CHUCK ISRAELS JAZZ ORCHESTRA

Chuck Israels, revered as one of the preeminent bassists in the world, Grammy winner has performed and recorded with Billie Holiday, Benny Goodman, Herbie Hancock, John Coltrane, Bud Powell, Coleman Hawkins, Stan Getz, Bill Evans, J.J. Johnson, Rosemary Clooney, Tony Williams, Eric Dolphy, Jim Hall, Patti Austin, Gary Burton, George Russell, the Kronos String Quartet, and countless others.

Among Chuck’s many recordings as a bassist, some outstanding ones include: Coltrane Time, with John Coltrane; My Point of View, with Herbie Hancock;  Getz au Go-Go, with Stan Getz; and many recordings with the Bill Evans Trio, including The Town Hall Concert; The Second Trio; Trio ’65; Live at the Trident; and Time Remembered. In 2020 Chuck won a Grammy for his work with opera star Joyce DiDonato on her recording “Songplay”

As an acclaimed composer and arranger, Chuck has written for Bill Evans, John Coltrane, Jazz at Lincoln Center Orchestra with Wynton Marsalis, Berkshire Music Center, Richard Stoltzman, Eastman Jazz Ensemble, Swedish Radio Jazz Orchestra, West German Radio Jazz Orchestra, North German Radio Jazz Orchestra, Radio Denmark Jazz Orchestra, Hannover Symphony Orchestra, Metropole Orchestra, and others.

Featuring:Chuck Israels: Bass | John Nastos: Alto saxophone | Dave Evans: Tenor saxophone | Joe Manis: Baritone saxophone | Paul Mazzio: Trumpet | John Moak: Trombone | Joe Bagg: Piano | Chris Brown: Drums

Tickets: $25.00~180.00

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LAKECIA BENJAMIN

Lakecia Benjamin is a 5-time Grammy-nominated saxophonist, composer, arranger, and educator whose music blends jazz, funk, R&B, and hip-hop. Known for her warm tone and dynamic performances, she has collaborated with artists such as Missy Elliott, Alicia Keys, Gregory Porter, and Terri Lyne Carrington.

Benjamin has released several acclaimed albums, including Pursuance: The Coltranes (2020) and Phoenix (2023), which earned three Grammy nominations. A New York City native, she studied at the New School under jazz legends like Gary Bartz and Reggie Workman, honing her craft while touring with luminaries across genres.

Tickets: $45.00~$50.00

Showtimes:

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RYAN PETERSON TRIO

Ryan Peterson is a jazz guitarist, band leader, and educator based in Central New York. Since moving to New York in 2023, Ryan is quickly becoming an in-demand guitarist and had the pleasure of leading his quartet as the opening act on the main stage at the Northeast Jazz and. Wine Festival in Syracuse, NY in July 2023 – a festival with a history of attracting over 66,000 festival-goers to downtown Syracuse every summer. In April 2024, Ryan led his band at the. 2024 “Scott LaFaro” Geneva Jazz Festival in Geneva, NY .
As a band leader, Ryan leads the Ryan Peterson Trio in performances in Central New York, the. Finger Lakes region, and throughout the Northeast. Having been called a “wunderkind” by CNY Jazz Arts Foundation, Ryan’s bands perform decidedly modern, virtuosic, and forward-thinking. interpretations of Great American Songbook standards.
Ryan completed his Master of Music in Jazz Performance at the prestigious University of North Texas College of Music in May 2023 where he was the Graduate Teaching Fellow in the Jazz Guitar studio. Ryan’s student combo was recognized in DownBeat Magazine and won the. award for “Outstanding Performance.
Tickets: $20.00

