Requisites…

The Real Thing ~ Louis Hayes | By Eddie Carter

This morning’s record from the library comes from the renowned drummer Louis Hayes. He’s recorded eighteen albums as a leader and is known for his work as a sideman with Cannonball Adderley, Horace Silver, Oscar Peterson, and many others. The Real Thing (Muse Records MR 5125) is his third date and second with this group. It was recorded in 1977 and hit the stores the following year. The album features the exceptional talents of Woody Shaw on flugelhorn (track: A2) and trumpet (A1, A3, B1 to B3), Slide Hampton on trombone (B1 to B3), Rene McLean on alto (B2, B3), soprano (A3, B1), and tenor sax (A1), Ronnie Matthews on piano and Stafford James on bass. My copy is the original U.S. Stereo album.

Side One opens with St. Peter’s Walk by Tex Allen. Hayes introduces this scorcher in an energetic exchange with the front line. After the ensemble’s theme, Woody races through the opening solo with extraordinary energy. Ronnie’s electrically charged fingers move like a shot of adrenaline, then Louis soars out of sight in a vigorous workout. Rene is featured in the opening and closing ensemble but does not solo. Nisha by Louis Hayes is a quartet feature featuring Woody on the flugelhorn. Ronnie’s gentle introduction segues to Woody’s delicate melody. Ronnie picks up the pace in a gentle first solo that hits the mark. Woody follows with a charming sincerity that fits like a glove. Stafford sustains the thoughtful mood in the closer, while Louis’s timekeeping holds everything together ahead of the climax.

Loose Suite by Ronnie Matthews is a play on Louis’s first name. The song opens with the drummer’s razor-sharp introduction ahead of an abstract quintet melody. Rene leads off with an adventurous reading. Woody charges into the second solo with lightning-fast intensity. Louis leaves the listener’s ears sizzling with explosive fireworks preceding the reprise and ending. Side Two starts with My Gift To You by Stafford James. Slide comes on board for the sextet’s medium-fast melody. Rene digs deep into the opening statement and then steps aside for Stafford, who walks briskly in the following presentation. Louis stamps his personality on the finale with propulsive power before the sextet’s closing chorus fades into oblivion.

Jack’s Tune, aka Blue Fable, is by Rene’s father, Jackie McLean, and begins with the ensemble’s vigorous melody. Rene ignites the opening solo with a fire-breathing showcase. Ronnie comes behind him with a blazing interpretation, and then Slide follows with an aggressive statement. Louis gets the last word with a brisk workout, leading to the closing chorus and abrupt climax. Marilyn’s House by Tex Allen keeps the high-voltage exhilaration of the earlier tune, with the front line leading a fiery sextet melody. Woody starts the opening statement with joyous determination. Rene comes in next to give an electrifying presentation. Slide provides the exclamation point in a dazzling reading ahead of the restatement of the theme.

Michael Cuscuna produced The Real Thing, and the recording engineer was Chuck Irwin. The sound quality is not just good, but an enjoyable sit-down and listening experience with a wide soundstage that’s sure to please the most discriminating jazz fan. This is the only studio album the group made together. Still, they also recorded a 1977 live album, The Woody Shaw Concert Ensemble Live at The Berliner Jazztage. At the end of his liner notes, noted jazz journalist Bob Blumenthal states, “Louis Hayes no longer leads this band with Woody Shaw, but it left its mark during 1976 and 1977, and the music remains real.”

Despite the group’s short tenure, the impact of their music is undeniable. The Real Thing by Louis Hayes is one of the jewels of his discography that I’m sure will leave a lasting impression on the listener. For any fan seeking a solid hard-bop album to unwind with after a long day or evening, I invite you to check out this first-rate release on your next record-shopping trip. It’s a perfect starting point to get acquainted with one of the quintessential jazz drummers and a pleasure from start to finish!

~ The Woody Shaw Concert Ensemble Live at The Berliner Jazztage (Muse Records MR 5139) – Source: Discogs.com

~ The Horace Silver Quintet, The Oscar Peterson Trio, The Cannonball Adderley Quintet and Sextet – Source: Album liner notes by Bob Blumenthal.

© 2025 by Edward Thomas Carter

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Daily Dose Of Jazz…

Gene Lake was born Oliver Gene Lake, Jr. on January 12, 1966 in St. Louis, Missouri. He began playing drums when he was five years old, and took lessons with Pheeroan akLaff as a high schooler at The High School of Music & Art in New York City. He attended Berklee College of Music, where he worked with Tommy Campbell, and played in local Boston bands in a variety of styles.

Gene played with his father in New York City in 1987 and 1988, then joined Henry Threadgill’s ensemble in 1990. Later in the Nineties, Gene worked with Steve Coleman, Lunar Crush with David Fiuczynski and John Medeski, Marcus Miller, Brandon Ross, David Sanborn, the World Saxophone Quartet, and Joe Zawinul.

