby Street and then at the more upscale Sugar Hill club in St James’s, where he met and later recorded with pianist Mary Lou Williams.
He increasingly used an electric piano and organ, and worked widely in clubs and restaurants in London as a solo performer and with other musicians including steel pan player Hugo Gunning, bassist Coleridge Goode, and pianists Iggy Quail and Russ Henderson. He taught, devised arrangements for other musicians, and worked as a library cataloguer in London until 1976.
Retiring to Arima, Trinidad he continued to mentor musicians and write arrangements for them. Pianist, tenor saxophonist and double bassist Rupert Nurse, who was influential in developing jazz and Caribbean music in Britain, particularly in the 1950s, transitioned there on March 18, 2001 at the age of 90.
More Posts: bandleader,bass,history,instrumental,jazz,music,piano,saxophone
MICHELA MARINO LERMAN & RUSSELL HALL QUARTET
Michela Marino Lerman, recipient of the Hoofer Award and Flo-Bert Award, is a world-renowned tap dance artist, performer, choreographer, band leader, educator and all-around creative spirit dedicated to the bridging the gap between tap dance and jazz music and the inclusivity of tap being recognized as music. The Huffington Post has called her a “hurricane of rhythm” and the NY Times has called her both a “prodigy” and has described her dancing as “flashes of brilliance.” Quincy Jones has said she is an “absolute tap dancing star who knows her roots.” She very proudly, was mentored by some of the innovators of tap dance including Gregory Hines, Buster Brown, Leroy Myers, Peg Leg Bates, Marion Coles, Jeni LeGon and Mable Lee. Most recently Michela can be seen featured in the new US Postage Stamp series dedicated to the art form of Tap Dance. Michela has had the honor of working with and collaborating many master artists throughout her career some of whom include Wynton Marsalis, Anna Deavere Smith, Roy Hargrove, Jon Batiste, Quincy Jones, Steve McQueen and many more. www.michelataps.com @michelataps
Whether it’s a swanky, sophisticated jazz club or a boozy, bombastic rock joint, one thing is for certain, Russell Hall is bringing the party with him wherever he goes. Born in Kingston, Jamaica and raised in Miami, Florida, Russell has been playing and recording music since the tender age of 13. He furthered his study of music at the most prestigious conservatory in the world, The Juilliard School under the tutelage of Ben Wolfe, Ron Carter and Wynton Marsalis. He is currently a preeminent bassist in New York City where his session and freelance work has allowed him to work in virtually every facet of the New York music scene.
More Posts: adventure,bass,club,genius,jazz,music,preserving,tap dance,travel