Daily Dose Of Jazz…
Benjamin Waters was born on January 23, 1902 in Brighton, Baltimore, Maryland. He began on organ, then switched to clarinet and later added saxophone. The first band he joined in 1918 was Charly Miller’s band. In 1922 he attended the New England Conservatory of Music where he gave lessons to Harry Carney.
From 1926 until 1931, Waters was a member of Charlie Johnson’s band. He would later work with King Oliver, Fletcher Henderson, Claude Hopkins, and others. During these years he made several recordings with King Oliver and Clarence Williams.
In the years 1941 and 1942 he played with the Jimmie Lunceford Orchestra, and later in the 1940s with Roy Milton. He went on to form his own band, playing at the Red Mill in New York City. After this stint in the city he moved to California for four years.
From 1952 to 1992 Benny lived in Paris, France. In 1996, he received the Legion of Honour from the French Ministry of Culture. He continued to perform regularly up to his 95th birthday.
Saxophonist and clarinetist Benny Waters, who became blind in 1992 due to cataracts, transitioned on August 11, 1998 in Columbia, Maryland.
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Requisites
The Young Bloods ~ Phil Woods and Donald Byrd | By Eddie Carter
This morning’s choice from the library brings together two of my favorite musicians for a quintet jam session, Phil Woods and Donald Byrd. The Young Bloods (Prestige LP 7080) is a 1957 release reuniting altoist Phil Woods, trumpeter Donald Byrd and bassist Teddy Kotick who appeared together on Jazz For The Carriage Trade a year earlier. Al Haig on piano and Charlie Persip on drums round out the ensemble. My copy is the 2022 Analogue Productions US Mono Audiophile reissue (Prestige PRLP 7080).
The opener, Dewey Square by Charlie Parker, takes off right out of the gate with Haig’s introduction segueing into the ensemble’s melody. The song takes its title from the Harlem hotel where Parker and other musicians resided during the forties. Donald leads off with a cooking opening solo; then, Al continues swinging in the second reading. Phil blows up a storm with a lengthy statement, succeeded by Charlie’s enthusiastic exchange with the front line ahead of the climax. Dupeltook, the first of four from Phil Woods, begins with a danceable theme by the ensemble. Woods is up first and manages the opening statement efficiently. Byrd grabs us by the ears with an inspired improvisation, then Haig hits a scintillating groove. Persip, Woods, and Byrd share a final conversation leading to the ending.
Once More, a relaxing blues by Woods opens with the front line moving in unison on the melody. Phil leads off with a marvelous opening reading. Donald delivers a pleasant presentation of sheer enjoyment; next, Al says some exciting things in his statement. Teddy walks a few bass lines toward the quintet’s theme reprise and climax. House of Chan is Woods’ dedication to his wife, Chan Parker, who initially was the common-law wife of Charlie Parker. The horns establish the medium theme together; Woods gets a good thing going in the opening statement. Byrd takes a few fine choruses in the second solo. Haig responds with a gorgeous bounce in the third reading, and Persip wraps it up in a brief exchange with Woods and Byrd preceding the group’s exit.
Phil’s final tune is In Walked George, named for pianist George Wallington. The front line sets the stage for the ensemble’s collective melody. Byrd takes the opening solo with a delightful interpretation, and woods follows with a statement as light as a fall breeze. Al puts the joyously cheerful exclamation point on the song ahead of the closing chorus and climax. Lover Man, by Jimmy Davis, Roger Ramirez, and James Sherman, receives a warm tribute by the quintet. Al opens the standard with a tender introduction segueing into a lovely melody and lead solo by Phil that takes your breath away. Donald expresses care and thoughtfulness in the second reading, followed by Al, who delivers a delicately graceful finale before the ensemble takes the song out softly.
