Daily Dose Of Jazz…

Robert William Troup Jr. was born on October 18, 1918 in Harrisburg, Pennsylvania. Graduating from The Hill School in 1937, he went on to graduate Phi Beta Kappa from the Wharton School at the University of Pennsylvania with a degree in economics. His earliest musical success came in 1941 with the song Daddy and Sammy Kaye and His Orchestra recorded it sending it to #1 for eight weeks on the Billboard chart and #5 record of 1941.

After graduating from college in 1941, he enlisted in the United States Marine Corps, completed officer training, and was assigned to recruit the first Black Marines at Montford Point. While there, he organized the first Negro band of U.S. Marines. During this time he composed Take Me Away From Jacksonville, which became an anthem of sorts for the Marines at Montford Point and other areas of Camp Lejeune. In 1942, his song Snootie Little Cutie was recorded by Frank Sinatra and Connie Haines with the Tommy Dorsey Orchestra and the Pied Pipers.

In 1946, Nat King Cole had a hit with Troup’s most popular song, Route 66. Troup’s fifteen albums in the 1950s and 1960s were not commercially successful, recording for Liberty and Capitol. He composed the music for the instrumental version of his song The Meaning of the Blues that appeared on the Miles Davis album Miles Ahead.

While relying on songwriting royalties, Bobby worked as an actor, appearing in Bop Girl Goes Calypso, The High Cost of Loving, The Five Pennies, and playing musician Tommy Dorsey in the film The Gene Krupa Story. He also appeared on several television shows in the Sixties. It was during this time that he met Julie London, encouraged her to pursue her singing career, and in 1955 produced her million-selling hit record Cry Me a River. Four years later, London married Troup. On February 7, 1999, pianist, singer, songwriter and actor Bobby Troup passed away of a heart attack in the Los Angeles, California neighborhood of Sherman Oaks.

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Daily Dose Of Jazz…

Masahiko Satoh was born on October 6, 1941 in Tokyo, Japan and the family home contained a piano. He started playing at the age of five, and twelve years later he began playing professionally accompanying singers, magicians, and strippers at a cabaret in the Ginza district.

By 1959 Satoh began playing in Georgie Kawaguchi’s band, together with alto saxophonist Sadao Watanabe and tenor saxophonist Akira Miyazawa. After graduating from Keio University, at the age of 26 he moved to the United States to study at the Berklee College of Music. During those two years of study, he read about composing and arranging, earned money working in a food shop, and played the piano in a hotel.

1968 had Masahiko writing and conducting the music for a series of pieces that were combined with dance and performed around New York City. After returning to Japan, he recorded Palladium, his first album as a leader, and appeared on a Helen Merrill album.

In the late 1960s and early 1970s, his career led him to perform in a free, percussive style. Masahiko played at the 1971 Berlin Jazz Festival as part of a trio, using at the time an unusual ring modulator to alter the sound. During that period he recorded with Attila Zoller, Karl Berger, and Albert Mangelsdorff. He wrote the psychedelic music for the 1973 anime film Belladonna of Sadness.

He went on to write arrangements for recordings led by, among others, Helen Merrill, Kimiko Itoh, and Nancy Wilson. He arranged for strings and quartet on Art Farmer’s 1983 album Maiden Voyage, formed a large group, named Rantooga, that combined various forms of folk music from around the world, and composed for film, television, and advertisements. By the early 1990s pianist, composer, and arranger Masahiko Satoh composed music for a choir of 1,000 Buddhist monks and now spends 70% of his time arranging and composing, the rest on playing and recording.

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Daily Dose Of Jazz…

Roy Powell was born on October 2, 1965 in Langham, Rutland, England. His mother was a historian, his father a scientist who moved the family to Canada. His father had given him piano lessons and had been playing the piano for five years. Returning to England when he was ten, he attended New Mills Grammar School at the same time as Lloyd Cole.

In the 1970s, Powell was listening to Duke Ellington and Miles Davis and buying albums through the mail from America. He attended the Royal Northern College of Music, studying piano and classical composition during the day and playing in Manchester jazz clubs at night. After departing school, he started a jazz fusion band and choreographed a ballet. In 1992 he was a member of the Creative Jazz Orchestra. Three years later he moved to Norway to teach.

Powell has been a member of the group InterStatic with Jacob Young, and Jarle Vespestad, and the group Naked Truth with Lorenzo Feliciati, Pat Mastelotto, and Graham Haynes. He recorded the album Mumpbeak with Feliciati, Mastelotto, Bill Laswell, Tony Levin, and Shanir Ezra Blumenkranz. Pianist, organist, composer, and educator Roy Powell has recorded fifteen albums as a leader and continues to perform and record.

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Three Wishes

What Roland Alexander told Nica his three wishes were when the inquiry came his way was: 

1. 1. “Creation.”

   2. “Peace.”

   3. “More creation.”

*Excerpt from Three Wishes: An Intimate Look at Jazz Greats ~ Compiled and Photographed by Pannonica de Koenigswarter

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Daily Dose Of Jazz…

Jack Allan was born on September 28, 1929 in Sydney, Australia. As a child, he began playing accordion before switching to the piano in his teens. While working in Sydney cabarets and clubs, he was heavily influenced by swing-era pianists, especially Teddy Wilson. He became one of the few Australian musicians to play the early post-war modern jazz styles.

In 1949 Allan’s recording debut was as a member of the Rex Stewart And His Sydney Six. The following year he made his first recordings as a leader with his group the Katzenjammers. During the early 50s they performed and recorded frequently with a variety of personnel, including Ken Silver, Don Burrows, Errol Buddle, John Bamford and Edwin Duff. The mid-50s had him beginning an acting career and with his generous bulk was often cast as a villain, an amiable bar patron, or playing a musician. His film credits include On The Beach, Ned Kelly, They’re A Weird Mob, and Caddie, as well as numerous television appearances.

Maintaining his musical prowess, Jack’s performances however became spasmodic. In 1983 he recorded with percussionist John Sangster and in the following year made a tasteful, swinging solo album for the Anteater label. Moving north to the Sunshine Coast, he lived in semi-retirement with occasional acting and musical activity.

Pianist Jack Allan, a reliable studio musician with the ABC and a writer/director for musical revues, passed away on February 7, 1995 on the Sunshine Coast, Queensland, Australia.

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