Daily Dose Of Jazz…
Samuel Carthorne Rivers was born September 25, 1923 in Enid, Oklahoma, the son of a gospel musician who sung with the Fisk Jubilee Singers and the Silverstone Quartet which exposed a young Sam to music at an early age. By 1947 he was in Boston studying Alan Hovhaness at the Boston Conservatory.
Active in jazz since the early 1950s, by the end of the decade he was performing with then 13 year-old drummer Tony Williams. In the mid Sixties he held a short-lived tenure with Miles Davis, producing the album Miles In Tokyo. He went on to sign with Blue Note leading four dates, his first being Fuschia Swing Song and contributing many more as a sideman.
A multi-instrumentalist, Rivers who plays soprano and tenor saxophones, bass clarinet, flute, harmonica and piano, is also a composer. Rooted in bebop and equally adept at free jazz he has performed and recorded with the likes of Quincy Jones, Herb Pomeroy, Tadd Dameron, Jaki Byard, Freddie Hubbard, Herbie Hancock, Andrew Hill, Larry Young and many others.
The 70s saw the rise of the loft era and Rivers ran RivBea in New York’s NoHo district where numerous performance lofts emerged. He continued to perform and record for a variety of labels including several albums for Impulse Records, two big band albums for RCA Victor, and joined Dizzy Gillespie’s band near the end of the trumpeter’s life.
With a thorough command of music theory, orchestration and composition, Rivers has been an influential and prominent artist in jazz music. He performs regularly with his RivBea Orchestra and Trio and is currently recording new works. Sam Rivers, who played soprano and tenor saxophones, bass clarinet, flute, harmonica and piano in the avant-garde and free jazz arenas, passed away on December 26, 2011 in Orlando, Florida at age 88.
Put A Dose In Your Pocket
Daily Dose Of Jazz…
Jean-Baptiste Frédéric Isidor Baron Thielemans was born on April 29, 1922 in Brussels, Belgium. Known to the world as Toots, he began his musical training on accordion at age three. Not playing harmonica until he was seventeen, Toots original reputation was made as a guitarist greatly influenced by Django Reinhardt. By 1949 he was sharing the Paris Jazz Festival bandstand with Charlie Parker, Miles Davis, Max Roach and Sidney Bechet for a jam session. That same year he began touring Europe with Benny Goodman and making his recording debut with Zoot Sims.
Moving to the US in 1952 he joined Charlie Parker’s All-Stars and worked with Miles Davis and Dinah Washington. He played and recorded with names like Ella Fitzgerald, Peggy Lee, George Shearing, Quincy Jones, Oscar Peterson, Bill Evans, Paul Simon, Billy Joel, The Happenings, Astrud Gilberto, Shirley Horn, Elis Regina and others.
His composition “Bluesette”, recorded in 1962, where he introduced whistling and guitar in unison, has become a jazz standard. Norman Gimbel later penned the lyrics and the tune became a worldwide hit for several singers and is still highly requested.
His trademark harmonica playing and whistling has been heard in movie scores, television series and commercials. He has been a proponent of world music releasing a French flavored album Chez Toots and the two-volume Brasil Project. He has received honorary doctorates, made a baron by King Albert II of Belgium, and in 2008 became a NEA Jazz Master.
Apart from his popularity as an accomplished musician, he is well liked for his modesty and kind demeanor. The composer and musician continued to play and record until he passed away on August 22, 2016 in Braine-l’Alleud, Belgium. He is credited with single-handedly introducing the chromatic harmonica as a jazz instrument in the Fifties, playing with the dexterity of a saxophone.
More Posts: harmonica
Daily Dose Of Jazz…
Grégoire Maret was born May 13, 1975 in Geneva, Switzerland. He began playing the harmonica at the age of 17. Upon graduating from the prestigious Conservatoire Supérieur de Musique de Genève he moved to New York City and studied jazz at the New School University.
Maret has performed with Youssn’Dour, Me’ Shell Ndegeocello, Pete Seeger, David Sanborn, George Benson, Cassandra Wilson, Toots Thielemans, Jeff “Tain” Watts, Gretchen Parlato and the Polish orchestra Sinfonia Viva to name a few. In 2005 he toured with the Pat Metheny Group, received a Grammy for Best Contemporary Jazz Album for their album The Way Up, and won the Jazz Journalists Association “Player of the Year Award”.
He embarked on a two-year tour with bassist Marcus Miller, and then joined Herbie Hancock’s band. He would co-lead the jazz trio Gaïa with pianist Federico Gonzales Peña and drummer Gene Lake, record the album Scenarios with Andy Milne and play The Concert for the Rainforest with Elton John and Sting.
The harmonica player who has recorded on over six-dozen albums as a sideman, and who has been compared to Toots Thielemans and Stevie Wonder. Grégoire Maret released his self-titled debut album as a leader in 2012 and continues to perform, tour and
More Posts: harmonica
Daily Dose Of Jazz…
Freddy Robinson was born Fred Leroy Robinson on February 24, 1939 in Memphis, Tennessee but was raised in Arkansas and by 1956 was in Chicago. That year he first recorded backing harmonica player Birmingham Jones. In 1958, he began touring with Little Walter and after seeing a jazz band performance was inspired to formally learn music at the Chicago School of Music.
Freddy soon was working and recording with Howlin’ Wolf, and by the mid-1960s was playing with Jerry Butler and Syl Johnson before joining Ray Charles in Los Angeles. While there, he recorded the instrumental “Black Fox”, which became a minor pop hit. In the early 1970s, he worked with English blues bandleader John Mayall, playing on the album Jazz Blues fusion and recording with trumpeter Blue Mitchell.
As a leader Robinson would record two albums, At The Drive In and Off The Cuff, supported by Joe Sample and Wilton Felder of the Crusaders. Throughout his career he worked with Earl Gaines, Jimmy Rogers, Monk Higgins, Stanley Turrentine and Bobby Bland. In 1975 he converted to Islam changing his name to Abu Talib and recorded solo, re-emerging in 1994 with an album of his own compositions, The Real Thing at Last.
Abu Talib, jazz and blues guitarist, singer and harmonica player, died of cancer in Lancaster, California on October 8, 2009.
