Daily Dose Of Jazz…

Orie Frank Trumbauer was born on May 30, 1901 in Carbondale, Illinois, Trumbauer grew up in St Louis, Missouri, the son of a musical mother who directed saxophone and theater orchestras. His first important professional engagements were with the Edgar Benson and Ray Miller bands, shortly followed by the Mound City Blue Blowers, a local group that became nationally famous through their recordings on Brunswick.

Trumbauer recruited Bix Beiderbecke for Jean Goldkette’s Victor Recording Orchestra, of which he became musical director. After leaving Goldkette, he and Beiderbecke worked briefly in Adrian Rollini’s short lived New Yorkers band, then joined Paul Whiteman in 1927. In 1927, he signed a contract with OKeh and released a 78 recording of Singin’ the Blues. Originally recorded and released by the Original Dixieland Jass Band in 1920, the Okeh recording became a smash hit. Fletcher Henderson and His Orchestra would record it in 1931 in the Trumbauer-Beiderbecke version.

He played with Whiteman for eight of the following nine years. Frank had a separate contract with OKeh from 1927 through 1930, where he recorded some of the most legendary small group jazz recordings of the era with Brunswick, Columbia, and Victor.

Leading The Three T’s, featuring the Teagarden brothers in 1936, two years later  he and Mannie Klein co-led a band. In 1940 he left music to use his pilot skills to join the Civil Aeronautics Authority.  Frank became a test pilot during World War II he was a test pilot with North American Aviation, and trained military crews in the operation of the B-25 Mitchell bomber. He continued to work for the CAA after the war, and also played in the NBC Orchestra. After 1947, although he continued to play and record, he earned most of his income in aviation.

Saxophonist, bassoonist, clarinetist and composer Frank Trumbauer, who was the influence for Lester Young, passed away of a sudden heart attack on  June 11, 1956 in Kansas City, Missouri, age 55.

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Daily Dose Of Jazz…

Albert Nicholas was born on May 27, 1900 in New Orleans, Louisiana and his  primary instrument was the clarinet, which he studied with Lorenzo Tio in his hometown of New Orleans. Late in the 1910s he played with Buddy Petit, King Oliver, and Manuel Perez.

Spending three years in the Merchant Marines, he then joined Oliver in Chicago, Illinois from 1925 to 1927. After time in East Asia and Egypt, he returned to New York City in 1928 and played with Luis Russell until 1933. During this time in the city Albert played with Red Allen, Charlie Holmes, and J. C. Higginbotham. He would later play with Chick Webb, and Louis Armstrong with Russell and Jelly Roll Morton.

The Dixieland jazz revival of the late 1940s reinvigorated his career, playing with Art Hodes, Bunk Johnson, and Kid Ory. Nicholas had a regular gig with Ralph Sutton in 1948. In 1953 he moved to France and except for recording sessions in the U.S. in 1959-60, he remained there for the rest of his life.

Clarinetist Albert Nicholas, who was active from his teen years until his death, passed away on September 3, 1973 in Base, Switzerland.

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Julian Clifton Matlock was born on April 27, 1907 in  Paducah, Kentucky and raised in Nashville from the age of ten. He began playing clarinet when he was 12.

From 1929 to 1934, Matlock replaced Benny Goodman in the Ben Pollack band doing arrangements and performing on clarinet. He was one of the main arrangers for Bob Crosby’s band and joined Crosby’s group in 1935 as clarinettist, playing with both the main Crosby band and the smaller Bobcats group. However, he was often seconded to write full-time for the orchestra and the Bobcats. He stayed with Crosby until the band broke up in 1942.

After the dissolution of Crosby’s group, Matty worked in Los Angeles, California playing for recordings made by a variety of Dixieland groups. In 1955, he appeared in the film Pete Kelly’s Blues, playing clarinet for a band that is seen in a scene in a Kansas City speakeasy in 1927. He would go on to play with Bing Crosby, Ella Fitzgerald, Ray Heindorf, Ben Pollack and Beverly Jenkins.

Dixieland clarinettist, saxophonist and arranger Matty Matlock, who recorded three albums as a leader, passed away on June 14, 1978 in Los Angeles, California.

ROBYN B. NASH

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Cyril Laurie was born on April 20, 1926 in London, England of Latvian/Jewish immigrant stock. A self-taught clarinetist he put together a band in 1947. George Melly debuted in this ensemble in 1948. He played with Mike Daniels in 1949-50 and led the Cy Laurie Four in 1950 with Fred Hunt and Les Jowett.

He ran his own club in Windmill Street, Soho, London from 1951 and headed a seven-member ensemble with Chris Barber, Alan Elsdon, Al Fairweather, Graham Stewart and Colin Smith. Cy Laurie’s Club was in a basement in Ham Yard in Great Windmill Street, opposite the Windmill Theatre.

Quitting music from 1960 to 1968, he travelled to India to study meditation with the Maharishi Mahesh Yogi. Returning in 1968 to lead another ensemble at the end of the decade his career saw a resurgence late in the 1970s. He toured in ensembles as a soloist and sometimes led his own groups. Cy played with Eggy Ley and Max Collie in the 1980s. He continued performing into the 1990s. In 1996 to celebrate his 70th birthday he put together a celebratory reunion gig at London’s 100 Club.

Clarinetist Cy Laurie, who was a leading figure in the post 1945 Trad Jazz boom in the UK, passed away on April 18, 2002 at the age of 75 in Stapleford Abbotts, Essex, England.

ROBYN B. NASH

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Daily Dose Of Jazz…

Emil Mangelsdorff was born April 11, 1925, in Frankfurt am Main, Germany. In 1942 and 1943, he studied clarinet at the Hoch Conservatory in Frankfurt, Germany.

As a member of the Frankfurt Hot Club, his performance of jazz with Hans Otto Jung among others, led to his being imprisoned by the Gestapo. He was forced into the German army and was a Russian prisoner of war for four years. In 1949 he returned to Frankfurt and decided to become a professional jazz musician. Emil played in the combos of Joe Klimm and Jutta Hipp, and was also a member of the Frankfurt All Stars and the Jazz-Ensemble des Hessischen Rundfunks from 1958.

Since the 1960s he has directed his own quartet. In 1964 Mangelsdorff wrote an instruction manual for jazz saxophone. In 2006 he was awarded the Goethe-Plakette des Landes Hessen and in 2008 he received the Bundesverdienstkreuz.

Alto saxophonist Emil Mangelsdorff, who also played soprano saxophone, clarinet and flute, has retired from music at 96.


ROBYN B. NASH

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