Requisites
Quartet ~ Russ Freeman and Chet Baker | By Eddie Carter
It had been some time since I last enjoyed Russ Freeman’s piano work, so this morning I chose an excellent collaboration featuring him and trumpeter Chet Baker from my library. Quartet (World Pacific Records, PJ-1232) hit the stores in 1957 and was the eleventh album Freeman and Baker recorded together. The album showcases six original tunes alongside two standards, and they are supported by the outstanding rhythm section of Leroy Vinnegar on bass and Shelly Manne on drums. The copy of this album that I own is a King Record Company Japanese mono reissue (Pacific Jazz GFX-3104).
The first side opener, Love Nest by Otto Harbach and Louis A. Hirsch begins at a brisk pace, with Chet on muted trumpet during the lively melody, which continues into a spirited opening statement. Russ gets the next nod and delivers an energetic reading. Leroy follows up with a swinging interpretation, then Chet and Shelly engage in a brief exchange before the closing chorus returns. Fan Tan, the first of six originals by Russ Freeman, slows the pace to midtempo for the quartet’s theme. Freeman is afforded plenty of room to shape his phrases in the opening statement. Baker is back on the open horn and maintains a laid-back vibe as he effortlessly swings to the closing chorus and ending.
Summer Sketch begins with a gentle piano introduction. Chet Baker’s trumpet playing throughout the track is both poetic and tender, with each note radiating romantic beauty, softly guiding the group to a smooth, unified finish. An Afternoon At Home ends the first side with the rhythm section’s inviting introduction, allowing Baker to glide through the opening chorus at a leisurely, relaxed pace. Freeman’s lead solo is as enjoyable as spending a leisurely afternoon with friends. Then, Vinnegar takes the spotlight next for a captivating solo. Baker has the last word with a charming presentation, before the quartet brings the tune to a satisfying close.
Say When starts Side Two with the quartet’s spirited melody. Chet leads the way with an exciting opening statement. Russ soars into the following presentation, then Shelly swings with great force in a brief, exhilarating closing reading before the theme’s reappearance and the group’s exit. Lush Life by Billy Strayhorn is one of the enduring favorites among jazz standards. The song begins with Freeman’s sensitive introduction, gently segueing to Baker’s rich tone as he introduces the tender theme. The pianist’s solo possesses a sad, reflective beauty, culminating in the trumpeter’s tender and thoughtful finale.
Amblin is a slow blues, introduced by the trio’s soulful introduction, segueing to the leader’s down-home melody. Chet opens with a solo that’s thoughtfully crafted and effortlessly delivered. Russ continues letting each verse glide effortlessly next. Leroy wraps it up with plenty of heart, ahead of the quartet’s theme reprise and climax. Hugo Hurwhey takes off with a short introduction, preceding the ensemble’s upbeat theme. Baker hits an ideal groove in the opening statement. Freeman takes the reins next with a robust reading, then Vinnegar, Manne, and Freeman culminate the solos in a vigorous exchange with Baker, leading to the melody’s restatement and conclusion.
Richard Bock produced Quartet, but the identity of the recording engineer is unidentified. However, this King Record Company reissue possesses outstanding audio quality, with an excellent soundstage that brings the foursome into your listening room with impressive clarity and presence. Whether you’re a Russ Freeman or Chet Baker fan, or are just discovering the discography of either musician, I emphatically recommend and invite you to pick up Quartet on your next trip to the record store. The album is a stellar showcase for both musicians and would make a welcome addition to any jazz library!
~ Lush Life – Source: JazzStandards.com
© 2025 by Edward Thomas Carter
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Daily Dose Of Jazz…
Eduardo Puperi was born in Porto Alegre, Rio Grande do Sul, Brazil on October 25, 1969. From 1986 to 1991 he studied music at CLAM, a school directed by Zimbo Trio in São Paulo, Brazil with teachers Fernando Corrêa and Conrado Paulino. He graduated in composition and directing in 1993 from the University of Music and Arts Alcântara Machado (FAAM).
The next year Puperi formed the Ludi & Tiné Quartet with guitarrist Paulo Tiné. The instrumental group that lasted until 1999 and released an album called “Vento Leste” in 1997. He was musical director at Cultura Inglesa in São Paulo from 1996 to 2000, directing the musicals Guys and Dolls, Bye Bye Birdie, Hair, All that Jazz and Fame. From 1991 to 2004 he directed the big bands FAAM Jazz Band, Orquestralha and Swinging Sounds.
