Daily Dose Of Jazz…

Jiggs Whigham was born Oliver Haydn Whigham III on August 20, 1943 in Cleveland, Ohio and began his professional career at the age of 17, joining the Glenn Miller/Ray McKinley orchestra in 1961. He left that band for Stan Kenton, where he played in the touring mellophonium band in 1963 before settling in New York City to play commercially.

Finding commercial playing frustrating, Whigham migrated to Germany where he still lives. He played for many years in the big band of Kurt Edelhagen, was a featured soloist in the Bert Kaempfert orchestra, and was also a member of the Peter Herbolzheimer band.

He has produced an extensive discography as a leader, including work with Bill Holman, Niels-Henning Ørsted Pedersen, Carl Fontana, and many others.

Recent years have seen Jiggs as musical director of the RIAS Big Band in Berlin, Germany. He is formerly conductor of the BBC Big Band in Great Britain and currently co-director of the Berlin Jazz Orchestra with singer Marc Secara.

As an educator he has taught at the Hochschule für Musik in Berlin, been a visiting tutor and artist at the Guildhall School of Music and Drama in London, England and the Royal Northern College of Music in Manchester and KUG in Graz, Austria

He is featured on the Berlin Jazz Orchestra albums Update, You’re Everything, Songs of Berlin and music DVD Strangers In Night – The Music Of Bert Kaempfert. He is artist-in-residence for the Conn-Selmer company, maker of the King Jiggs Whigham model trombone.

Trombonist Jiggs Whigham is the musical director for the Bundesjazzorchester working with the top student jazz musicians in Germany. He continues to tour worldwide as soloist, conductor, and educator.

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Daily Dose Of Jazz…

Nat Towles was born August 10, 1905 in New Orleans, Louisiana, the son of string bassist Phil “Charlie” Towles. He started his musical career as a guitarist and violinist at the age of eleven but switched to the bass at 13. Performing in his hometown through his teenage years with Gus Metcalf’s Melody Jazz Band, he eventually played with a number of bands, including Buddie Petit, Henry “Red” Allen, Jack Carey, and the Original Tuxedo Jazz Orchestra.

In 1923 he formed The Nat Towles’ Creole Harmony Kings. This jazz band became one of the prominent territory bands in Texas, Oklahoma, Kansas, and Nebraska. By 1925 he was playing bass for Fate Marable, and reformed his own band the next year. 1934 saw Towles organizing a band of young musicians studying music at Wiley College in Austin, Texas. He also worked the club circuit in Dallas, Texas during this period, when T-Bone Walker and Buddy Tate worked for him.

In the 1930s he transformed his band into The Nat Towles Dance Orchestra, signed with the National Orchestra Service, and focused on swing music through the 1930s and 1940s. In 1934 Towles took up residence in North Omaha, Nebraska, where his band was stationed for the next 25 years. With this outfit Towles dueled with Lloyd Hunter for dominance over the much-contested Near North Side in North Omaha, where he was held over at the Dreamland Ballroom for several weeks. In 1936 and 1937 Towles’ band held residence at Omaha’s Krug Park.

Over the course of his career Billy Mitchell, Buster Cooper, Red Holloway, Buster Bennett, Preston Love, Paul Quinichette, Neal Hefti, Jimmy Heath, Duke Groner, Buddy McLewis and Oliver Nelson were members of his band at one time or another. He continued leading bands throughout the 1950s until retiring to California in 1959 where he opened a bar.

Never finding true national recognition and fearing the limelight would then steal away his best players, there are very few recordings of Nat Towles’ Band. Bassist, big band leader and educator Nat Towles, whose band is considered one of the greatest territory bands of all time by musicians who played in it and by others who heard it, transitioned in Berkeley, California of a heart attack in January 1963.

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Daily Dose Of Jazz…

Edward L. Wilkerson Jr. was born in Terre Haute, Indiana on July 27, 1953. Over the course of his career he has associated himself with medium-to large-scale projects and has been a major presence in Chicago, Illinois’s Association for the Advancement of Creative Musicians (AACM), teaching and serving a term as president.

