Daily Dose Of Jazz…

Bill McGuffie was born on December 11, 1927 in Carmyle near Glasgow, Scotland. After three years studying the piano he had an accident as a child which caused the loss of his second finger of his right hand, but despite the accident he started playing again and modified his technique. By the time he turned eleven he was awarded the Victoria Medal for his piano proficiency by the Victoria College, Glasgow.

Finding it difficult he decided to stop playing until friends and colleagues suggested playing dance music. Towards the end of World War II when he was 17, he moved to London and began a career in 1946 playing in the Teddy Foster Orchestra at the Lyceum.

Working with other top bands followed until 1952 when he got his big break when the BBC formed their own show band run by Cyril Stapleton. McGuffie was a featured artist with a big public following, which led to a recording contract and he was voted in top place in the Melody Maker readers’ poll from 1953 to 1955. This led to him appearing in the early Esquire jazz poll winners records and recorded with trumpeter Kenny Baker’s Dozen.

He made a limited number of records which were jazz tinged and a big band record. Bigger success came with his light music and his albums with strings. Noted for his great musicianship and his impeccable good taste, his jazz records with the Kenny Baker Dozen and one track from the Melody Maker’s All-Stars are available. He also recorded albums with no jazz content, and worked extensively with bandleader Joe Loss, where he was featured.

He won an Ivor Novello Award in 1960 for his composition Sweet September, a Song Writers’ Guild Badge of Merit, and the British Academy of Songwriters, Composers and Authors Gold Badge of Merit.

Pianist Bill McGuffie, who went on to be a film composer and conductor, and with the onset of cancer, died on March 22, 1987 at the age of 59.

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Jazz Poems

From WRITTEN TO MUSIC EIGHT FOR ORNETTE’S MUSIC If the pain is greater than the difference as the bird in the night or the perfumes in the moon oh witch of question oh lips of submission in the flesh of summer the silver slipper in the sleeping forest if hope surpasses the question by the mossy spring in the noon of harvest between the pillars of silk in the luminous difference oh tongue of music oh teacher of splendor if the meat of the heart if the fluid of the wing as love if birth or trust as love as love time turns the tables the indifferent and blissful Spring saves all souls and seeds and slaves asleep dark Spring in the dark whispering human will words spoken by two kissing tongues hissing union Eve’s snake stars come on two naked bodies tumble through bodiless Christmas trees blazing like bees and rosebuds fire turns to falling powder lips relax and smile and sleep fire sweeps the hearth of the blood on far off red double stars they probate their own tied wills KENNETH REXROTH

from Jazz Poems ~ Selected and Edited by Kevin Young

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Daily Dose Of Jazz…

Jim Hession was born on December 10, 1947 in Pasadena, California, where he studied piano with composer Oscar Rasbach. By the time he turned twenty he was a fixture in the traditional jazz scene, with his incredibly accurate two-handed piano style. He was a founding member of the Maple Leaf Club, receiving his degree in composition from the University of California at Los Angeles (UCLA), where he studied under Paul Chihara and Lalo Schifrin.

Jim met and began recording with Eubie Blake and while recording with Eubie Blake in New York City he began exploring more contemporary jazz venues, while retaining his handle on traditional jazz styles like ragtime, stride and boogie-woogie.

He met his future wife Martha while they were attending UCLA, where she was studying piano and voice. She began singing professionally with Jim and started a professional association with the Walt Disney Company in 1967 until relocating to the Gulf Coast in 2003.

Over the years they have performed with such luminaries as Teddy Wilson, Al Hirt, Bob Crosby, Johnny Guarnieri, Max Morath, Shelton Brooks, Gregory Hines, Savion Glover, and Disney songwriters the Sherman Brothers. They have acquired an incredible knowledge of the history of American music and hold 85,000+ pieces, one of the largest privately-held collections of original sheet music in the United States.

They have lectured at many colleges and educational venues across the country. The couple have performed as a jazz duo, headlined the American Jazz Quintet, appeared on television, produced stage shows, and historical lectures. Pianist Jim Hession and Martha Hession continue to bring a level of talent and versatility not often found on the music scene.

 

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Daily Dose Of Jazz…

Bob Smith was born on December 9, 1945 in Columbus, Ohio and was the first child of a young pair of Swing Kids. Growing up he listened to the radio and records playing big band instrumentals and vocals. He became familiar with Glenn Miller, Benny Goodman, Artie Shaw, Jimmy Dorsey, Count Basie, Duke Ellington and the Andrews Sisters in the family’s Ohio State University campus area apartment.

By the time he turned ten he had rented a metal clarinet from a local shop and started his entrance into the music industry. Two years later Bob began lessons on the clarinet with David Hite and at Columbus Linden-McKinley high school joined the dance band by learning to play baritone saxophone. This was followed by the purchase of a Selmer Mark VI alto and fell in love.

