ANDERSON BROTHERS PLAY BENNY GOODMAN

Hailed as “virtuosos on clarinet and saxophone” by the New York Times, Peter & Will Anderson have performed concerts together since the age of 9. They’re Juilliard graduates, and have performed on Broadway, Carnegie Hall, The Kennedy Center, the New Orleans Jazz Festival, can be heard on the Grammy winning soundtrack to HBO’s Boardwalk Empire with Vince Giordano’s Nighthawks, and received a Drama Desk Nomination for their Off-Broadway Production “Le Jazz Hot” in 2012. They can be seen and heard as saxophonists in the upcoming Martin Scorsese film, “Killers of the Flower Moon.” Aside from leading performances in over 45 U.S. States, Japan, Brazil, Canada, and the United Kingdom, they’ve lectured at over a dozen Universities across the country.

BAND MEMBERS:
Peter Anderson – Tenor Saxophone, Clarinet
Will Anderson – Alto Saxophone, Clarinet, Flute

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THE JEFF RUPERT QUARTET WITH LUCY YEGHIAZARYAN

Jeff Rupert’s performing and recording credits include over 50 albums, and associations with Diane Schuur, Mel Tormé, Kevin Mahogany, Ernestine Anderson, and Benny Carter’s Grammy winning Harlem Renaissance. Jeff Rupert toured for fifteen years with Sam Rivers; four albums ensued, and from 1997- 2002 he toured and recorded with Maynard Ferguson. Jeff Rupert’s eleven recordings as a leader all charted on JazzWeek.

Performance venues include the Blue Note, Birdland, Carnegie Hall, Lincoln Center, the Kennedy Center, the Tokyo Forum, the National Concert Hall of Taipei, Taiwan, and jazz festivals in Europe, Israel, Australia, New Zealand and Japan. Rupert’s release Let’s Sail Away with Veronica Swift, Richard Drexler and Marty Morell was #1 on the jazz charts, and his most current album The Ripple with George Garzone has been on the JazzWeek chart for 35 weeks.

As a composer and arranger, Rupert has arranged for Bob Berg, James Moody, Maynard Ferguson, Judy Carmichael, Kenny Drew jr, and Kevin Mahogany. Rupert has produced 6 big band albums for the Flying Horse Big Band, all featuring original compositions and Arrangements.

Jeff Rupert is Pegasus Distinguished Professor, Trustee Endowed Chair, and Director of Jazz Studies at the University of Central Florida (UCF), and founder of Flying Horse Records. The Bat Swings!, music from the 60’s T.V Show, Batman, charted on RMR, JazzWeek, and NACC, and was the #1 album of the week in the U.S. on two of these charts, simultaneously. The Flying Horse Big band’s latest release is Good News! and was #1 on the RMR charts. Rupert’s most recent album as producer is The Flying Horse Big Band album Florida Rays celebrating the music of Ray Charles.

BAND MEMBERS:
Jeff Rupert – Tenor Sax
Lucy Yeghiazaryan – Vocalist
Richard Drexler – Piano
Marty Morell – Drums
Ben Kramer – Bass

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Three Wishes

Pannonica inquired what his three wishes would be if they could be granted and Frank Wess responded by telling her the following:

1. 1. “I don’t know. I don’t know. You’d think I was crazy if I told you. Well, I’d like to have a crazy pad with horses and some crazy dogs! And to play good music with a lot of people all of my life. And I’ll leave the third wish to the fairy godmother, because she’s been so nice.”

*Excerpt from Three Wishes: An Intimate Look at Jazz Greats ~ Compiled and Photographed by Pannonica de Koenigswarter

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Three Wishes

Jaki Byard was given the opportunity by Nica to express his three wishes  and his response was:

1. “If I could be financially able to do anything I wanted to, I’d have two or three clubs. I wouldn’t want three wishes, I’d only need one. Gee, that’s the only wish I ever had! To have three or four clubs, in the same New York vicinity, and let the clubs run themselves. That’d take care of all the different types of music. Does that make sense? That’s my only wish and I think that’s good enough.

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Daily Dose Of Jazz…

William Thornton Blue was born on January 31, 1902 in St. Louis, Missouri and grew up playing in local bands in his hometown, where his father was a part-time music instructor.

He played with Wilson Robinson’s Bostonians, a territory band, where he was introduced to the rigors of the road. In 1924 he worked with Charlie Creath, then went to New Orleans, Louisiana and joined Dewey Jackson in the middle of the 1920s. This association eventually took Blue back to St. Louis as part of the touring schedule but Blue didn’t stay long. Heading to New York City later that decade he had an extended stint working with Andrew Preer’s Cotton Club Orchestra. This led to a European tour as a member of Noble Sissle’s ensemble.

Remaining for a brief time in Paris, France he collaborated with bassist John Ricks. When Bill returned to New York City, he joined The Missourians, led by Cab Calloway, then worked with pianist Luis Russell.

Due to failing health he played very little in the late Thirties and afterwards. Clarinetist and alto saxophonist William Thornton Blue, sometimes credited as Bill Blue, transitioned in 1968 after spending the last several years of his life in a New York sanatorium.

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