His groups have been Aura Tropical and the Edu Puperi Trio, the latter which became a quartet in 2005 with bassist Luis Passos, drummer Humberto Zigler, and tenor and soprano saxophonist and flutist Chiquinho de Almeida. Both groups have released albums.
In 2001 he began teaching piano, guitar and performing practice at Casa de Música Luiz Chaves. Pianist Edu Puperi continues teaching, performing and recording.
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Daily Dose Of Jazz…
Bernard Peiffer was born on October 23, 1922 in Épinal, France and was raised in a musical family, with his father and uncle playing the violin and the organ, respectively. Learning piano at age nine, he studied under Pierre Maire and quickly demonstrated his abilities by repeating long sections of classical works by ear. He won the 1st Prize in Piano at the Paris Conservatory and began his professional career at the age of twenty. playing with André Ekyan and Django Reinhardt.
During World War II, he joined the French resistance after witnessing the execution of a friend by the Gestapo in the streets of Paris. Soon afterwards he was captured, and was incarcerated for over a year. By the early 1950s, he began a successful career, playing with Django Reinhardt, leading his own quintet, composing film soundtracks, and achieving notice in the clubs of Paris, Monte Carlo and Nice, and eventually became nationally known.
He moved to Philadelphia, Pennsylvania in 1954 with his wife Corine and daughter Rebecca. The subsequent loss of his third daughter profoundly affected him, resulting in Poem for a Lonely Child. During his first years in America, Bernard achieved considerable success, performing at Carnegie Hall, Birdland, and the Newport Jazz Festival. He recorded for the EmArcy, Decca and Laurie labels.
Peiffer released his last commercial album in 1965 and, after having kidney surgery a few years later, restricted himself to performing and teaching, mainly in Philadelphia. His students included Uri Caine, Sumi Tonooka, Tom Lawton, and Don Glanden. His last major appearance was at the 1974 New York/Newport Festival at Carnegie Hall. Pianist, composer and teacher Bernard Peiffer, whose nickname was Le Most for his piano skills, died on September 7, 1976. He was 53.
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Daily Dose Of Jazz…
Edgardo “Dado” Moroni was born October 20, 1962 in Genoa, Italy and started playing piano at age four. A self-taught musician, by his mid-teens he was playing professionally around Italy and by age 17 had recorded his first album.
Throughout the 1980s Dado worked mostly in Europe and played a long stint as part of former Duke Ellington bassist Jimmy Woode’s trio at Widder Bar in Zurich, Switzerland. At 25, in 1987 he served as a juror at the prestigious Thelonious Monk International Piano Competition.
He moved to the U.S. in 1991 and became part of the New York jazz scene. He appeared regularly as a leader and sideman at Blue Note, Birdland, and the Village Vanguard. During this period he recorded several CDs.
Moroni has played with Freddie Hubbard, Clark Terry, Zoot Sims, Harry “Sweets” Edison, Ray Brown, Ron Carter, Oscar Peterson, Ahmad Jamal, Hank Jones, Niels-Henning Ørsted Pedersen and Alvin Queen.
Based in Italy, Dado continues to perform worldwide. In 2007 he won the Italian Jazz Awards as Best Jazz Act. 2009 had him named Best Italian Jazz Pianist in the Top Jazz referendum sponsored by Musica Jazz magazine. The following year he was appointed Professor of Jazz Piano at Giuseppe Verdi Conservatory of Music in Turin, Italy.
Pianist, composer and educator Dado Moroni continues to perform, record and teach.
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ARTURO O’FARRILL
Born in Mexico and raised in New York, Arturo O’Farrill is a prolific pianist, composer, and passionate promoter of Latin music and its cultural heritage. The son of Latin jazz musician, arranger and bandleader Chico O’Farrill, and pianist, composer, and director for the Afro Latin Jazz Orchestra.
He is best known for his contributions to contemporary Latin jazz, more specifically Afro-Cuban jazz, having received Grammy Awards and nominations, though he has trained in other forms such as free jazz and experimented briefly with hip hop.
grew up in New York City. Arturo’s professional career began with the Carla Bley Band and continued as a solo performer with a wide spectrum of artists including Dizzy Gillespie, Lester Bowie, Wynton Marsalis, and Harry Belafonte.
In 2007, he founded the Afro Latin Jazz Alliance as a not-for-profit organization dedicated to the performance, education, and preservation of Afro Latin music.
Arturo has performed with orchestras and bands including his own Afro Latin Jazz Orchestra and Arturo O’Farrill Sextet, as well as other Orchestras and intimate ensembles in the US, Europe, Russia, Australia, and South America.
Tickets: $40.00 General Admission | Dinner & Show $85.00
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