Daily Dose Of Jazz…

Cag Cagnolatti was born Ernie Joseph Cagnolatti on April 2, 1911 in Madisonville, Louisiana. He was one of six children sharing Italian and African American parentage and raised Catholic.

Cagnolatti began on trumpet around 1929 and played with Herbert Leary from 1933 to 1942, as well as off and on with Sidney Desvigne and Papa Celestin. He was a recurring member of many of the major New Orleans brass bands; he worked in the bands of George Williams in the 1940s and 1950s, and with Alphonse Picou in the early 1950s.

He recorded with Paul Barbarin repeatedly over the course of the 1950s and 1960s. He and Jim Robinson collaborated in the early 1960s, and he also recorded with Harold Dejan in 1962 and with the Onward Brass Band in 1968. From 1974 to 1980 Cagnolatti was a mainstay at Preservation Hall.

He suffered a stroke in 1980 and did not play afterwards. Trumpeter Cag Cagnolatti, affectionately known as Little Cag, died in New Orleans, Louisiana on April 7, 1983.

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Jazz Poems

CREPUSCULE WITH NELLIE

For Ira

late one night.

Ruby my Dear, Epistrophy.

The place nearly empty

Because of the cold spell.

One beautiful black transvestite

alone up front,

Sipping his drink demurely.

The music Pythagorean,

one note at a time

Connecting the heavenly spheres,

While I leaned against the bar

surveying the premises

Through cigarette smoke.

of a memorable occasion…

The joy of it, the delicious melancholy…

This very strange manbent over the piano

shaking his head, humming…

Misterioso.

Then it was all over, thank you!

Chairs being stacked up on tables,

their legs up.

The prospect of the freeze outside,

the long walk home,

Making one procrastinatory.

Who said Americans don’t have history,

only endless nostalgia?

And where the hell was Nellie?

CHARLES (DUŠAN) SIMIĆ

from Jazz Poems ~ Selected and Edited by Kevin Young

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Daily Dose Of Jazz…

Harvey Wainapel  was born in Ellenville, New York on March 31, 1951. Growing up in the small town in the Catskills, he started his musical journey on clarinet at the age of eight. By high school he discovered jazz by playing along with tunes on New York City radio stations. Longing to play saxophone he didn’t get his first horn, an alto, until his freshman year at the University of Pennsylvania. Working at the college radio station, he discovered the music of Cannonball Adderley, John Coltrane and Joe Henderson.

Initially intending to follow the family tradition of pursuing a career in medicine or science, he ended up taking the plunge into music at Berklee in 1971. It was a heady era, and Wainapel played with fellow students, guitarist John Scofield, pianist Kenny Werner, trumpeter Claudio Roditi, and tenor saxophonist Joe Lovano.

During his Boston years Harvey recorded and performed in Carnegie Hall with vibraphonist Gary Burton. After two years at Berklee he toured Tunisia with drummer Jamey Haddad, and made the trip to North Africa. Settling in Amsterdam, Netherlands he made a living before moving to Frankfurt, Germany with the HR Radio Big Band.

By 1979 he returned stateside, landing in New York City, and became enamored with Brazilian music. He quickly landed a gig playing with Thiago de Melo, alongside drummer Duduka da Fonseca, trumpeter Roditi and pianist Marcos Silva, the latter turning Wainapel on to other Brazilian artists. ​Not cut out for the city, he relocated to the San Francisco Bay Area, after a year on the road with Ray Charles. He became one of the most in-de-mand players in the region while keeping his European presence. Back at home, Wainapel can often be found playing Brazilian music, performing with Rio-born vocal improviser Claudia Villela.

Saxophonist and clarinetist Harvey Wainapel, who debuted as a leader with 1994’s At Home/On the Road, leads his own post-bop combos, freelances extensively, and performs with Beth Custer’s Clarinet Thing.

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CARLOS DE ROSA

Bassist Carlo De Rosa makes his debut as a leader on this stage. He brings an exciting trio featuring Grammy-winning pianist, Luis Perdomo, and one of today’s most in-demand drummers, Adam Cruz. He has released nine critically acclaimed recordings as a leader, and has appeared on over 250 recordings as a sideman.

A long-time veteran of the New York City jazz scene. De Rosa has worked with a diverse group of musical artists including Ray Barretto, Jamie Baum, Ravi Coltrane, Amir ElSaffar, David Gilmore, Vijay Iyer, Ingrid Jensen, Rudresh Mahanthappa, Allison Miller, Arturo O’Farrill, Tyshawn Sorey, Mike Stern, and Ed Thigpen.

Tickets for tonight are $25 each in advance, $30 day of show. This event will not be livestreamed.

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CARMEN SOUZA

Carmen Souza unveils her 11th album – “Port’Inglês”(English port) – through her captivating vocals and unique style, sharing the untold stories of the British occupation of Cape Verde, seamlessly blending jazz and Cabo Verdean influences.

Renowned as the Cape Verdean Ella Fitzgerald, Souza’s charisma and virtuoso vocal technique transcends traditional music genres. With countless tours around the World and eleven critically acclaimed CDs under her German label, Galileo Music, Souza has solidified her status as an award-winning artist in both the World Music and Jazz scenes, promising an unforgettable evening of music and artistry.

Since released in Oct 2024, Port’Inglês has been charted on the WMCE, Transglobal World Music Chart and the Raiz Iberian Roots Music Chart. It was also included in several ‘Best World Music album’ lists for 2024 and was nominated for the German Critics’ Awards – Preis der deutschen Schallplattenkritik in Jan 2025.

Tickets: $30.00 € ($32.46) ~ 35.00 € ($38.86)

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