Daily Dose Of Jazz…

Jesper Thilo was born on November 28, 1941 in Copenhagen, Denmark to a pianist-actress mother and architect father. He started to play clarinet at age 11 and from 1955 to 1960 he played clarinet and trombone in various amateur Dixieland jazz bands with the occasional paid jobs as a musician. Early he knew that he wanted to become a professional jazz musician but to get an education he chose to study classical clarinet at the Royal Danish Academy of Music.

While at the Academy, Thilo joined Arnved Meyer’s orchestra from 1960 to 1964 and again from 1967 to 1974 and it was Meyer who convinced him to shift to saxophone. He would go on to play with Ben Webster, Benny Carter, Harry Edison, Roy Eldridge and Coleman Hawkins. During this part of his career his virile swing style was chiefly inspired by Webster and Hawkins and his own quintet which he put together in 1965 and co-lead with Torolf Mølgaard and Bjarne Rostvold.

From 1966 to 1989, he was a member of the DR Big Band under bandleaders Palle Mikkelborg and Thad Jones. He mainly played alto saxophone but occasionally also tenor saxophone, soprano saxophone, baritone saxophone, concert flute, clarinet or bass clarinet. Through the Eighties, Jesper played in Ernie Wilkins’ Almost Big Band. Other collaborators have included Wild Bill Davison and Niels Jørgen Steen.

By 1989, leaving the DR Big Band and Ernie Wilkins’s orchestra he led his own bands with Søren Kristiansen, Olivier Antunes, Hugo Rasmussen og Svend-Erik Nørregaard. He first recorded as a leader for Storyville Records in 1973 and in the 1980s on Storyville his sidemen at various times included Kenny Drew, Clark Terry and Harry “Sweets” Edison, and appeared on the Miles Davis album Aura.

Considered to be one of the top European straight-ahead jazz musicians of the post-1970 period, tenor saxophonist, alto saxophonist, clarinetist and flutist Jesper Thilo continues to perform and record.

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NESTOR TORRES

n evening with world-class jazz flautist and Latin Grammy winner Nestor Torres and his ensemble, performing Latin jazz, pop and other genres. Nestor Torres is a Puerto Rican flautist. He studied at Berklee College of Music, Mannes School of Music in NYC and later at the New England Conservatory of Music in Boston. His career includes collaborations with Herbie Hancock, Tito Puente and Gloria Estefan, to mention a few. He has released 18 CDs and has earned 4 Latin Grammy nominations, 1 Latin Grammy Award, and a Grammy nomination. His playing incorporates Latin jazz, pop, straight-ahead jazz and classical styles. One of his most notable albums, Dances, Prayers & Meditations for Peace, is based on his improvised performances in various houses of worship near Ground Zero in the aftermath of the 9/11 terrorist attacks. He was commissioned to compose the album’s title track, which he performed for the Dalai Lama during the spiritual leader’s visit to Miami.

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Daily Dose Of Jazz…

Bent Jædig, born September 28, 1935 in Copenhagen, Denmark. He first studied clarinet before playing saxophone. In the 1950s, he settled in Germany and led a band with trombonist Rudi Fuesers, later joining another band with trombonist Peter Herbolzheimer in Munich, Germany.

By the 1960s, he returned to Denmark and worked with trumpeter Allan Botschinsky and pianist Bent Axen, with whom he recorded for Denmark’s Debut label. Bent would go on to play with the Dollar Brand Quintet which included Don Cherry. As a side-man he was constantly in demand and worked with Tete Montoliu, Jimmy Woode, Philly Joe Jones/Dizzy Reece, and Louis Hjulmand.

Jædig recorded his first album as a leader in 1967 titled, Danish Jazzman, with Axen, Botschinsky, Dusko Goykovich, Niels-Henning Ørsted Pedersen and Alex Riel. He would later form a trio, played in a duo and recorded live shows in 2002 which were compiled for a release from Timeless Records.

