Daily Dose Of Jazz…
Guy Eugène Hilarion Pedersen was born on June 10, 1930 in Grand-Fort-Philippe, France. Coming from a family of popular musicians, their story begins in 1855 with all members of his maternal family being fiddlers from father to son. His uncles and his grandfather played all the balls of the region and his great-grandfather composed Tiger Rag, a jazz standard.
He began studying music theory around 1943 at the age of 13, taking free lessons at the Roubaix conservatory until 1952. Already passionate about jazz, he listened to Hugues Panassié ‘s radio broadcasts and bought his first American records by Charlie Parker, Thelonious Monk, and Lee Konitz. In 1950 he won the prize for best double bass player at the Brussels, Belgium competition, then Jazz Hot in Paris, France and decided to become a musician.
Beginning in Paris with singer Fats Edward, he went on to play with pianist Henri Renaud and drummer Jean-Louis Viale at Tabou, and at Ringside founded by Sugar Ray Robinson. Guy followed this working with Jacques Hélian and Claude Bolling to learn the trade of a large orchestra. From 1955 to 1966, he was a member with drummer Daniel Humair of one of Martial Solal trios, recording the historic Jazz à Gaveau in 1962.
Pedersen and Humair then joined the Swingle Singers to record the group’s second album. They traveled around the world with them, even passing through the White House in 1966. By 1973 he was touring with Baden Powell, recording over a dozen records with him. Between 1973 and 1980, he recorded seven albums and toured frequently with Jean-Christian Michel .
Leading an active career as a studio musician during this period he also appeared on television variety shows accompanying the group Les Troubadours. The late Sixties saw him composing, writing a lot of music for short films. Some of his recordings on Tele Music and Montparnasse 2000 are now cult, especially among disc jockeys.
A serious heart attack in 1977 sidelined the bassist from music and retiring permanently, he became a professional antique dealer. Double bassist, composer and antique dealer Guy Pedersen transitioned on January 4, 2005 in Rueil-Malmaison, Hauts-de-Seine, France at the age of 74 years old.
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Daily Dose Of Jazz…
Mick Hutton was born on June 5, 1956 in Chester, United Kingdom. Making a name for himself in the British jazz scene, he worked with a number of musicians and groups including but not limited to Harry Beckett, Julian Argüelles, Iain Ballamy, Django Bates and Ken Stubbs of First House, the Chris Biscoe Sextet and Bill Bruford’s Band Earthworks.
A hand injury forced Mick to abandon the upright bass and he started working as bass guitarist, percussionist, and synthesizer player and as a composer. He works with his own band of saxophonist Andy Panayi, pianist Barry Green, and drummer Paul Robinson. With his quartet, including saxophonist Iain Ballamy, pianist Ross Stanley and drummer Paul Robinson, he frequently visits venues around the world.
Throughout his career Hutton has performed with Alan Barnes, Peter Erskine, Tina May, Jim Mullen, John Scofield, Alan Skidmore, Tommy Smith, John Taylor, Stan Tracey, and Kenny Wheeler. In 2002 he recorded on Robin Williamsons album Skirting the River Road, and the same year he played in a trio with Martin Speake and Paul Motian, recording Change of Heart.
Bassist, guitarist, percussionist and composer Mick Hutton, who also plays synthesizer, continues to perform and record.
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Daily Dose Of Jazz…
Harry Alexander White was born on June 1, 1898 in Bethlehem, Pennsylvania. As a teenager, he played drums, then switched to trombone after moving to Washington, D.C. around 1919. In the early Twenties he played with Duke Ellington, Elmer Snowden, and Claude Hopkins. Then in 1925 he formed the family band called the White Brothers Orchestra, which played the mid-Atlantic states for several years with regular gigs in New York City and Philadelphia, Pennsylvania.
Late in the 1920s, he played with Luis Russell, then joined the Mills Blue Rhythm Band in 1931. The following year he joined Cab Calloway’s orchestra, working as an arranger and composer in addition to his duties on trombone. One of Calloway’s trumpeters, Edwin Swayze, overheard Harry use the term “jitterbug”, and wrote a tune called The Jitterbug. Calloway’s 1934 recording of the song brought the term into widespread currency.
Returning to play with Russell in 1935 when the band was backing Louis Armstrong, he eventually quit playing for part of the Thirties decade. He would later perform with Manzie Johnson, Hot Lips Page, Edgar Hayes, and Bud Freeman.
Trombonist, pianist, saxophonist, arranger and composer Harry White, who was affectionately known as Father White, transitioned on August 14, 1962 in New York City.
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MARIA SCHNEIDER ORCHESTRA
Maria Schneider’s music has been hailed by critics as “evocative, majestic, magical, heart-stoppingly gorgeous, imaginative, revelatory, riveting, daring, and beyond categorization.” Blurring the lines between genres, her varied commissioners stretch from Jazz at Lincoln Center to The Saint Paul Chamber Orchestra to the American Dance Festival, and include collaboration with David Bowie. She is among a small few to receive Grammys in multiple genres, having received the award in jazz and classical, as well as for her work with David Bowie.
Schneider’s many honors also include: 14 Grammy-nominations, 7 Grammy Awards, numerous Jazz Journalists Association awards, DownBeat and Jazztimes Critics and Readers Polls awards, an honorary doctorate from her alma mater, the University of Minnesota, ASCAP’s esteemed Concert Music Award (2014), the nation’s highest honor in jazz, “NEA Jazz Master” (2019), and election into the 2020 American Academy of Arts and Sciences.
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Daily Dose Of Jazz…
Gene DiNovi was born Eugene Salvatore DiNovi on May 26, 1928 in New York City. While in his teens he worked with Joe Marsala and Chuck Wayne and by the late Forties was very active live and on record. During this period he worked with Buddy DeFranco, Benny Goodman, Chubby Jackson, Brew Moore, Boyd Raeburn, Buddy Rich, Artie Shaw, Lester Young.
At the end of the decade and into the 1950s Gene worked extensively as an accompanist for vocalists, starting with Peggy Lee, Tony Bennett and Anita O’Day. He recorded with Lena Horne multiple times in the late 1950s and early 1960s and accompanied her on European tours. He also led his own small combos with sidemen including Danny Bank, Johnny Carisi, Bill Crow, Tony Fruscella, and Dave Schildkraut.
He began working more as a studio musician and film score composer in the 1960s. Toward the end of the decade he played with Carmen McRae, then moved to Canada to take a position as a house pianist with the CBC in Toronto. In the 1980s he worked with Ruby Braff and toured and recorded in Japan, and continued to be active as a performer into the 1990s, working with James Campbell, Don Thompson, Memo Acevedo, Dave Young, and Terry Clarke.
Pianist and composer Gene DiNovi, now 95, lives a quiet life.
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