SUBA TRIO

Omar Sosa ~ Piano | Seckou Keita ~ Kora | Gustavo Ovalles ~ Percussion

Seven-time Grammy-nominated pianist Omar Sosa joins kora maestro Seckou Keita and percussionist Gustavo Ovalles for an all-star collaboration.
The Atlantic Ocean separates Senegal and Cuba, the respective birthplaces of kora maestro Seckou Keita and piano virtuoso Omar Sosa, a distance diminished by their shared ancestral connection to Africa. In the summer of 2012, Omar and Seckou were invited to perform together in London by their mutual friend, the drummer Marque Gilmore. “Seckou arrived just before the gig, took out his kora and started playing,” Omar remembers, “and I clicked with him like we had been playing together all our lives.”
Seckou loved Omar for his “high level of musical spirituality.” Omar saw in Seckou a rare ability to blend, collaborate, but never lose his identity. Both men started their careers as drummers, so the melodies grooved. For this collaboration they’re joined by master percussionist Gustavo Ovalles, after their critically acclaimed Tiny Desk performance together.

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Daily Dose Of Jazz…

Meeco was born on May 2, 1976 in Berlin, Germany. As a young child he was heavily influenced by his father who played classical piano and his poet/artist mother, thereby making it completely natural to follow their footsteps. Beginning piano lessons at six years old, and after several years of studying classical music, he sought other musical outlets. After a friend introduced vintage Ella Fitzgerald, Horace Silver and McCoy Tyner records, he became enamored with Black American music.

Mentored by his close friend, the late New York pianist/singer Bob Lenox, he realized that the only important thing in music was creating the right feeling. He would go on to work with German producer Marco Meister, founding member of the group Terranova, Meeco gained invaluable studio experience producing his own music.

Over the course of his career Meeco has recorded with Benny Golson, Gregory Porter, Ron Carter, John Scofield, Hubert Laws, Kenny Barron, Buster Williams, Kirk Whalum, Richard Bona, Casey Benjamin, Mary Stallings, Freddy Cole, Kevin Mahogany, Bennie Maupin, James Moody, Eddie Henderson, Shedrick Mitchell, David “Fathead” Newman, Eric Reed, Vincent Herring, Victor Lewis, Stefon Harris, Lionel Loueke, Cedar Walton, Charlie Mariano, David Friedman, just to name a few.

Not limiting himself to jazz, Meeco has also produced hip hop and soul legends Talib Kweli, Masta Ace, Smif n Wessun, Lil Fame of M.O.P., Yahzarah, Jean Baylor, DJ Stylewarz, along with Latin and pop genres Joe Bataan, Jane Birkin, Jaques Morelenbaum and Romero Lubambo.

Pianist, composer, producer, deejay and photographer Meeco, who has released seven albums to date, remains based between Berlin and Paris, France as he continues to expand his musical horizons.

SUITE TABU 200

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Kevin Hays was born in New York City on May 1, 1968 and was the youngest of four children. Raised in Greenwich, Connecticut, he began studying the piano at the age of six after hearing his amateur father play. He was initially interested in rock music and other things that he heard on the radio, and became more interested in jazz in his early teens. Initially self-taught, he later took lessons with Lou Stein, and attended several Interlochen Music Camps.

Hays played locally from 1982. He began playing in New York City  in 1985 while still in high school, then had a period in Nick Brignola’s band. He attended the Manhattan School of Music for a semester in 1986 before dropping out to concentrate on performing. His debut recording as a leader came in 1990 with the album El Matador on the Japanese label Jazz City.

He played regularly with a number of Bob Belden’s ensembles from the late 1980s, and in the 1990s he toured Japan and recorded with the Harper Brothers and worked with Steve Wilson, Benny Golson, Joshua Redman, Seamus Blake, and Eddie Henderson.

Between 1991 to 1993 he recorded three albums for SteepleChase Records. After SteepleChase, Kevin signed an album deal with Blue Note Records who initially released three of his albums as a leader. In 1995 he toured with saxophonist Sonny Rollins.

His trio with bassist Doug Weiss and drummer Bill Stewart have played together for 15 years. Hays also recorded under Stewart’s leadership, performed and recorded duets with pianist Brad Mehldau, released a duo album with Lionel Loueke and he has released a solo album. His New Day Trio, with Rob Jost on bass and Greg Joseph on drums, also finds Kevin singing on their first release, New Day.

Pianist Kevin Hays, who has more than twenty albums to his credit as leader or co-leader, continues to perform and record.

SUITE TABU 200

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August Rosenbaum was born on April 30, 1987 in Copenhagen, Denmark into a family of artists. He has had an eclectic and passionate vision since he first started learning to play the piano. As the only one at elementary school recitals who would perform Thelonious Monk, Wu Tang Clan and Erik Satie, the piano prodigy shows  with equal conviction many sides of his talent.

Rosenbaum has won two Danish Music Awards for his composing, performed at the acclaimed Sónar Festival, and has been shortlisted for both the Nordic Music Prize and the National Danish Critics’ Award. He has wona Grammy for Best Alternative Album at the 2018 Danish Music Awards.

He is also known for collaborations with artists like Quadron, Rhye and MØ, Sonic Youth’s Kim Gordon and visual artist Jesper Just. He has been commissioned for works in film, theatre and performances at a.o. Palais De Tokyo, The Metropolitan Museum of Art, Brooklyn Academy of Music and The Royal Danish Ballet.

Pianist, composer and record producer August Rosenbaum continues to explore and record music.

ROBYN B. NASH

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CYRUS CHESTNUT

Ellington 125 | Duke Ellington Sacred Concert

Cyrus Chestnut is a jazz pianist, composer and producer. In 2006, Josh Tyrangiel, music critic for Time, wrote: “What makes Chestnut the best jazz pianist of his generation is a willingness to abandon notes and play space.

In the late 1980s and early 1990s, Chestnut worked with Wynton Marsalis, Terence Blanchard, Donald Harrison, and other bandleaders. He joined the band of jazz vocalist Betty Carter in the early 1990s and appeared on her 1992 album It’s Not About the Melody. That same year, he recorded his first albums as a bandleader, The Nutman Speaks and Nut. Chesnut has continued to work and record as a bandleader into the 21st century.

In 2006, Telarc released Genuine Chestnut, his first album for the label. On it he is accompanied by his regular trio of Michael Hawkins, bass and Neal Smith, drums. Additional artists on this session include Russell Malone, guitar and Steven Kroon, percussion. It includes jazz interpretations of some well-known pop numbers of the past half-century, including “If”, the early 1970s soft-rock ballad by Bread. “This song has been with me ever since the sixth grade,” Chestnut recalled, “I had to play it for my English teacher’s wedding. I’ve played it in many and various contexts. I actually played it in a Top 40 band when I was just out of school. A lot of time has passed, but then recently I just started thinking about it again.” Chestnut’s own “Mason–Dixon Line” is one of the album’s high points, a joyful bebop number.

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