He has recorded seven albums as a leader that includes The Oliver Lake Quartet, Dedication, and At This Time and another ten as a sideman. Outside of jazz, Lake also performed and recorded with R&B musicians Maxwell and Me’Shell Ndegeocello.

Drummer Gene Lake, who is the son of saxophonist Oliver Lake, continues to perform and record.

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Daily Dose Of Jazz…

Paul Wertico was born January 5, 1953, in Chicago, Illinois. He began his professional career as a member of the Chicago based Simon & Bard Group. When Pat Metheny heard him play in 1983, he invited him and bassist Steve Rodby to join his band. During his time with Metheny, he played on ten albums and four videos, appeared on television, and toured around the world. He won seven Grammy Awards for Best Jazz Fusion Performance, Best Contemporary Jazz Performance, and Best Rock Instrumental Performance, as well as magazine polls, and several gold records.

Paul left Metheny in 2001 and formed the Paul Wertico Trio with John Moulder and Eric Hochberg. He collaborated with Larry Coryell, Kurt Elling, and Jeff Berlin. From 2000 to 2007, he was a member of SBB, the platinum-record-winning Polish progressive rock band. Wertico was a member of the Larry Coryell Power Trio until Coryell’s death in 2017.

He went on to create or gain membership in several groups Marbin, Paul Wertico’s Mid-East/Mid-West Alliance, Wertico Cain & Gray, and has won several awards. He has worked with Frank Catalano, Eddie Harris, Lee Konitz, Dave Liebman, Sam Rivers, Bob Mintzer, Terry Gibbs, Buddy DeFranco, Roscoe Mitchell, Evan Parker, Jay McShann, Herbie Mann, Randy Brecker, Jerry Goodman, Fareed Haque, Ramsey Lewis and the list goes on.

As an educator Paul has taught drums privately for 55 years, conducted clinics and masterclasses in addition to writing educational articles for Modern Drummer, DRUM!, Drums & Drumming, Drum Tracks, and DownBeat, and online for Musician.com. He is an Associate Professor of Jazz Studies at the Chicago College of Performing Arts of Roosevelt University, and also headed the school’s Jazz & Contemporary Music Studies program for five years. He served on the faculty of the percussion and jazz-studies programs at the Bienen School of Music at Northwestern University in Evanston, Illinois for 16 years, and taught at the Bloom School of Jazz in Chicago for several years.

Drummer and percussionist Parl Wertico continues to perform, record and educate.

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The Jazz Voyager

The Jazz Voyager will be landing in the Big Apple tonight heading to Broadway to help kick off the New Year at Dizzy’s by celebrating with drummer Jeff “Tain” Watts on his 65th birthday. The club sits high above Columbus Circle with a backdrop of Central Park and the Manhattan vistas. It’s a view to remember.

This multi-Grammy winner and Guggenheim fellow leads an all-star band for a high-energy, four-night run, featuring saxophonist Ravi Coltrane, pianist James Francies, James Genus on the double bass, and guitarist Paul Bollenback. Tain’s distinct blend of swing, innovation, and soul, honed through collaborations with legends like Wynton Marsalis and McCoy Tyner, is sure to set the stage afire and raise the roof.

Tickets range from $25.00~$60.00 and some performances Sold Out , so check availability before you go.

Dizzy’s is located at 10 Columbus Circle, New York City, NY 10019. For more information visit https://jazz.org/dizzys.

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Daily Dose Of Jazz…

George Connell Elrick was born on December 29, 1903 in Aberdeen, Scotland. His first ambition was to be a doctor but financial constraints prevented this. Still in his teens, he began playing drums for local dance bands and by 1928 had formed his own band, the Embassy Band. The group swept the prizes in the All-Scottish Dance Band Championship that year.

Turning professional, George moved to London, England where he became friends with the crooner Al Bowlly, and began singing himself. He joined the Henry Hall Orchestra as a vocalist and drummer and their 1936 recording of The Music Goes Round and Round made him a star. Leaving Hall in 1937 he formed his own band, and two years later began his solo career, which was moderately successful through the years of World War II.

In 1948, he took a touring revue around Britain, and was asked by the BBC to stand in for two weeks as disc-jockey on the morning record request show Housewives’ Choice. The temporary job lasted almost twenty years, as his Scottish accent and liberal use of catchphrases became highly popular.

In later years, he became something of an impresario and acted as an agent for numerous musicians such as Mantovani. He was a member of the Grand Order of Water Rats, and was also a life member of the Variety Club of Great Britain.

Drummer George Elrick, who published his autobiography titled Housewives’ Choice: The George Elrick Story, died on December 15, 1999.

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