BOBBY BROOM: TRIBUTE TO RUSSELL MALONE
Born in Harlem and raised on the Upper West Side of NYC, Bobby Broom took up guitar at 12 and five years later, in 1977, made his first appearance with Sonny Rollins at Carnegie Hall. Even prior to that auspicious start, he had dedicated himself to the art, culture, and life of jazz, with the goals of learning to express himself within the idiom, while honoring its historical traditions and spirit.
Nearly 50 years later, Bobby has amassed a formidable jazz pedigree, working closely with historic figures such as Rollins, Miles Davis, Art Blakey, Stanley Turrentine and Kenny Burrell, as well as many of his contemporaries. To date he has made fifteen leader recordings and has traveled to perform, as an accompanying musician and with his own ensembles, in countries on five continents.
Broom is a tenured Associate Professor at Northern Illinois University and has devoted much of his career to jazz education. He began teaching at the tertiary level under the direction of NEA Jazz Fellow and saxophone great Jackie McLean at University of Hartford. Bobby has also worked with high school students through the Herbie Hancock (formerly Thelonious Monk) Institute and currently, with the Ravinia Jazz Mentor Program.
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OLATUJA
Acclaimed vocalist Alicia Olatuja and bassist Michael Olatuja come together for this groove-heavy mix of Afro-Beat, jazz, funk, and soul, as heard on their new self-titled album. “A singer with a strong, lustrous tone and an amiably regal presence onstage” (The New York Times), Alicia Olatuja has been held up by no less than Dianne Reeves as one of the finest singers on the scene today.
The St. Louis native first gained national attention as a featured soloist with the Brooklyn Tabernacle Choir at Barack Obama’s 2013 presidential inauguration ceremony.
But in the past few years she’s created a powerful buzz in jazz circles through her work with GRAMMY Award-winning pianist/arranger Billy Childs and the late legendary Hammond B-3 organist Dr. Lonnie Smith. Increasingly visible as a bandleader, Olatuja led three increasingly accomplished sessions including her most recent project celebrating women composers, Intuition: Songs From the Minds of Women.
Born in London and raised in Lagos, Nigeria, Michael Olatuja is a first-call bassist on the New York scene who has lent his inventive musicianship to Stevie Wonder, Terence Blanchard, José James, Kurt Elling, and Shakira. His newest solo release, Lagos Pepper Soup, features guests Angelique Kidjo, Brandee Younger, Joe Lovano, and Dianne Reeves, among others.
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MARC RIBOT 70TH BIRTHDAY CELEBRATION
with special guests James Brandon Lewis & Mary Halvorson & more…
Guitarist extraordinaire Marc Ribot follows his muse wherever it leads, resulting in a career path that has ranged across free jazz and no wave, rock and Cuban rumba. In some circles he’s best known as a key collaborator with singular artists such as Tom Waits, Elvis Costello, John Zorn, Diana Krall, and Robert Plant and Alison Krauss, contributing to their 2007 hit album Raising Sand.
The last time the mind-bogglingly eclectic checked into the SFJAZZ Center he played eight solo shows in the JHL, alternating between freely improvised sets, extended medleys of Haitian-American composer Frantz Casseus, Cuban maestro Arsenio Rodríguez and John Coltrane, and his gorgeous score for the 1924 Soviet silent film Aelita: Queen of Mars.
Celebrating his 70th birthday, Ribot joins forces with two of the most celebrated and searching jazz artists on the contemporary scene, guitarist Mary Halvorson and saxophonist James Brandon Lewis, along with bassist Hilliard Greene and longtime collaborator Chad Tayloron drums.
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CLIFF RICHMOND & THE CLIFFNOTES
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RONI BEN-HUR QUARTET
While many of the compositions on Love Letters were written by giants such as Leonard Bernstein (“Lonely Town”), Benny Golson (“Fair Weather”), and Ben-Hur’s long-time mentor, the late, great Barry Harris (“To Dizzy with Love”), Ben-Hur once again showcases his formidable composing chops with four original compositions. With the Quartet on Love Letters, Ben-Hur creates an irresistible atmosphere of musical harmony and loving connection. Each of Ben-Hur’s compositions reflect an aspect of the love that has propelled the guitarist to ever greater heights in the life and in jazz. With “To Dizzy with Love,” he shares a memory of his friend Barry Harris with a buoyant rendition of a song they once played together at Birdland. In this interpretation we are treated to a joyous dance of swing and Caribbean rhythms. On “Seul `a Paris” (alone in Paris), Ben-Hur’s wistful strings and muted trumpet speak of what it is like to fly solo in the “City of Love.” With the composition, “Waiting for JH”, co-written with the late American pianist Chris Anderson,
Ben-Hur sends a “love letter” to the late Jim Harrison, one of the genre’s most indomitable advocates and promoters, who worked tirelessly for a “who’s who” in jazz. The voice of the unspeakable is heard in “The House that Yosef Built,” a love letter to Ben-Hur’s father. The tune evokes a rush of memories about the hardships his parents faced in their escape from Tunisia in the aftermath of World War II. Guitar, bass and drum deftly lay a rhythmic foundation, and Jensen’s triumphant trumpet celebrates the family’s resilience and the sturdy house and home that Yosef Ben-Hur was determined to build for his family.
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