Requisites

Zoot ~ Zoot Sims Quartet | By Eddie Carter

I’d just completed a long week and wanted to hear something soothing after dinner. I chose Zoot (Argo LP 608), a 1957 album by The Zoot Sims Quartet. John Haley Sims was born in Inglewood, California and began playing the clarinet and drums at an early age. By age thirteen, he started the tenor sax and later joined the big bands of Kenny Baker, Bobby Sherwood, and Benny Goodman. He got his nickname Zoot while playing with Kenny Baker and later gained attention in Woody Herman’s orchestra as one of the four brothers’ sax section. The personnel on this date are Zoot Sims on alto sax (track: B3) and tenor sax (A1 to B2, B4), Johnny Williams on piano, Knobby Totah on bass, and Gus Johnson on drums. My copy is the 1975 Japanese Mono reissue (Cadet MJ-1013M).

The first side opener, 9:20 Special by Earle Warren, begins with the quartet’s delightfully relaxing melody. Zoot is the first to whet the listener’s appetite in the opening reading. Johnny takes the baton for a light-hearted solo next. Knobby follows with a few well-placed bass notes, and Gus shares the finale with Zoot in a short conversation ahead of the theme’s reprise. The Man I Love by George and Ira Gershwin opens with the rhythm section’s tasteful background accompanying Zoot’s tenderly warm tone in the opening chorus and the saxophonist’s first reading. Johnny is equally thoughtful and sensitive in the following interpretation. Zoot adds a few soothing last thoughts, like gentle raindrops hitting the ground, into a mellow ending.

55^th and State, an original by Zoot Sims, moves the beat upward to a medium bounce for the ensemble’s theme. Zoot leads off with an inspired improvisation, then passes the torch to Johnny, who follows with a rousing performance. Gus wraps up the finale, sharing a lively conversation with Zoot, leading to the theme’s return. Blue Room by Richard Rodgers and Lorenz Hart is an old show tune from the twenties. The quartet rises to the occasion, getting into an infectious groove on the melody. Zoot rolls out ideas effortlessly in the opening statement. Johnny extends the joyous mood in the following interpretation, and then Gus engages in a short exchange with Zoot, leading to the ending theme and conclusion.

Side Two begins with Gus’s Blues, an original by Gus Johnson that Johnny introduces, segueing to the foursome’s easygoing melody. Zoot sets a swinging groove on the opening performance. The pianist follows the leader with a bright, bouncy interpretation, and then the saxophonist returns for a closing presentation that disappears into nothingness. The group takes on another old chestnut with their rendition of That Old Feeling by Sammy Fain and Lew Brown. After the quartet establishes the opening ensemble, Zoot launches into one of his best solos on the album. Johnny responds with a compelling reading, and then the saxophonist delivers the last word in a short sermon before the group takes the song out.

Zoot switches to alto sax for Oscar Pettiford’s Bohemia After Dark. It’s a swinger from the word go, and this point is emphasized when the saxophonist takes charge during the foursome’s theme. Zoot continues cooking with confidence on the lead solo. Johnny meets the challenge head-on in a concise presentation, then turns it back over to Zoot, who delivers the knockout punch preceding the brisk reprise and climax. The closing track is Woody ‘n’ You, Dizzy Gillespie’s tribute to Woody Herman that takes off with the quartet’s brisk theme. Zoot opens with an enthusiastic performance. Johnny matches him in agility on the following statement. Knobby has a short stint next, and then Zoot and Gus share the exclamation point before the theme reprise and finale.

Dave Usher produced the album, but it’s unknown who the recording engineer was for the session. The album’s sound quality possesses a solid soundstage despite a minor issue during Knobby’s bass solo on Woody ‘n’ You, where the bass sounds distorted; the remainder of the album is excellent. Zoot Sims’s successful career as a leader and sideman lasted forty years, recording on various labels with many exceptional jazz musicians. He passed away from lung cancer on March 23, 1985, at the age of fifty-nine. If you’re a fan of Cool Jazz, I offer Zoot by The Zoot Sims Quartet for your consideration on your next record-shopping trip. This album of originals and standards is superbly performed and should become a welcome addition to your library!

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Bruce David Gertz was born on December 15, 1952 in Providence, Rhode Island. He first learned to play guitar, then switched to bass guitar as a teenager, playing with local blues and rock groups.