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CC + THE ADELITAS

CC and the Adelitas represents the intersectionality between identity, race, gender and culture. The Adelitas were the women solderaderas of the Mexican Revolution, which helped forge “Adelita” into an icon in Mexican culture, representing the strength and fortitude of women into the modern day. This project and the experience that it creates incorporates the history of the Adelitas and Mexican song writers and/or singers and sets the music in the jazz idiom.
The drummer, composer and educator Colleen Clark is vibrant on the scenes in NYC and the southeastern United States. Clark has guest performed with the 8G Band on NBC’s Late Night with Seth Meyers and can most recently be heard playing on Michael Dease’s “The Other Shoe” (Origin) and “Found in Space” (Origin – releasing September 2024), and upcoming releases by CC + The Adelitas, The Southern Pines, and Matt White. She has shared the stage with jazz luminaries including: Branford Marsalis, Rodney Whitaker, Catherine Russell, Camille Thurman, Rudresh Mahanthappa, and Mimi Jones. Clark has been featured in Downbeat magazine and is also an ASCAP winning composer. Clark was invited by the ASCAP Foundation to lead her band at the Kennedy Center. She is also the Founder and Artistic Director of the University of South Carolina’s Jazz Girls Day®. Dr. Clark is the only woman and drummer to earn a doctoral degree in jazz from the University of North Texas. Her latest project is CC & the Adelitas, which features the merging of the golden era of Mexican music and jazz.
The Band: Colleen Clark (CC)-drums/arrangements/bandleader, Tonina Saputo-vox/bass, Summer Camargo-trumpet, Lauren Sevian-bari sax, Arcoiris Sandoval-piano, Mimi Jones-bass
Tickets: $32-$39 + processing costs
1/2 Price Student tickets are available in the Tables & Banquettes sections. Use code “student” at checkout, (25 & Under w/ valid ID)

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Requisites

Jazz at The Plaza, Volume 1  ~ The Miles Davis Sextet | By Eddie Carter

Submitted for your approval this morning is the first of two unique 1973 albums, capturing an unforgettable event. Jazz at The Plaza, Volume 1 (Columbia C 32470) is a live recording of a jazz party hosted by Columbia Records in The Persian Room of New York City’s Plaza Hotel on September 9, 1958. This celebration represented a significant moment in Columbia’s history, acknowledging the impressive talent of jazz artists on the label’s roster. The guests enjoyed a performance by The Miles Davis Sextet during the first set: Miles Davis on trumpet, Julian “Cannonball” Adderley (tracks: A1, B2) on alto sax, John Coltrane (A1, B1, B2) on tenor sax, Bill Evans on piano, Paul Chambers on bass, and Jimmy Cobb on drums. My copy is the original U.S. Stereo release.

The album opener is misidentified as Jazz at The Plaza on the back cover and record label, but it is Thelonious Monk’s Straight, No Chaser. The song’s brisk pace sets the stage for the sextet’s lively introduction and theme. Miles delivers a vigorous opening statement, followed by John’s adventurous interpretation. Cannonball provides an energetic solo next. Bill makes a concise contribution before the ensemble returns for the finale and a brief presentation of the sextet’s theme. The pace slows for Bill’s introduction to the Rodgers and Hart classic My Funny Valentine. This highlight of the quartet sees Miles switching to the mute for the gentle melody and a beautiful solo. Bill follows with an enchanting statement, and Paul walks delicately toward the closing chorus and sensitive climax.

If I Were a Bell by Frank Loesser opens the second side with a short piano introduction that segues into the ensemble’s medium melody. Miles takes the lead with an agile, muted opening statement. John continues wailing in a spirited performance. Bill sinks his teeth into a captivating interpretation next, leading to the theme’s restatement and conclusion. Oleo by Sonny Rollins raises the tempo for Miles’s muted introduction, which leads to the sextet’s quick theme. Miles starts the opening statement with infectious heat, while John fuels the following performance with electrifying notes. Cannonball launches into a furiously hard-driving solo next, and then Bill keeps the fire burning with a concise comment. Paul has his turn in a short interlude before Miles guides the way to a speedy culmination.

Teo Macero and Irving Townsend produced Jazz at The Plaza, Volume 1, with recording engineer Russ Payne capturing the event for posterity. While the sound quality may not meet Columbia’s usual high standards, its unique charm conveys the exhilarating energy of the group’s performances. After listening to this album, I’ll be looking to find its companion, Jazz at The Plaza, Volume 2, featuring Duke Ellington and His Orchestra, Billie Holiday, and Jimmy Rushing. If you appreciate the trumpeter’s work from the fifties, I recommend exploring Jazz at The Plaza, Volume 1 by The Miles Davis Sextet, on your next record hunt. It offers a compelling snapshot of the ensemble’s fiery live performance and should make a worthy addition to any jazz enthusiast’s library!

Postscript: The owners of the long-out-of-print Mosaic Records box set, The Complete Columbia Recordings of Miles Davis With John Coltrane, also has a copy of Jazz at The Plaza, Volume 1.

~ Jazz at The Plaza, Volume 2 (Columbia C 32471), The Complete Columbia Recordings of Miles Davis With John Coltrane (Mosaic Records MQ9-191) – Source: Discogs.com

~ Straight, No Chaser – Source: JazzStandards.com

~ If I Were a Bell – Source: Wikipedia.org

© 2025 by Edward Thomas Carter

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