Daily Dose Of Jazz…
Louis A. Mitchell was born December 17, 1885 in Philadelphia, Pennsylvania and began performing in vaudeville revues and minstrel shows from around the turn of the century, playing drums and bandoline. After a move to New York City in 1912, he founded his own group, the Southern Symphonists’ Quartet.
He sang and drummed for James Reese Europe in 1918, and the following year founded a new group, which he called Louis Mitchell’s Jazz Kings. By the end of the decade, Mitchell began touring the United States, as well as, Europe, concentrating on the United Kingdom and France. He did solo percussion shows in addition to ensemble programs, and his drum solos were greeted harshly by French audiences. Nevertheless, his ensemble spent five years as the house band of the Casino de Paris.
He recorded for Pathe Records in 1922 and 1923, with Sidney Bechet playing with him at this time, however, Bechet did not appear on the recordings. Louis remained in France until 1930, branching into restaurant and nightclub management in addition to music. He renamed one of his clubs Chez Florence due to the popularity of performer Florence Embry Jones.
Moving back to the United States in 1930 after the failure of The Plantation, his last club, but he played little in his last decades. Drummer and bandleader Louis Mitchell transitioned on September 12, 1957.
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Daily Dose Of Jazz…
Bernard Flood was born on December 16, 1907 in Montgomery, Alabama and graduated from Alabama’s Tuskegee Institute in the Twenties. The following decade he went to New York City and became associated with a series of bandleaders in a slow and careful fashion. For the first two years he worked with Bob Neal, moved over to Fess Williams for about an equal length of time, before becoming involved with Teddy Hill in 1933 on through the middle of the decade.
He was quickly in and out of the Luis Russell and Chick Webb outfits before joining up with Charlie Johnson. By 1937 the trumpeter was hitting high notes with Edgar Hayes as well as with Johnson, the former leader launching a terrific European tour. In 1939 Bernard became part of the Louis Armstrong big-band project, dropping out for a spring 1941 James Reynolds gig before rejoining Armstrong and remaining until 1943.
Military service called in 1943 and three years later he was discharged and began working with Luis Russell and Duke Ellington. Flood went on to start his own combo, and collaborated with Happy Caldwell in both the late Forties and early 1950s.
Retiring from full-time music in the early ’70s, Flood was available for gigs, but made no new recordings during this period. Suffering from diabetes Bernard lost both of his legs due to the disease. Trumpeter Bernard Flood, who was featured in the HBO documentary Curtain Call performing Wonderful World, transitioned on June 9, 2000 in Englewood, New Jersey.
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CHARLES LLOYD~GERALD CLAYTON DUO
NEA Jazz Master Charles Lloyd, celebrating his 85th year, has never sounded better. The depth of his sound reflects a lifetime of experience. A Memphis Music Hall of Fame inductee, and recipient of the prestigious Chevalier des Arts et Lettres from the French Minister of Culture, Lloyd has a legendary history in the music world.
His concerts and recordings are events of pristine beauty and elegance, full of intensely felt emotion and passion that touches deep inside the heart. This is not entertainment, but the powerful uncorrupted expression of beauty through music. When music vibrates, the soul vibrates and touches the spirit within.
Lloyd is joined by six-time GRAMMY®-nominated pianist Gerald Clayton, a supremely gifted improviser hailed as one of the finest pianists of his generation. Charles Lloyd and Gerald Clayton have performed together since 2013, sharing incredible chemistry.
THE 222 is a small intimate venue. All seats are very good and have a clear view of the stage.
Seating for this concert is club style with round tables that seat four people. Seating will be assigned by the date of purchase, so the sooner you buy your tickets the closer you will be within the ticket level you purchase from.
GOLD SEATING – FRONT MIDDLE TABLES
SILVER SEATING – SURROUNDING FRONT TABLES
GENERAL SEATING – REMAINDER
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NILSON MATTA & JOVINO SANTOS NETO
Nilson Matta & Jovino Santos Neto with Ami Molinelli
Two Brazilian musicians with successful international careers join forces to present a new project with original music and new interpretations of pieces by renowned Brazilian composers.
Multi-GRAMMY® nominee Nilson Matta, known for his work with Trio da Paz, Don Pullen African Brazilian Connection, Joe Henderson, Yo Yo Ma, and Nilson Matta’s Brazilian Voyage, teams up with three-time Latin GRAMMY® nominee Jovino Santos Neto: master pianist, flutist, composer, arranger, and conductor from Rio de Janeiro. Percussionist Ami Molinelli joins them as a special guest, enriching the contagious rhythm of the dynamic duo for this rare collaboration.
THE 222 is a small intimate venue. All seats are very good and have a clear view of the stage.
Seating for this concert is club style with round tables that seat four people. Seating will be assigned by the date of purchase, so the sooner you buy your tickets the closer you will be within the ticket level you purchase from.
GOLD SEATING – FRONT MIDDLE TABLES
SILVER SEATING – SURROUNDING FRONT TABLES
GENERAL SEATING – REMAINDER
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The Jazz Voyager
The Jazz Voyager is taking his next flight out to the great northwest to Idaho to pay a visit to a performing arts center called The Argyros. That is where the jazz vocalist Curtis Stigers will be performing for one night only. Besides his vocal talents he is also a songwriter, and plays the saxophone and guitar.
An intimate evening of songs and stories by this Emmy-nominated musician is something to anticipate. He has redefined the constitution of contemporary jazz singing, bringing new tunes to the Great American Songbook.
This is another first time discovery of the city and venue but I am excited to see what part of the country has to offer. Will definitely be dressed properly for the cold weather and hope any storms hold off. As always each flight I take has me masked as a preventative measure as these strains are continuing to mutate.
The center is located at 120 Main Street South, Ketchum 83340. The center’s number is 208-726-7872. For more information visit https://notoriousjazz.com/event/curtis-stigers.
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