He studied music formally at New England College and Berklee College of Music in the 1970s. After graduating from Berklee in 1976 he taught music there; he is now a professor of music. He worked with George Garzone in the Overtones in the late Seventies and was a co-leader of ensembles with Jerry Bergonzi from 1978 to 1989.

He has worked with Mike Stern both in the Bergonzi ensembles and with Stern’s own quartet. From 1982 to 1985 he was house bassist for the Willow Jazz Cafe in Somerville, Massachusetts. In the 1990s he worked with John Abercrombie, Joey Calderazzo, Ken Cervenka, Adam Nussbaum, Danilo Perez, Dan Reiser, Kurt Rosenwinkel, George Schuller, and others.

Double and electric bassist Bruce Gertz continues to perform.

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Chuck Gentry was born Charles T. Gentry on December 14, 1911 in Belgrade, Nebraska. He learned to play clarinet while growing up in Sterling, Colorado and attended Colorado State Teachers College before moving to Los Angeles, California to pursue a career in music.

He played with Vido Musso in 1939, then with Harry James in the first years of the Forties. During World War II he worked with Benny Goodman, the Army band of Glenn Miller, and Artie Shaw. Gentry then worked with Jan Savitt before returning to Goodman’s employ in 1946.

 After 1947 Chuck worked as a session musician with June Christy, Louis Armstrong, Georgie Auld, Charlie Barnet, Ralph Burns, Benny Carter, Sammy Davis Jr., Ella Fitzgerald, Pete Fountain, The Four Freshmen, Erroll Garner, Woody Herman, Stan Kenton, Spud Murphy, Anita O’Day, Patti Page, Mel Powell, Della Reese, Shorty Rogers, Pete Rugolo, Mel Torme, and Nancy Wilson.

Saxophonist Chuck Gentry died on January 1, 1988 in California.

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Karen Street was born on December 13, 1959 in the United Kingdom (UK) and started playing the accordion at the age of 7.  She went on to study at Bath University, RWMCD and in London, England with the late Ivor Beynon, a pioneer of the classical accordion. She studied music at Welsh College of Music and Drama and Guildhall School of Music. She became the British Virtuoso Champion in 1981/2 and competed in the Coupe Mondiale World Championship in Hamburg, Germany and Folkstone, UK.

Karen has created a niche for herself in the UK jazz scene and is a regular member of Mike Westbrook’s groups, works with Tim Garland as well as part of Lammas playing alongside Geoff Keezer, Joe Locke and Avishai Cohen.

As a saxophonist Street was a member of the all girl saxophone quartet The Fairer Sax and is now a member and co-leader of Saxtet with her husband Andy Tweed.

Karen’s composing is specialized by writing music for the saxophone, from solos to large ensembles. Her composition for solo accordion, In The Ballroom With The Rope, took first prize at the London Accordion Festival, Composition Competition in 2001. The same year she released her debut recording, Finally A Beginning.

Besides jazz, Karen has played across genres with the likes of Bryan Ferry, Grace Jones, Andrea Bocelli, Kate Westbrook, BBC Philharmonic, Icebreaker, and the Strictly Come Dancing Live Tour band for three seasons.

Accordionist, saxophonist and flutist Karen Street is currently a freelance musician playing across a wide variety of genres.

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Juhani Aaltonen was born December 12, 1935 in Kouvola, Finland. He began playing professionally at the end of the Fifties. He played in a sextet led by Heikki Rosendahl during that time, and then studied flute performance at the Sibelius Academy and in the U.S. at the Berklee College of Music.

Moving back to Finland, he settled in Helsinki and began working both as a session musician and with fusion groups. Late in the 1960s he formed a duo with Edward Vesala, played in the group Eero Koivistoinen and with Tasavallan Presidentti. He recorded with Thad Jones and Mel Lewis and with Heikki Sarmanto late in the decade and early 1970s. His debut album as a soloist, Etiquette, was released in 1974.

The following year Juhani became a member of the New Music Orchestra, and worked with the Nordic All Stars, Arild Andersen, and Peter Brötzmann before the end of the decade. The Eighties saw him working with the UFO Big Band, Jan Garbarek, Charlie Mariano, and others. He led a touring quartet from 1990 to 1992.

In 2001 he released a duo recording, Rise, and his trio album Mother Tongue won a Jazz-Emma in Finland. Saxophonist and flautist Juhani Aaltonen continues to perform as well as teach at the annual Nilsiä Music Camp.

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