In the Seventies and 1980s he worked with Wild Bill Davison, Art Farmer, Stan Getz, the Thad Jones Big Band, Duke Jordan, Horace Parlan, Sahib Shihab, and Ernie Wilkins Almost Big Band. He was also a member of the Erling Kroner Tentet, played in the Danish Radio Big Band, and recorded on the Miles Davis album Aura. In 1987, Jædig was a member of Pierre Dørge’s New Jungle Orchestra.

At the end of the 1990s he was performing in a quintet. Tenor saxophonist and flutist Bent Jædig transitioned on June 9, 2004. Saxophonist Charles Davis recorded the album Charles Davis Plays the Music of Bent Jædig in 2006.

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Daily Dose Of Jazz…

Makanda Ken McIntyre was born Kenneth Arthur McIntyreon on September 7, 1931 in Boston, Massachusetts to a father whoplayed mandolin. He started his musical life on the bugle when he was eight years old, followed by piano. In his teens he discovered the music of Charlie Parker and began playing saxophone at nineteen, then clarinet and flute two years later. Serving in the Army in 1953, for two years he played saxophone and piano in Japan.

Following his discharge Ken attended the Boston Conservatory where he studied with Gigi Gryce, Charlie Mariano, and Andy McGhee. In 1958 he received a degree in flute and composition with a master’s degree the next year in composition. He also received a doctorate (Ed.D.) in curriculum design from the University of Massachusetts Amherst in 1975.

1960 saw McIntyre recording as a leader with Eric Dolphy. The following year and for the next six he taught music in public schools. He took oboe lessons in New York before playing with Bill Dixon, Jaki Byard, and the Jazz Composer’s Orchestra. He went on to spend three years with pianist Cecil Taylor. During the 1970s he recorded with Nat Adderley and Beaver Harris and in the 1980s with Craig Harris and Charlie Haden.

In 1971, he founded the first African American Music program in the United States at the State University of New York College at Old Westbury, teaching for 24 years. He also taught at Wesleyan University, Smith College, Central State University, Fordham University, and The New School for Jazz and Contemporary Music.

In the early 1990s, while performing in Zimbabwe, a stranger handed him a piece of paper with the word “Makanda” written on it, which translates to many skins in the Ndebele language and many heads in Shona. He changed his name to Makanda Ken McIntyre. At the age of 69 on June 13, 2001 he transitioned from a heart attack in New York City.

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Daily Dose Of Jazz…

Donald Vernon Burrows was born on August 8, 1928 Marrickville, New South Wales, Australia and attended Bondi Public School. In 1937, visiting flutist and teacher Victor McMahon inspired him to start learning the flute, beginning on a B-flat flute. By 1940 he was captain of the Metropolitan Schools Flute Band and studying at the Sydney Conservatorium of Music.^[2]

In 1942, Burrows had begun playing clarinet and appeared on The Youth Show, a Macquarie Radio show. In 1944 he was invited to play and record with George Trevare’s Australians. He became well-known in Sydney jazz circles and was performing in dance halls, nightclubs and radio bands.

During the 1960s and 1970s, Burrows had many engagements in Australia and the United States, including six years performing at the Wentworth Hotel in Sydney. In 1972, he was invited to perform at the Montreux Jazz Festival^[4] and later the Newport Jazz Festival.

He received his first gold record in 1973 for his record Just the Beginning, instigating the first jazz studies program in the southern hemisphere, at the New South Wales Conservatorium of Music. He was appointed a Member of the Order of the British Empire (MBE) and appointed Chair of Jazz Studies at the conservatorium.

Though he mostly performed to classical music audiences through tours with Musica Viva and the Australian Broadcasting Corporation concert series, he had an extensive recording career with his groups and performed on albums by others. He also worked with Frank Sinatra, Dizzy Gillespie, Nat King Cole, Oscar Peterson, Tony Bennett, Stéphane Grappelli, Cleo Laine, and the Sydney Symphony Orchestra.

His arthritis from age 38, though making it somewhat difficult to play, never stopped him. In later years he had Alzheimer’s disease and lived in a nursing home in northern Sydney. Saxophonist, flutist and clarinetist Don Burrows transitioned on 12 March 12, 2020, aged 91.

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