Daily Dose Of Jazz…
Ronald Edward Cuber was born on December 25, 1941 in Brooklyn, New York. In 1959 he was playing tenor saxophone when he joined Marshall Brown’s Newport Youth Band at eighteen, but switched to the baritone. His first notable work was with Slide Hampton in 1962 and then went with Maynard Ferguson the following year until 1965. George Benson recruited him for a year in ‘66 to 1967.
As a leader he was known for hard bop and Latin jazz, the latter with Eddie Palmieri, As a sideman he played outside the genre with B. B. King, Paul Simon, Eric Clapton, J. Geils Band, and one of his most spirited performances is on Dr. Lonnie Smith’s 1970 Blue Note album Drives. He was also a member of the Saturday Night Live Band.
Ronnie played with Frank Zappa on the live album Zappa in New York, which was recorded in 1976. He went on to gain membership in the Lee Konitz nonet from 1977 to 1979.He was a member of the Mingus Big Band from its inception in the early 1990s until his death. He performed as an off-screen musician for the movie Across the Universe.
Baritone saxophonist Ronnie Cuber, who also played soprano and tenor saxophones, clarinet and flute, died at the age of 80 on October 7, 2022 in his New York’s Upper West Side studio from internal injuries sustained after a fall that could not be treated due to overwhelming Covid patients at the start of the pandemic.
More Posts: bandleader,clarinet,flute,history,instrumental,jazz,music,saxophone
Daily Dose Of Jazz…
Tatsuya Takahashi was born on December 24, 1931 in Tsuruoka, Yamagata, Japan.
In the early 1950s Tatsuya played on US military bases and later in the decade moved to Tokyo, Japan. He worked with Keiichiro Ebihara from 1961, and by 1966 was leading his own ensemble, Tokyo Union, which remained active until 1989.
The 1970s saw him playing at the Monterey and Montreux Jazz Festivals. After leaving Tokyo Union, Takahashi worked in jazz education, and in 1996 founded a new ensemble, Jazz Groovys.
Saxophonist Tatsuya Takahashi died on February 29, 2008 in Tokyo, Japan.
More Posts: bandleader,history,instrumental,jazz,music,saxophone
Requisites
What Is This Thing Called Soul? ~ The Cannonball Adderley-Nat Adderley Quintet | By Eddie Carter
I revisited a few of my mom’s cherished albums a few nights ago. The first of them, this morning’s record from the library submitted for your approval, inspired today’s discussion. What Is This Thing Called Soul? (Pablo Live 2308-238) is a concise retrospective of three live performances by The Cannonball Adderley-Nat Adderley Quintet during their 1960 European Tour in Paris, France, Gothenburg, and Stockholm, Sweden. Released in 1984, the personnel for this live album are Nat Adderley on cornet, Cannonball Adderley on alto sax, Vic Feldman on piano, Sam Jones on bass, and Louis Hayes on drums. My copy is the original U.S. Stereo release.
Side One opens with Victor Feldman’s Azule Serape; the quintet sets things in motion with the effortlessly swinging melody. Cannonball is up first with a finger-snapping flight of pure joy. Nat provides the toe-tapping compliment in the following statement. Victor continues grabbing the listener in the third reading before the ensemble reassembles to take the song out, leaving the audience exhilarated. Cannonball takes a moment to announce the second tune, Big P, by Jimmy Heath, which turns the heat up significantly, beginning with Sam’s bass introduction to the group’s spirited theme. Cannonball is off to the races first with an inexhaustible flow of ideas. Nat follows with a solo full of energy ahead of the vigorous reprise and finale.
Cannonball quickly mentions Nat before presenting the next song, the cornetist’s One For Daddy-O, his tribute to the Chicago disc jockey, Daddy O-Daylie. The rhythm section starts with a relaxing introduction to the group’s laid-back theme. Cannonball’s opening solo is pleasant and friendly. Nat is as carefree as a day at the beach in the following reading preceding the out-chorus and ending. The second side opens with what Cannonball describes as a soul piece, The Chant by Victor Feldman. The ensemble starts the song with a happy melody, then steps aside for Cannonball’s funky opening statement. Nat emerges next with an enthusiastic performance; then Victor contributes an impressive interpretation before the quintet restates the theme.
