Daily Dose Of Jazz…
John R. T. Davies was born John Ross Twiston Davies on March 20, 1927 in Wivelsfield, Sussex, England. A trombonist, trumpeter and alto saxophonist, in the early 1950s he was a member of the Crane River Jazz Band led by Ken Colyer which spearheaded interest in the original New Orleans jazz style. Later he achieved chart success with the 1960s jazz revival band The Temperance Seven. The group’s recording of You’re Driving Me Crazy reached the top of the charts in 1961.
Considered by many as the world’s leading specialist in the art of sound restoration, he specifically focused on jazz and blues existing on pre-magnetic tape media such as shellac 78s. He was particularly interested in recordings from 1917 to 1940. Davies developed many methods for restoring old recordings and disliked modern techniques for removing surface noise.
While he appreciated attempts to clean up recordings and to create new versions of old recordings for modern audiences (e.g. the stereophonic remastered recordings by Robert Parker), in general he said he preferred remasterings which “keep everything and do as little as possible” to the original recording, and thought the remastering engineer should “Add nothing, take nothing away”. The presence of his name on the credit of a reissue is generally considered the mark of a quality product. He started his own record label called Ristic in the late 1940s which produced reissued recordings from 1949 to 1972.
Davies was always generous with his time and his collection and wanted it to be available for other people to use for research and reissues after his death. The Borthwick Archive at York University have accepted the entire collection and are housing it in ideal conditions, and making a transfer suite available so that his wish can be carried out. Information about the collection collated from the collection catalogue is also now available online from the University of York Digital Library and a small selection of the tracks have been made available to listen online.
Alto saxophonist and audio engineer John R. T. Davies, who specialized in restoring classic jazz records, passed away on May 25, 2004.
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Daily Dose Of Jazz…
Lavere “Buster” Harding was born on March 19, 1917 to Benjamin and Ada Harding in North Buxton, Ontario, Canada. Raised in Cleveland, Ohio as a teenager he started on his own band.
In 1939 Buster went to work for the Teddy Wilson big band, and then in the early 1940s joined the Coleman Hawkins band. This was followed by his playing with Cab Calloway. He became a freelance arranger and worked with Benny Goodman, Artie Shaw, Roy Eldridge, Dizzy Gillespie, and Count Basie, among others.
In 1949 he became the musical director for Billie Holiday recording sessions. In the early 1960s Harding played with Jonah Jones, though he was known primarily as an arranger and composer.
Pianist, composer and arranger Buster Harding, who never recorded as a leader, passed away on November 14, 1965, in New York City.
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The Quarantined Jazz Voyager
Another week has passed and life goes on. To continually relax in between working on a few projects, I’m kicking back with Blue Light ’til Dawn. This studio album by jazz singer Cassandra Wilson. Her first album on the Blue Note label, it was released in 1993. It contains Wilson’s interpretations of songs by various blues and rock artists, as well as three original compositions.
The album marked a shift in Wilson’s recording style, mostly dropping the electric instruments of her earlier albums in favor of acoustic arrangements. A critical and commercial breakthrough, the album was re-released in 2014 with three bonus tracks recorded live somewhere in Europe during the Blue Light ’til Dawn Tour. The eponimous single was nominated for the Grammy Award as Best Jazz Vocal Performance.
As of March 1996, the album sold over 250 000 copies. While recording the album, Wilson’s father, jazz bassist Herman Fowlkes, died. In an interview for New York Magazine Wilson explained that the album’s name refers to a certain time of night. Says Wilson “At a party you have a blue light to have a certain vibe. The title refers to that light, that blue, giving way to the dawn. It’s after after hours, the predawn twilight”. The album peaked at #10 on the U.S. Billboard Chart.
