Daily Dose Of Jazz…

Thore Ehrling was born December 29, 1912 in Stockholm, Sweden and played with the Frank Vernon Ensemble from 1930 to 1934. At the same time he studied at the Royal Swedish Academy of Music.

From 1935 to 1938 he played under Håkan von Eichwald and did arrangement and composition work on the side. He started his own ensemble in 1938, which grew into a big band in the nineteen years it was active. This group played popular music and jazz, recorded frequently, and played often on Swedish radio.

The group featured many sidemen who went on to become prominent on the Swedish jazz scene, such as Uffe Baadh and Carl-Henrik Norin, and accompanied popular Swedish singers such as Inger Berggren and Lily Berglund.

Trumpeter, composer and bandleader Thore Ehrling, who led jazz and popular music ensembles, died in Stockholm, Sweden on October 21, 1994.

CALIFORNIA JAZZ FOUNDATION

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Requisites

The Fox ~ Harold Land | By Eddie Carter

>This morning’s selection from the library features one of my favorite tenor saxophonists, Harold Land, who, alongside his band members, is in pursuit of a cunning opponent: The Fox (HiFi Jazz J 612/SJ 612), which initially hit the stores in 1959. Harold was a leading West Coast tenor saxophonist who played with some of the best jazz groups, including those led by Clifford Brown and Max Roach. After leaving the Clifford Brown-Max Roach Quintet to prioritize his family life in California, he may have sacrificed the chance for even greater recognition. Still, his impressive discography continues to illuminate a career that lasted almost fifty years. Land receives exemplary support on this date from Dupree Bolton on trumpet, Elmo Hope on piano, Herbie Lewis on bass, and Frank Butler on drums. My copy is the 1975 U.S. Stereo reissue (Contemporary Records S7619).

Side One kicks off with the title track, The Fox, a high-energy opener by Harold Land that is fueled by the quintet’s theme. The tune takes its name from a nickname given to Harold by drummer Lawrence Marable. Land leads the way, delivering a solo bursting with fiery passion. Bolton steps in next and cooks hard. Hope surges ahead with an energetic touch in the following reading. Butler then engages in a lively and playful exchange with the front line, until the theme’s reprise brings the tune to an abrupt and thrilling end. Mirror-Mind Rose, the first of Elmo Hope’s four contributions, serves as a lyrical showcase for Land, whose opening solo after the ensemble’s touching theme paints an affectionate, mellow soundscape. Bolton’s turn is a dreamy, gorgeous presentation, and Hope wraps up the solos with elegance before the group gently ends the tune together.

Hope’s One Second, Please is a rocking groove with dynamic interaction between both horns and the trio on the melody. Harold lets his horn do the talking in the opening statement. Dupree responds by getting so many ideas into the second solo. Elmo glides efficiently over the rhythm section’s backdrop next. Frank collaborates with the front line in the closing segment preceding a satisfying finale. Sims-A-Plenty, Hope’s third original starts Side Two with the unfolding of a cheerful, mid-tempo theme by the quintet. The pianist steps up first, building the opening solo into a firm, solid groove. Land matches the momentum with a swinging statement next. Bolton impresses with inventive, nuanced lines in a remarkable interpretation. Butler moves toward the reprise with exciting agility on the closer preceding the ensemble’s cohesive finale.

The playful spirit of Little Chris radiates the joy and happiness Harold Land felt for his then nine-year-old son, and that feeling shines through in the quintet’s opening notes of the melody. Harold takes the lead with a captivating statement that draws thelistener in. Bolton brings a bright, assertive tone and confident energy to the second reading. Hope makes his entrance next and swings soulfully, then Butler adds a few lively thoughts before the quintet reassembles for the closing theme. One Down by Hope begins with Butler’s breezy, island-inspired introduction, ahead of the group’s medium-fast melody. Bolton opens the solos with seasoned flair, then Elmo responds with polished virtuosity. Harold takes up the next spot vigorously, and Frank adds the exclamation point in a brief but effective solo before the quintet returns to take the song out.

Bassist Herbie Lewis is the only member of the quintet who doesn’t take a solo on any track, but his presence is truly felt throughout. His controlled strength and engaging ensemble playing create a reliable, steady foundation that beautifully supports Land, Bolton, Hope and Butler at the forefront. This album was produced by David Axelrod and recorded by Art Becker and David Wiechman at Contemporary Records. The reissue’s sound quality is first-rate and offers its owner a marvelous stereo listening experience. For fans of West Coast Jazz, the incredible interaction among the musicians is captivating, and these performances are definitely worth exploring. The Fox by Harold Land may seem like an elusive adversary during your record-shopping hunt, but once you acquire it, it won’t bite or attack; instead, it could become a treasured addition to your jazz library!

~ Little Chris – Source: Album liner notes by Leonard Feather ~ Lawrence Marable was also known as Larance Marable – Source: Wikipedia.org. © 2025 by Edward Thomas Carter

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DEE DEE BRIDGEWATER & BILL CHRLAP

Two of the most highly respected figures in the world of Jazz — Dee Dee Bridgewater and Bill Charlap — document their critically acclaimed, sold out live concerts on their first collaborative album, Elemental. Bridgewater and Charlap curate a repetoire that only they can present: exploring the deep understanding of Jazz Tradition alongside impecable phrasing and a once-in-a-generation dynamic range, brining a level of sophistication that is sure to be considered a masterpiece for generations to come.

Cover: $45.76 ~ $61.21

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BIRDLAND BIG BAND WITH HILARY KOLE

The Birdland Big Band which was formed in 2006 is a 16-piece jazz orchestra that performs at the Birdland Jazz Club in New York City. The Birdland Big Band is led by saxophonist David DeJesus DeJesus joined as saxophonist and leader in October 2017 and brought with him an emphasis on traditional swing and the blues.

Hilary Kole is the daughter of 1950s Broadway performer Robert Kole, and was 19 when she fronted a 12-piece band six nights a week singing Great American Songbook standards at New York City’s Rainbow Room. During this time she also studied composition at Manhattan School of Music. After the Rainbow Room, she sang at the Blue Note, Birdland, and the Algonquin Hotel. Her 2009 debut album, Haunted Heart, was produced by jazz guitarist John Pizzarelli.

Cover: $35.46 ~ $56.06

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MARIO ABNEY QUINTET

Trumpeter, composer and bandleader Mario Abney’s musical career began at age 7 when he was introduced to the piano by his uncle Arthur. Influenced by both his uncle’s playing and the musical background of his church, Abney developed a love and fascination for music that grew throughout his years in high school. It was during this time that his interest turned from piano and drums to wind instruments; however, he continued to hone his percussion skills by playing drums for church services.

Mario’s first encounter with jazz was when he heard the sounds of trumpeter Wynton Marsalis. This sparked a fascination and soon Mario began to explore music by Louis Armstrong, Dizzy Gillespie, Miles Davis and other great trumpet players who established this genre.

Fast forwarding to 2024, Mario Abney is once again gracing the stages of his beloved hometown Chicago. From iconic venues to up-and-coming spots, he’s become a regular feature with fans eagerly anticipating each and every performance.

Cover: $20.00

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