What Is This Thing Called Love? by Cole Porter is a classic jazz standard from the thirties, or as Cannonball describes it in his introduction, What Is This Thing Called Soul? The quintet kicks off the melody vigorously; Cannonball then cooks up a storm in the opening statement so hard that the listener might need to check that their speakers aren’t on fire. Nat comes sailing in next and continues cruising down the road rapidly. Victor states his case in a furiously swinging solo, and then Louis engages in a heated exchange with Cannonball until the theme’s reappearance and climax. The ensemble launches into the melody of Cannonball’s Theme, where the saxophonist thanks the audience and reintroduces the group before the song ends as quickly as it began.
Cannonball and Nat Adderley produced What Is This Thing Called Soul? There’s no mention of who recorded these concerts, but I’m happy to say the album’s sound quality is excellent, allowing the listener to feel like they’re part of the French and Swedish audiences. My mom always loved Cannonball’s rapport with the crowd on his live albums, and his playing always possessed a soulful groove that got your fingers and toes tapping from the first note to the last. If you’re already a fan of both brothers and enjoy live hard-bop, I offer for your consideration What Is This Thing Called Soul? by The Cannonball Adderley-Nat Adderley Quintet on your next record hunt. It’s an overlooked but enjoyable album you won’t regret adding to your library!
~ What Is This Thing Called Love? – Source: JazzStandards.com
© 2024 by Edward Thomas Carter
More Posts: choice,classic,collectible,collector,history,instrumental,jazz,music,saxophone,trumpet
Daily Dose Of Jazz…
Frank Gambale was bornon December 22, 1958 in Canberra, Australia. He graduated from the Guitar Institute of Technology in Hollywood, California with Student of the Year honors and taught there from 1984 to 1986.
With the Mark Varney Project, consisting of Allan Holdsworth, Brett Garsed, and Shawn Lane, he recorded two albums, his debut Truth in Shredding in 1990 and his sophomore project Centrifugal Funk the following year.
1987 saw Frank spending six years as a member of the Chick Corea Elektric Band, playing with Eric Marienthal, John Patitucci, and Dave Weckl. With the band he recorded five albums and shared two Grammy Award nominations.
He spent twelve years as a member of Vital Information led by Steve Smith. He reunited with the Elektric Band in 2002 and with Corea in 2011 when he joined Return to Forever IV with Stanley Clarke, Jean-Luc Ponty, and Lenny White.
Gambale has been head of the guitar department at the Los Angeles Music Academy. He joined the Isina mentorship program as head of the guitar department in 2014. During the next year, he started an online guitar school.
Guitarist Frank Gambale has released twenty albums over a period of three decades, and continues to perform and teach.
More Posts: bandleader,guitar,history,instrumental,jazz,music
Daily Dose Of Jazz…
John Josephus Hicks Jr. was born December 21, 1941 in Atlanta, Georgia, the eldest of five children. As a child he moved around the United States as his father, Rev. John Hicks Sr, took up jobs with the Methodist church. His mother was his first piano teacher after he began playing at six or seven in Los Angeles, California. He took organ lessons, sang in choirs and tried the violin and trombone. Once he learned to read music around the age of 11, he started playing the piano in church.
His development accelerated once his family moved to St. Louis, Missouri when Hicks was 14 and he settled on the piano. Attending Sumner High School and played in schoolmate Lester Bowie’s band, the Continentals, which performed in a variety of musical styles. Hicks worked summer gigs in the southern United States with blues musicians Albert King and Little Milton with the latter providing his first professional work in 1958.
He studied music in 1958 at Lincoln University in Pennsylvania, where he shared a room with drummer Ronald Shannon Jackson. He also studied for a short time at the Berklee School of Music in Boston, Massachusetts before moving to New York in 1963.
In New York, John first accompanied singer Della Reese, then went on to play with Joe Farrell, Al Grey, Billy Mitchell, Pharoah Sanders, Jimmy Witherspoon, Kenny Dorham and Joe Henderson before joining Art Blakey’s Jazz Messengers in 1964. From 1965 to 1967 he worked on and off with vocalist Betty Carter, then joined Woody Herman’s big band, where he stayed until 1970, playing as well as writing arrangements for the band.
From 1972 to 1973, Hicks taught jazz history and improvisation at Southern Illinois University. From the 1970s onward he had a prolific career as a leader recording his debut in England followed by fifty-three more albums and as a sideman he recorded 300.
Towards the end of his life, he taught at New York University and The New School in New York. In 2006 John played in a big band led by Charles Tolliver, recorded his final studio album On the Wings of an Eagle.
Pianist, composer and arranger John HIcks, whose collection of papers, compositions, video and audio recordings are held by Duke University, died from internal bleeding on May 10, 2006.
More Posts: arranger,bandleader,composer,history,instrumental,jazz,music,piano