Track Listing | 34:22- You Don’t Know What Love Is (Gene DePaul, Don Raye) ~ 6:05
- Come On In My Kitchen (Robert Johnson) ~ 4:53
- Tell Me You’ll Wait For Me (Charles Brown, Oscar Moore) ~ 4:48
- Children Of The Night (Thom Bell, Linda Creed) ~ 5:19
- Hellhound On My Trail (Johnson) ~ 4:34
- Black Crow (Joni Mitchell) ~ 4:38
- Sankofa (Cassandra Wilson) ~ 2:02
- Estrellas (Cyro Baptista) ~ 1:59
- Redbone (Wilson) ~ 5:35
- Tupelo Honey (Van Morrison) ~ 5:36
- Blue Light ’til Dawn (Wilson) ~ 5:09
- I Can’t Stand the Rain (Don Bryant, Bernard Miller, Ann Peebles) ~ 5:27
- Cassandra Wilson – vocals
- Olu Dara – cornet
- Don Byron – clarinet
- Charlie Burnham – violin, mandocello
- Tony Cedras – accordion
- Gib Wharton – pedal steel guitar
- Chris Whitley – resophonic guitar
- Brandon Ross – acoustic guitar
- Kenny Davis – bass
- Lonnie Plaxico – bass
- Lance Carter – drums, percussion
- Bill McClellan – drums, percussion
- Cyro Baptista – percussion
- Jeff Haynes – percussion
- Kevin Johnson – percussion
- Vinx – percussion
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Daily Dose Of Jazz…
Robert Deane Kincaide was born on March 18, 1911 in Houston, Texas but raised in Decatur, Illinois. He began playing professionally and working as an arranger in the early 1930s, working with Wingy Manone in 1932, then took a job with Ben Pollack from 1933 to 1935.
He arranged for Benny Goodman on the side before joining Bob Crosby’s group in 1935. Deane went on to work with Woody Herman and Manone again and by the end of the decade he worked briefly with Tommy Dorsey. In the first half of the 1940s he worked with Joe Marsala, Glenn Miller, Ray Noble, and Muggsy Spanier.
Serving in the United States Navy during World War II, he played in a ship’s band on the USS Franklin. He joined Ray McKinley’s band in 1946, working with him until 1950. From the 1950s until the early 1980s Kincaide worked primarily as an arranger for television. Arranger and saxophonist Deane Kincaide passed away at the age of 91 in St. Cloud, Florida on August 14, 1992.
Share a dose of a Houston arranger to inspire inquisitive minds to learn about musicians whose legacy lends their genius to the jazz catalog…
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Daily Dose Of Jazz…
Ray Ellington was born Henry Pitts Brown on March 17, 1916 in Kennington, London, England, the youngest of four children of a Black father and Russian Jew mother. His father died when he was four years old, and was raised as a strictly Orthodox Jew, attending the South London Jewish School before entering show business at the age of twelve, when he appeared in an acting role on the London stage.
Ellington’s first break came in 1937 when he joined Harry Roy and His Orchestra as the band’s drummer, replacing Joe Daniels. His vocal talents were put to good use, from the time of his first session when he recorded Swing for Sale. Called up in 1940 he joined the Royal Air Force as a physical training instructor where he served throughout the war. He played in various service bands including RAF Blue Eagles.
Post military service, Ray resumed his career, fronting his own group, playing at The Bag O’Nails club. By early in 1947, he rejoined the Harry Roy band for a few months, later forming The Ray Ellington Quartet the same year. Specializing in jazz, he experimented with many other genres throughout the show’s history and his musical style was heavily influenced by the comedic jump blues of Louis Jordan.
His band was one of the first in the UK to feature the stripped-back guitar/bass/drums/piano format that became the basis of rock and roll. His band was also one of the first groups in Britain to prominently feature the electric guitar and use an amplified guitar produced and introduced by their guitar player, Lauderic Caton.
Drummer, singer, bandleader Ray Ellington, best known for his appearances on The Goon Show from 1951 to 1960, passed away of cancer on February 27, 1985.
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