Attracting national attentionhe as a member of the dance band in 1961-62 the band was invited those two years to the Stan Kenton National Stage Band Camps as a featured guest band. They enjoyed the thrills of being rehearsed by Stan Kenton, Buddy DeFranco, Buddy Morrow, John LaPorta, Don Jacoby, Buddy Baker and others. Then Kenton and DeFranco took them to Chicago’s McCormick Place to perform for the Midwest Band and Orchestra Directors Convention.

At the Ohio State University School of Music he majored in Music Education and alto saxophone was his major instrument. Smith added bass clarinet, contrabass clarinet, tenor and bass saxes to his arsenal of instruments.

He taught instrumental music in southern and northwest Ohio and privately in Columbus and Toledo, Ohio. Along with being an educator Bob spent the majority of his working career in business sales, retiring in 2008. Over the decades alto saxophonist Bob Smith has played in numerous big bands in Ohio and currently performs in Toledo’s Swingmania All-Stars, a band that never recorded an album or a song.

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Requisites

Kelly Blue ~ Wynton Kelly Trio and Sextet | By Eddie Carter

This morning’s record from the library is Kelly Blue (Riverside Contemporary Series RLP 12-298/RLP 1142) by The Wynton Kelly Trio and Sextet. It hit the stores in 1959 and was his second release as a leader on the label after Piano a year earlier. Wynton Kelly was an accomplished hard-bop pianist and accompanist who collaborated with many elite musicians and vocalists over his career, appearing on some of the most unforgettable jazz albums ever recorded. Here, he’s working with a superb supporting cast: Nat Adderley on cornet, Bobby Jaspar on flute, Benny Golson on tenor sax (tracks: A1, B2), Paul Chambers on bass, and Jimmy Cobb on drums. My copy is the 1982 Original Jazz Classics U.S. Stereo reissue (Riverside OJC-033).

Side One opens with the title tune, Kelly Blue, by Wynton Kelly. Bobby, Paul, and Jimmy introduce this mid-tempo blues with a three-instrument dialogue. The remaining ensemble joins in as the melody unfolds. Wynton begins the opening solo with a relaxing reading. Bobby exhibits some exciting twists and turns next. In the following presentation, Nat raises the temperature slightly with precise articulation. Benny delivers a gorgeous statement with a rich, warm tone as smooth as a sled on new snow before the close. Softly, As In a Morning Sunrise by Sigmund Romberg and Oscar Hammerstein II begins with the trio introducing the melody. Kelly sets the solos in motion with a performance that cooks. Chambers’s bass compliments him with a concise solo that is to the point ahead of the climax.

Green Dolphin Street by Bronislaw Kaper and Ned Washington is one of the prettiest jazz standards in The Great American Songbook. The trio gives this old favorite a lively sprucing up on the opening chorus, highlighting Wynton’s ability to captivate the listener in an impeccable performance until the closing ensemble returns. Side Two starts with Ann Ronell’s classic Willow Weep For Me. Chambers gets the nod and brings the song to life in a bluesy, slow-tempo introduction, and then Kelly and Cobb come in to complete the dreamy theme. The pianist opens with an effortlessly elegant solo. Paul expands on that feeling with reflective beauty next. Wynton has another memorable moment, leading to the finale.

Wynton Kelly’s Keep It Moving is an uptempo-blowing session that swings out of the gate with the front line returning for their second and final appearance. Wynton cuts loose on the opening solo vigorously. Benny takes his turn next and keeps the groove going, and then Nat turns in a captivating reading. Bobby makes the following point with a spirited statement. Paul has the last word with an excellent improvisation preceding the song’s conclusion. The trio wraps the album with Wynton Kelly’s Old Clothes. Kelly is up first after a leisurely melody with a light-hearted opening statement. Chambers makes his presence felt in the following reading. Cobb speaks with the leader in a concise conversation before the melody’s restatement.

Orrin Keepnews produced the session, and Jack Higgins was the recording engineer. The album’s sound quality is excellent, transporting the musicians to your listening room as if they were playing before you. Wynton Kelly was also a talented composer, and the level of good spirits demonstrated by him and his colleagues here is incredibly endearing. Kelly Blue is an album characterized by the pianist’s contagious enthusiasm, with everyone in top form. The music will also keep you hooked from start to finish. On your next record-shopping trip, I invite you to check out Kelly Blue by The Wynton Kelly Trio and Sextet. It’s not just a great album; it’s an excellent introduction to his music and a must-listen for any jazz enthusiast!

~ Piano (Riverside RLP 12-254) – Source: Discogs.com

~ On Green Dolphin Street, Willow Weep For Me – Source: JazzStandards.com

~ Softly, As In a Morning Sunrise – Source: Wikipedia.org

© 2024 by Edward Thomas Carter

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