The AACM collective has been a nurturing force for Wilkerson and has informed much of his work. He was an original member of the Ethnic Heritage Ensemble formed by percussionist Kahil El’Zabar and remained with the group from 1976 until 1997. Though he recorded on three albums with the group he was becoming more involved in leading his own projects. His most ambitious project, Shadow Vignettes, was initiated in 1979 with 25 musicians and incorporated dance, poetry, and visual arts. The ensemble’s influences include the big band work of Muhal Richard Abrams, Duke Ellington, Count Basie and Sun Ra.

Wilkerson’s best-documented octet as a leader is 8 Bold Souls, a series of concerts that led Wilkerson to establish the group as a working band. They have released four albums, 8 Bold Souls, Sideshow, Ant Farm, and Last Option. Their music is influenced by the small groups of Duke Ellington and Jimmie Lunceford, but leaves room for adventurous experimentation.

In addition to his work with the preceding groups he has played with the AACM Big Band, Roscoe Mitchell, Douglas Ewart, the Temptations, Chico Freeman, the late Geri Allen, the Lyric Opera of Chicago, Muhal Richard Abrams, Aretha Franklin, and George Lewis.

Wilkerson has received grants from the Illinois Arts Council, the National Endowment for the Arts, Meet the Composer, and the Community Arts Assistance Program, and has been cited in numerous music polls.

Saxophonist, clarinetist, pianist, composer, arranger and educator Ed Wilkerson Jr., who has recorded 14 albums and two soundtracks, continues to teach composition at the AACM School of Music and explore the realms of jazz from his base in Chicago.

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Daily Dose Of Jazz…

Nat Janoff was born on July 13, 1970 in New Jersey and began his musical education on the piano before switching to bass. After hearing Eddie Van Halen he settled on the guitar. Growing up in the 80’s his musical interests were all things rock and metal and soon earned a reputation for being one of the best shred guitarist in the area. However, seeking a platform to improvise longer than a standard rock riff led him to jazz and hearing the Mahavishnu Orchestra’s Birds of Fire for the first time.

He pursued jazz earning his Bachelor of Music degree in Jazz Performance from William Paterson University in 1996 and set to work forging his own musical path.

Recording his debut album, Looking Through, he enlisted the talents of electric bassist, Matthew Garrison and drummer Gene Lake, that showcased him as a player and a composer. Two more albums as a leader followed, a live acoustic date and a studio session, then contributing to the  ESC tribute album Mahavishnu Redefined II.

In addition to playing with his own groups, Janoff has performed with Joe, David “Pic” Conley, Norman Simmons and drummer Victor Jones’ group Culturversy, Debelah Morgan, and Roland Clark.

Guitarist, composer and educator Nat Janoff teaches guitar privately, has been a guest instructor at the annual William Paterson University summer jazz camp, and continues to perform and record.

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Charles Anthony Elgar was born on June 13, 1879 in New Orleans, Louisiana on June 13, 1879. From age 5 he played violin and also played trumpet. He studied music in Wisconsin and Illinois.

Elgar played in Chicago, Illinois from 1903 with the Bloom Theater Philharmonic Orchestra, but returned to his hometown late in the decade of the 1900s. He remained there until about 1913 when he returned to Chicago, putting together a band the same year. His band played at the Navy Pier Ballroom, Hattie Harmon’s Dreamland Ballroom from 1917 until 1922 and opened the old Savoy Ballroom in 1928.

With his band Charles toured in the revue Plantation Days and traveled to London, England though he did not accompany it on this trip. However, he did play with Will Marion Cook’s Orchestra in Europe. He went on to lead bands in Milwaukee, Wisconsin from 1925 to 1928, making several recordings with Elgars Creole Orchestra that he led at the Wisconsin Roof Gardens in Milwaukee and again in Chicago, 1926-30.

His sidemen included Manuel Perez, Lorenzo Tio, Louis Cottrell, Jr, Barney Bigard, Darnell Howard, and Omer Simeon. He made four recordings as leader of the Creole Orchestra. He concentrated on teaching in the 1930s, and worked as a union official later in his life. He was a founder and charter member of the local branch of the American Federation of Musicians, AFL-CIO, Local 2018.

Violinist, teacher and jazz bandleader Charles Elgar transitioned in August 1973 in Chicago.

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