Bob Weinstock supervised the initial recording of The Young Bloods, and Rudy Van Gelder was behind the dials. Kevin Gray mastered this audiophile reissue, and the sound quality is fantastic. The musicians emerge from your speakers with superb clarity. The record is 180 grams of audiophile vinyl that’s silent until the music starts, and the album jacket has a high gloss worthy of displaying on the wall. The Young Bloods is an excellent album that one can enjoy any time of the day or evening. If you’re looking for a great Hard-Bop album and are a fan of Phil Woods and Donald Byrd, The Young Bloods is a title you should seriously consider for a spot in your library!
~ Lover Man – Source: JazzStandards.com © 2023 by Edward Thomas Carter
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Daily Dose Of Jazz…
André Hodeir was born January 22, 1921 in Paris, France and trained as a classical violinist and composer. He studied at the Conservatoire de Paris, where he was taught by Olivier Messiaen and won first prizes in fugue, harmony, and music history. While pursuing these studies he discovered jazz and various music forms besides jazz and classical. He recorded on violin under the pseudonym Claude Laurence.
In 1954 he was a founder and director of Jazz Groupe de Paris, which included Bobby Jaspar, Pierre Michelot and Nat Peck. In 1957, at the invitation of Ozzie Cadena of Savoy Records, he recorded an album of his compositions with Donald Byrd, Idrees Sulieman, Frank Rehak, Hal McKusick, Eddie Costa, George Duvivier, and Annie Ross.
In addition to two books of Essais (1954 and 1956), he wrote film scores, including Le Palais Idéal by Ado Kyrou for the film Chutes de pierres, danger de mort by Michel Fano, and Brigitte Bardot’s Une Parisienne.
He founded an orchestra during the Sixties and composed a work based on the Anna Livia Plurabelle story from the novel Finnegans Wake by James Joyce. Violinist, composer, arranger and musicologist André Hodeir transitioned on November 1, 2011.
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Daily Dose Of Jazz…
Bruce Willmarth Squires was born on January 21, 1910 in Berkeley, California. From 1935 to 1937 he was a member of the Ben Pollack band. As The Dean and His Kids, they recorded Spreadin’ Knowledge Around/Zoom Zoom Zoom on the Vocalion label in 1936.
Following this Bruce worked with Jimmy Dorsey for a year in 1937, Gene Krupa the following year, Benny Goodman in 1939, and Harry James from 1939 to 1940. From 1940 for the next two years he worked with Freddie Slack and Bob Crosby.
After World War II he was a studio musician and worked in music for the next three decades. Trombonist Bruce Squires, who primarily performed in the swing genre, transitioned on May 8, 1981 in North Hollywood, Los Angeles, California.
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Daily Dose Of Jazz…
Connie Haines was born Yvonne Marie Antoinette Jasme on January 20, 1921 in Savannah, Georgia. She began performing at age four as a singer in Pick Malone’s Saucy Baby Show in her hometown and by age 9 had a regular radio show performing as Baby Yvonne Marie, the Little Princess of the Air. Her professional debut in New York City came at the Roxy Theatre when she was 14.
After gaining regional successes and winning the Major Bowes contest, she was hired by Harry James, who asked her to change her name. She did and went on to become the lead singer on The Abbott and Costello Show from 1942 to 1946. She later joined Tommy Dorsey, and Haines credited him with further developing her style.
In the early 1950s, Haines had a program, Connie Haines Entertains, did a television show with Frankie Laine, and had her own TV program, the Connie Haines Show. During this period she joined Jane Russell, Beryl Davis and Della Russell to do an impromptu performance of the spiritual Do Lord which led to a recording contract, gospel recordings and appearances of The Colgate Comedy Hour and the Arthur Murray program on television
She became part of Motown Records in 1965 becoming one of the first white singers to record for the label. She recorded 14 songs written by Smokey Robinson, including her 1965 release What’s Easy For Two Is Hard For One previously recorded by Mary Wells, and the first version of For Once in My Life, which wasn’t released until 2015.
In 1969, Haines became hostess of the Prize Movie weekday broadcast on Channel 7 in San Francisco, California. In 1980, she performed on “G.I. Jive,” a television musical special produced by PBS for its fundraising drive. Vocalist Connie Haines, who performed in a number of films, transitioned of myasthenia gravis on September 22, 2008 at age 87.
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