
Daily Dose Of Jazz…
John “Bugs” Hamilton was born on March 8, 1911 in St. Louis, Missouri.
Leaving home for New York City in 1930 he was a member of trombonist Billy Kato band and played with Chick Webb around the same time for about a year.. Toward the middle of the decade he played with Kaiser Marshall, then joined Fats Waller’s ensemble in 1938. Bugs remained with Waller until 1942, touring, recording and often appearing in several films as a member of Waller’s group.
During World War II he played with Eddie South and Roy Eldridge. Shortly after the end of the war, trumpeter John Hamilton contracted tuberculosis, resulting in his death at age 36 on August 15, 1947 in St. Louis.
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Daily Dose Of Jazz…
Zue (C. Alvin) Robertson was born on March 7, 1891 in New Orleans, Louisiana. His first instrument was the piano, and switched to playing the trombone at the age of 13. He performed in circus bands and traveling revues, including Kit Carson’s Wild West Show. He was part of the Olympia Band around 1914 and was a trombonist for Manuel Perez, Richard M. Jones, and John Robichaux.
Robertson was an early influence on Kid Ory, giving him lessons, and the two practised together. After moving to Chicago, Illinois in 1917 he played at the De Luxe Café, and by the mid-1920s he was playing with leaders of the stature of Jelly Roll Morton, with whom he recorded Some Day Sweetheart/London Blues in 1923, and King Oliver in 1924.
He recorded two sides with the Levee Serenaders in 1928 and plus the two from 1923, are his only recordings. After moving to New York City in 1929, Robertson concentrated on playing the organ and the piano, and stopped playing the trombone the following year. A few years later he moved to California, where he played piano and added the bass during the years he spent in the 1930s.
Trombonist Zue Robertson, who also played piano, organ, and bass, died in 1943 in Los Angeles, California.
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Daily Dose Of Jazz…
Dom Minasi was born on March 6, 1943 in New York City, New York and was primarily self-taught, a natural musician. In his youth he backed singers and played his share of rock and roll, church dances and small jazz combo gigs beginning when he was fifteen.
While launching his professional career at a young age with Blue Note Records he took on numerous private students. In the mid-1970s, however, Blue Note was being sold and Minasi dropped out of the recording scene and over the next fifteen years he began freelancing, going back to school and occasionally performing with Dennis Moorman.
1993 saw Dom doing off-Broadway shows, writing hundreds of compositions and working with youth in the New York public school system. While doing all this he wrote several books on music disciplines, improvisation, theory and chord substitutions.
By the turn of the century he returned to producing compact discs for his independent label. He would go on to collaborate with a host of musicians and his improvisational excursions opened up a new audience.
Guitarist, composer, and music producer Dom Minasi, who recorded thirteen albums as a leader, died on August 1, 2023, at the age of 80.
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Daily Dose Of Jazz…
Eddie Wasserman was born on March 5, 1923 in Smackover, Arkansas. Growing up he had played the saxophone with many black kids in the neighborhood. After his father died, he moved with his mother to Tyler, Texas and it’s where he fell in love with jazz. His first paid job was in a dance band at age 14.
At the onset of World War II in 1941, Wasserman attended New York’s Juilliard School for a couple of years but he was soon drafted and wasn’t discharged until 1946. He returned to Juilliard to complete his studies and graduated in 1948, and that’s when he started playing with Benny Goodman. In addition to playing with Goodman, he was in big-band live and studio recordings led by Artie Shaw, Manny Albam, Stan Kenton, Louie Bellson and Chico O’Farrell, with whom he co-led a big band in 1953.
By 1955, big band work was beginning to dry up on the East Coast was starting to dry up. On the request of an agent O’Farrell and Wasserman formed a small group to play Latin music in Miami Beach, Florida. Not a good experience but Eddie’s late-1950s quartet recordings with Gene Krupa were great recordings.
Given that the youth-culture explosion in 1966 was changing the face of music, jazz was no longer an ideal way for him to earn a living. So giving up the road and having a degree in education, he became an assistant director of the concert band at Clifton High School in New Jersey. He continued to play club dates and find work in Broadway pit bands.
Saxophonist, clarinetist and flutist Eddie Wasserman died after suffering a heart attack on May 27, 1992. He was 69.
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JAZZ POEMS
ONE O’CLOCK JUMP
Still tingling with Basie’s hard cooking
between two sets I stood at the bar
when the man next to me ordered
scotch and milk. I looked to see who had
this stray taste and almost swooned
when I saw it was the master.
Basie knocked his shot back,
then, when he saw me gaping,
raised his milk to my peachy face
and rolled out his complete smile
before going off with friends
to leave me in that state of grace.
A year later I was renting rooms
from a woman named Tillie who wanted
no jazz in her dank, unhallowed house.
Objecting even to lowest volume of solo piano,
she’d puff upstairs to bang on my door.
I grew opaque, unwell,
slouched to other apartments,
begging to play records.
Duked, dePrezed, and unBased, l
onging for Billy, Monk, Brute, or Zoot,
I lived in silence through
that whole lost summer.
Still, aware of divine flavor, I bided time
and waited for the day of reckoning.
My last night in Tillie’s godless house,
late—when I knew she was hard asleep—
I gave her the full One O’Clock Jump,
having Basie ride his horse of perfect time
like an avenging angel over top volume,
hoisting his scotch and milk as he galloped
into Tillie’s ear, headlong down her throat
to roar all night in her sulphurous organs.
PAUL ZIMMER | 1934
American Society of Journalists and Authors Open Book Award
from Jazz Poems ~ Selected and Edited by Kevin Young
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