Daily Dose Of Jazz…
Edward L. Wilkerson Jr. was born in Terre Haute, Indiana on July 27, 1953. Over the course of his career he has associated himself with medium-to large-scale projects and has been a major presence in Chicago, Illinois’s Association for the Advancement of Creative Musicians (AACM), teaching and serving a term as president.
The AACM collective has been a nurturing force for Wilkerson and has informed much of his work. He was an original member of the Ethnic Heritage Ensemble formed by percussionist Kahil El’Zabar and remained with the group from 1976 until 1997. Though he recorded on three albums with the group he was becoming more involved in leading his own projects. His most ambitious project, Shadow Vignettes, was initiated in 1979 with 25 musicians and incorporated dance, poetry, and visual arts. The ensemble’s influences include the big band work of Muhal Richard Abrams, Duke Ellington, Count Basie and Sun Ra.
Wilkerson’s best-documented octet as a leader is 8 Bold Souls, a series of concerts that led Wilkerson to establish the group as a working band. They have released four albums, 8 Bold Souls, Sideshow, Ant Farm, and Last Option. Their music is influenced by the small groups of Duke Ellington and Jimmie Lunceford, but leaves room for adventurous experimentation.
In addition to his work with the preceding groups he has played with the AACM Big Band, Roscoe Mitchell, Douglas Ewart, the Temptations, Chico Freeman, the late Geri Allen, the Lyric Opera of Chicago, Muhal Richard Abrams, Aretha Franklin, and George Lewis.
Wilkerson has received grants from the Illinois Arts Council, the National Endowment for the Arts, Meet the Composer, and the Community Arts Assistance Program, and has been cited in numerous music polls.
Saxophonist, clarinetist, pianist, composer, arranger and educator Ed Wilkerson Jr., who has recorded 14 albums and two soundtracks, continues to teach composition at the AACM School of Music and explore the realms of jazz from his base in Chicago.
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Daily Dose Of Jazz…
Nat Janoff was born on July 13, 1970 in New Jersey and began his musical education on the piano before switching to bass. After hearing Eddie Van Halen he settled on the guitar. Growing up in the 80’s his musical interests were all things rock and metal and soon earned a reputation for being one of the best shred guitarist in the area. However, seeking a platform to improvise longer than a standard rock riff led him to jazz and hearing the Mahavishnu Orchestra’s Birds of Fire for the first time.
He pursued jazz earning his Bachelor of Music degree in Jazz Performance from William Paterson University in 1996 and set to work forging his own musical path.
Recording his debut album, Looking Through, he enlisted the talents of electric bassist, Matthew Garrison and drummer Gene Lake, that showcased him as a player and a composer. Two more albums as a leader followed, a live acoustic date and a studio session, then contributing to the ESC tribute album Mahavishnu Redefined II.
In addition to playing with his own groups, Janoff has performed with Joe, David “Pic” Conley, Norman Simmons and drummer Victor Jones’ group Culturversy, Debelah Morgan, and Roland Clark.
Guitarist, composer and educator Nat Janoff teaches guitar privately, has been a guest instructor at the annual William Paterson University summer jazz camp, and continues to perform and record.
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Daily Dose Of Jazz…
Charles Anthony Elgar was born on June 13, 1879 in New Orleans, Louisiana on June 13, 1879. From age 5 he played violin and also played trumpet. He studied music in Wisconsin and Illinois.
Elgar played in Chicago, Illinois from 1903 with the Bloom Theater Philharmonic Orchestra, but returned to his hometown late in the decade of the 1900s. He remained there until about 1913 when he returned to Chicago, putting together a band the same year. His band played at the Navy Pier Ballroom, Hattie Harmon’s Dreamland Ballroom from 1917 until 1922 and opened the old Savoy Ballroom in 1928.
With his band Charles toured in the revue Plantation Days and traveled to London, England though he did not accompany it on this trip. However, he did play with Will Marion Cook’s Orchestra in Europe. He went on to lead bands in Milwaukee, Wisconsin from 1925 to 1928, making several recordings with Elgars Creole Orchestra that he led at the Wisconsin Roof Gardens in Milwaukee and again in Chicago, 1926-30.
His sidemen included Manuel Perez, Lorenzo Tio, Louis Cottrell, Jr, Barney Bigard, Darnell Howard, and Omer Simeon. He made four recordings as leader of the Creole Orchestra. He concentrated on teaching in the 1930s, and worked as a union official later in his life. He was a founder and charter member of the local branch of the American Federation of Musicians, AFL-CIO, Local 2018.
Violinist, teacher and jazz bandleader Charles Elgar transitioned in August 1973 in Chicago.
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Daily Dose Of Jazz…
Michael Stephans was born in Miami, Florida on June 9, 1945. He has performed and recorded with artists including Dave Liebman, Bennie Maupin, Joe Lovano, Bob Brookmeyer, Don Menza, and Alan Broadbent.
Stephans’ first solo recording, Om ShalOM, was critically lauded in 2007 by UK critic Tom Barlow as an album of the year in the December 2007 – January 2008 issue of Jazzwise.
He has received multiple composition grants from the National Endowment for the Arts. In 1974, this association afforded him the opportunity to write the large ensemble composition Shapes and Visions for vibraphonist Karl Berger, which was performed at the Smithsonian Museum of Natural History in Washington, D.C.
In his role as a poet Michael has been published in The Note and Inscape, and received the Rachael Sherwood Poetry Prize by the English department at Cal State Northridge. He is the author of Experiencing Jazz: A Listener’s Companion, and Experiencing Ornette Coleman: A Listener’s Companion.
He is a professor who has taught at Pasadena City College, the University of Miami, and Bloomsburg University of Pennsylvania. Drummer Michael Stephans continues to pursue his career in jazz.
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Daily Dose Of Jazz…
Ronnie Bedford was born in Bridgeport, Connecticut on June 2, 1931. He started early on the drums, taking lessons from Fred Albright of the NBC Orchestra when he was ten. Later he started listening to radio airchecks of the great big bands on the radio which, among other things, resulted in Gene Krupa becoming his idol. Although he was already in jazz, the defining moment when he fully committed to the jazz life came in 1970 while he was with the Morris Nanton Trio.
He went on to perform with Broadway shows, big bands, small groups, TV, and the recording studio. A very short list of those he has sat in at drums are Hank Jones, Sylvia Sims, Arnett Cobb, Benny Carter, Walter Norris, and Bill Watrous. The drummer has also performed at key jazz festivals and major concert halls including the Newport Jazz Festival, Royal Albert Hall in London and New York’s Avery Fisher Hall, both with Benny Goodman, and the Smithsonian Museum with Benny Carter.
In 1993 he released a self-published album titled Tour de West. He later produced three more albums before the turn of the century on the Progressive Records label. As a sideman he recorded with Carter, Cobb, Jones, Chris Connor, Buddy DeFranco, Don Friedman, Rod Levitt, Pee Wee Russell, Derek Smith and Chuck Wayne.
He was one of the founders of the Yellowstone Jazz Festival held annually in Cody, Wyoming, and was the recipient of the 1993 Wyoming Governor’s Award for the Arts. Living in Powell, Wyoming he taught percussion at Northwest College. Drummer and professor Ronnie Bedford transitioned on December 20, 2014.
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