Daily Dose Of Jazz…
Marilyn Crispell was born March 30, 1947 in Philadelphia, Pennsylvania and studied classical piano and composition at the New England Conservatory of Music. She discovered jazz through the music of John Coltrane, Cecil Taylor and other contemporary jazz players and composers like Paul Bley and Leo Smith.
For ten years Marilyn was a member of Anthony Braxton’s Quartet and the Reggie Workman Ensemble. She has worked with the Barry Guy New Orchestra as well as a member of the Henry Grimes Trio, the European Quartet Noir and Anders Jormin’s Bortom Quintet.
A resident of Woodstock, New York since 1977 when she came to study and teach at Karl Berger’s Creative Music Studio, in 2005 she performed and recorded with the NOW Orchestra, a year later she was co-director of the Vancouver Creative Music Institute and a faculty member at the Banff Centre International Workshop in Jazz.
Crispell has performed and recorded nearly two-dozen albums as a soloist and leader of her own groups as well as with John Cage, Pauline Oliveros, Robert Cogan, Pozzi Escot, Manfred Niehaus, Larry Ochs, Reggie Workman,Roscoe Mitchell, Wadada Leo Smith, Anthony Braxton, Steve lacy and Anthony Davis with the New York City Opera, among numerous others.
Pianist Marilyn Crispell, the recipient of a Guggenheim Fellowship, continues to perform, record and teach throughout the U.S., Europe, Canada and New Zealand, and collaborate with videographers, filmmakers, dancers and poets.
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JACQUES SCHWARZ-BART & CARL-HENRI MORISSET
The first form of jazz was called Creole music. It was not only popular in New Orleans but also in Haiti, Guadeloupe, Martinique, and Trinidad. When New Orleans became American, the connection between musicians from the French post-plantation society began to erode.
However, the connection between the French Antilles and Haiti never withered. In that tradition, Guadeloupean jazz musician Jacques Schwarz-Bart has long called upon his Haitian counterparts, including his musical collaboration with pianist Carl-Henri Morisset.
Morriset is one of Europe’s premier pianists, and Schwarz-Bart was voted the best saxophone player in France for 2025. Recently featured together in the group Black Lives, an all-star group of Black musicians from around the world, Schwarz-Bart said, “I released a sax/piano duet album lately, and I am excited to present this collaboration between Carl-Henri Morisset and myself, as the symbol of two Caribbean people with one Creole soul.”
Jacques Schwarz-Bart ~ saxophone
Carl-Henri Morisset ~ piano
This is a free but ticketed event. To guarantee your seat, please pick up your tickets at least 15 minutes prior to the show, at which point your unclaimed tickets may be used to seat patrons waiting on standby. Tickets will be available for pick-up at the Ticket Office beginning one hour prior to the performance.
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Daily Dose Of Jazz…
Charles Phillip Thompson was born in Springfield, Ohio on March 21, 1918 and became a professional pianist from the age of 10. By age twelve Thompson was playing private parties with Bennie Moten and his band in Colorado Springs. During this time Count Basie played off and on with Moten’s band and at one of these shows Basie called the young Charles up to play.
Throughout his career has chiefly worked with small groups, although he belonged to the Coleman Hawkins/Howard McGhee band in 1944-1945. Throughout the 40s he recorded with Charlie Parker, Dexter Gordon and J.C. Heard among others.
Thompson composed the jazz standard “Robbins’ Nest” and was dubbed Sir Charles Thompson by Lester Young. The swing and bop pianist, organist and arranger at age 98, passed away of colon cancer on June 16, 2016 in Tokyo, Japan.
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TAL COHEN QUARTET
Australian-born jazz pianist Tal Cohen leads a dynamic ensemble performance on the lawn as part of the Ocean Drive Promenade Music Series.
Cohen is an internationally touring pianist known for blending modern jazz with Middle Eastern melodic influences and intricate rhythmic phrasing. A winner of the Detroit Jazz Festival’s Barry Harris National Piano Competition, he has performed with acclaimed artists including Terence Blanchard, Joe Lovano, Greg Osby and Ignacio Berroa, while leading his own ensembles at festivals and venues around the world. His album Gentle Giants received international acclaim and a four-star review from DownBeat magazine.
In case of rain, the performance will move indoors to The Betsy Hotel.
Tickets: Free
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Requisites
After The Morning ~ John Hicks | By Eddie Carter
Feeling exhausted after a long week, I sought an album that offered a gentle, soothing escape. I went to the turntable, and put on After The Morning (West 54 WLW 8004) by John Hicks, and playing it was like a thoughtful act of self-kindness, gently easing my tension. Hicks’ piano work is both delicate and confident, creating a sense of tranquility reminiscent of a fresh morning. This album marks his third session as a band leader, but it was his first release. Joining him are Walter Booker, Jr. on bass (tracks: A1, A3, B1, B3), and Clifford Barbaro on drums (track: B1). The copy I own is the 1979 U.S. stereo release.
Side One opens with the title tune, After The Morning, by John Hicks. John is merry and playful as the melody is skillfully presented, and he continues swinging softly through the song’s only solo. Walter provides excellent support throughout, leaving the listener spellbound as the duo’s theme reprise gently closes. Serenata by Leroy Anderson and Avery Parrish provides Hicks with an unrestricted canvas in which to work in a solo performance. The song opens with a tranquil introduction and theme, then transitions into a breezy solo that captivates the listener, culminating in an exquisite ending.
Dierdre de Samba by Clifford Barbaro is a beautiful ballad that begins with a short introduction from the duo and unfolds into a lush, rich melody. John shines again as the song’s only soloist, playing with elegance and sensitivity ahead of a gorgeous reprise and a peaceful climax. Some Other Spring by Arthur Herzog, Jr. and Irene Kitchings is Hicks’ second solo performance, and a song he associated with the early morning of the day. Here, he delivers a delicately passionate and tender performance, and every note and phrase weaves a haunting spell ahead of the pianist’s return to take the song out softly.
The Duke by Dave Brubeck is a tribute to Duke Ellington, and John’s final solo performance of the first side. His introduction and melody feel like the calm of a new morning, showcasing his virtuosity in one of the album’s most beautiful moments. Impact by Charles Tolliver is the trio’s only appearance together and is the most adventurous song on the album. The cascading introduction rolls in like a severe, sudden thunderstorm, before Hicks takes charge of the theme ahead of a sizzling interpretation propelled by Booker’s bass and Barbaro’s brushwork, preceding a quick return to end on a sudden stop.
Until The Morning by John Hicks opens with a very pretty introduction that blossoms into a beautifully flowing theme of refined elegance. As the song’s only soloist, he offers an interpretation that’s both carefully crafted and deeply expressive, culminating in a touchingly delicate finale. Night Journey by Andrew “Tex” Allen wraps up the album with a delightful introduction by John and Walter into a vivacious theme. As the song’s only soloist, his tone is as airy as ever, and he explores several points of interest as the interpretation unfolds before the duo reprises the theme and brings the song to a graceful conclusion.
Roger Pola produced After The Morning, and Bob Cubbage was the recording engineer behind the dials. The album’s sound quality is excellent, with an outstanding soundstage. Your sweet spot will feel like you’re in the studio with the musicians as they’re recording. John Hicks recorded over 30 albums as a leader and contributed as a sideman to more than 300 releases. If you’re a fan of jazz piano and looking for something soothing, I offer After The Morning by John Hicks for your consideration on your next record-shopping trip. It’s a perfect album to begin your journey into his music, and after a tough day or week, a terrific companion to help you unwind and catch your breath!
© 2026 by Edward Thomas Carter
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