JULIAN VAUGHN

A dynamic lead bass player from Kansas City, bassist Julian Vaughn is rapidly becoming a major player in the contemporary jazz genre. Vaughn has made a name for himself as bassist in the smooth jazz genre which is dominated by saxophone players.

Vaughn grew up in the church where his grandfather pastored until turning over the reins to Vaughn’s father. Like other kids at the church, he began his music career playing the drums, but says, “Trying to play the drums at church was like ten football players going after a fumble. Everyone wanted to play.” Years went by and the fight over the drums got old. At 15 Vaughn decided to try a different instrument. He picked up a bass guitar that another man in his church was playing and immediately fell in love. This was truly love at first sight. Vaughn taught himself how to play and soon realized he had the ability to play by ear. He soon discovered how to play songs and special techniques. When Vaughn was 19 his grandfather bought him a 6-string bass guitar. It was black with gold trim. He discovered the art of bass soloing and knew at that point it was more than just a hobby but was his life’s passion. “My friends use to get on me because I would stop playing the bass line and start soloing,” he remembers.

Julian Vaughn has toured all over the U.S. playing at some of the largest jazz festivals and abroad in places like Dubai, Nairobi, Italy, and Germany. As an artist, he debut on the scene in 2010 with his CD titled “The Purpose Project” an album that would later pave the way to his 2012 album “Breakthrough”. Vaughn has had 2 number ones on the Bilboards.

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ALTHEA RENE

Detroit soul jazz flutist & Billboard chart-topping sensation brings her red hot band back to the Rubber City in a sizzlin’ return to BLU!

Althea was born December 25th in Detroit, Michigan and began her musical journey at the tender age four. She studied classical music while attending Howard University in Washington D.C. and later gained further musical inspiration from the accomplishments of Yusef Lateef, Ian Anderson, and her father, one of Motown’s original Funk Brothers, Dezie McCullers.She has since developed her own creative style.

For more than 10 years she was employed as a Wayne County Deputy Sheriff (Detroit, Michigan). Today, she is a full-time performing/recording artist and some regard her as a “master of her craft” and one of the world’s most exciting solo improvisational flutists.

In May 2013, she released her fifth project “In The Flow”. Collaborating with Grammy award winning producer Michael Broening, (producer for legendary icons George Benson and Paul McCartney) she cowrote the title track. That single became her biggest hit and reached number one ranking on both the Billboard Chart and the Smooth Jazz Chart. Althea Rene made history by becoming the first flute player in the history of Billboard Chart to reach the number one spot.

In April 2015, Althea Rene recorded her first live project. She and her rhythm section annihilated the stage of the beautiful Detroit Public Library with a free concert. Music fans from all over Michigan enjoyed a scorching hot performance. A compilation of some of her greatest hits, “Live in Detroit” is arguably her strongest work to date.

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JUDITH OWEN

Judith Owen is a performer whose stylistic range spans rock, pop, classical, jazz, blues, and musical theatre. Owen is also a comedic actress and master storyteller. Judith grew up in London surrounded by classical music, ballet, theatre, and the fine arts. Further, she was also exposed to many jazz icons and Broadway musicals that her parents loved. Thus, this mixture would become her signature sound.

Owen quickly began performing at a variety of different venues around London. Her unique hybrid of classical/jazz-influenced styled sound soon affirmed a regular slot at the legendary Ronnie Scott’s.

Her new live album, 2024’s Comes Alive, follows her hugely successful 2022 album Come On & Get It. That album received over 2.6 million album streams and more than a million YouTube views. Judith Owen Comes Alive features sixteen tracks recorded live over a weeklong residency in Bern, Switzerland at Marians Jazzroom.

Owen conceived of the project because of her childhood fascination with the music of the pioneering but oft forgotten women of jazz and blues. For example, Julia Lee, Blossom Dearie and Nellie Lutcher. She discovered these women hidden in her father’s record collection alongside Oscar Peterson and Jelly Roll Morton. There, Owen became captivated and enchanted by these “unapologetic” chanteuses of the 40’s/50’s. They were singing about sex and enjoying it, at a time when women were meant to sing about romance. Then, Owen made it her mission to dig deep and find out more from both a musical and historical perspective. The result is a joyful, uplifting, and empowering project. Moreover, she honors these entertaining women who broke the glass ceiling with their stiletto heels and were proud of it!

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PAT MALLINGER QUARTET

Pat Mallinger was born and raised in St. Paul, Minnesota and began playing the saxophone at 11 years of age. He received his Jazz Studies degree from North Texas State University on a “One O’clock Lab Band” Scholarship.

He lived and performed in Los Angeles, Dallas, Boston, and Japan, before establishing Chicago as his home in 1990. He is a co-leader of Sabertooth, which has been the mainstay band at the Green Mill Lounge each Saturday night from 1992 to 2018.

Since 2018 until the pandemic shutdown, Pat continued to lead the Saturday night band at the Green Mill as Pat Mallinger’s Late Night Jazz Party featuring 2 different musicians from Chicago and  around the country. Pat is often heard around Chicago performing with the Bobby Lewis Quintet, Model Citizens Big Band, and his own quartet to name a few.

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THE ABNEY EFFECT

Chicago born and raised jazz trumpeter Mario Abney now of New Orleans fuses traditional and extended trumpet techniques in a most inventive way; his strikingly personal instrumental vision endows the music with an infinite array of tonal color. Recognized for his ability to create pure musical dialog, and hear music in a universally spiritual way, he is definitely one of New Orleans most pioneering young jazz musicians.

Marioʼs first experience hearing jazz was the music of trumpeter Wynton Marsalis. After jazz trumpet peaked his interest in music Mario began to absorb the music of Louis Armstrong, Dizzy Gillespie, Miles Davis, and all the great trumpeters who pioneered the music. In 2001, after several years of playing as a side man Abney was inspired to lead his own Quintet. During a performance at the Dayton RiverWalk festival in 2007 Mario became interested in going to New Orleans after hearing the Hot 8 Brass Band perform. By spring of 2008 Abney and two members from his quintet moved to New Orleans to absorb its rich musical culture and become part of the music scene.

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